Cinematic Sound Radio

On episode eleven of THE ANIME SPECTACULAR on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections from PARASYTE with music composed by Ken Arai. The music continues with selections from FULL METAL PANIC SECOND RAID with music composed by Toshihiko Sahashi. You’ll then hear selections from BUBBLEGUM CRISIS: TINSEL CITY RHAPSODY with an original score by Kouji Makaino. The show closes out with music from PRINCESS MONONOKE with music by Joe Hisaishi. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On part one of episode 24 of THE ARCHIVE on the CINEMATIC SOUND RADIO NETWORK, host Jason Drury starts the show with music by John Lunn from the 2019 film, DOWNTON ABBEY, based on the popular UK TV series of the same name. Then Jason presents music from the 90s sci-fi television series, SEAQUEST DSV, with music composed by John Debney.  Afterwards, you'll hear music from the classic 1980 sci-fi horror film, THE THING, with music by the late, great Academy Award-winning composer, Ennio Morricone. In the "Best of British" segment Jason presents music from the veteran composer Christopher Gunning with his memorable score for the 1985 film WHEN THE WHALES CAME. Part one finishes off with selections from Jerry Goldsmith’s wonderful score from the 1978 film, THE GREAT TRAIN ROBBERY. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinem

Today’s episode on the CINEMATIC SOUND RADIO network is episode ten of our orchestral video game show, THE 1UPBEAT with Eric Silver. On the program today, Eric presents part one of a two-part series dedicated to the best scores of the years 2010.  today's program will countdown scores 10 to 6 including music by Jason Graves, Russell Shaw, Oscar Araujo, Russell Brower, Glenn Stafford, Derek Duke, Neal Acree, Yoko Shimomura and ACE+. Part two will be available in the coming weeks. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The second episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO is a discussion between Erik Woods and Randy Andrews about the film and score to the 1992 Tim Burton film, BATMAN RETURNS, which was a sequel of the smash-hit BATMAN released in 1989.  In the film, Batman must prevent the Penguin from killing all of Gotham City's firstborn sons, while dealing with Catwoman, who seeks vengeance against Max Shreck, a corrupt tycoon who seeks to bring Gotham City under his control. The original score for the film was composed by Danny Elfman, conducted by Jonathan Sheffer and performed by The Hollywood Symphony Orchestra. The expanded release of the score was produced by La La Land Records. Soundtrack Alley Theme by Alexander Schiebel —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinso

Welcome to the third episode of COMPOSER CONVERSATIONS WITH DAVID COSCINA on CINEMATIC SOUND RADIO. On today's episode, David chats with Theodore Shapiro. Shapiro was born in Washington, D.C. He earned a Bachelor of Arts degree in music from Brown University in 1993, followed by a Master of Fine Arts in music composition from the Juilliard School in 1995. He is best known for his film scores, particularly for the comedies STATE AND MAIN, 13 GOING ON 30, ALONG CAME POLLY, THE DEVIL WEARS PRADA, FUN WITH DICK AND JANE, IDIOCRACY, YOU, ME AND DUPREE, WET HOT AMERICAN SUMMER, MARLEY & ME, TROPIC THUNDER, the Jay Roach film DINNER FOR SCHMUCKS and was one of the composers for DIARY OF A WIMPY KID. He's also worked on CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE, which was honoured as being the best score of 2017 by CINEMATIC SOUND RADIO and was awarded the 2017 IFMCA AWARD for Best Original Score For An Animated Film. His most recent projects include BOMBSHELL, SPIES IN DISGUISE and TROLLS WORLD TOUR. David spo

On part two of episode 23 of THE ARCHIVE on the CINEMATIC SOUND RADIO NETWORK, host Jason Drury continues the music with selections from the Golden Globe-winning score to Ridley Scott’s GLADIATOR by Hans Zimmer and Lisa Gerrard. NoteforNote Music’s newest release of REMO WILLIAMS: THE ADVENTURE BEGINS plays next with an original score by Craig Safan. An extended suite of music from NoteForNote’s A BRIEF HISTORY OF TIME TRAVEL by Tracie Turnbell is featured before Jason ends the show is spectacular fashion with John Debney’s classic swashbuckling adventure score to CUTTHROAT ISLAND performed by the London Symphony Orchestra. Enjoy! —— Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voic

Welcome to the latest in the continuing series of film, TV and video game composer interviews on the CINEMATIC SOUND RADIO NETWORK. Penka Kouneva arrived in Hollywood in the year 2000 with dreams of working as a composer in the film industry, but with no money or connections. The classically trained musician was born in Sofia, Bulgaria and came to the U.S. in 1990 to study music at Duke University, where she achieved a PhD in composition. Since arriving in Los Angeles 20 years ago, Penka has been led by determination and has managed to work as an accomplished orchestrator and composer for videos games (LEAGUE OF LEGENDS, PRINCE OF PERSIA, and THE MUMMY) and feature films (Oscar contender AGA, Sony Pictures’ ENCOUNTER and DEVIL'S WHISPER). In 2019, Penka scored The CW Network’s sci-fi drama PANDORA from creator Mark A. Altman—her first network television series in collaboration with Joe Kraemer. PANDORA is set in the year 2199, where a young woman named Jax who has lost everything, finds a new life at Earth'

Welcome to the premiere episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO. SOUNDTRACK ALLEY is a podcast hosted and produced by Randy Andrews who is also the host and producer of ANIME SPECTACULAR here on the network. SOUNDTRACK ALLEY has been around for many years and I’ve been honoured to be a guest on his show many times to discuss numerous topics like STAR TREK, INDIANA JONES, and CLOSE ENCOUNTERS OF THE THIRD KIND. The show is a discussion formatted program where Randy invites a special guest to talk about one of his favourite films and film scores. The discussion usually ranges from 90 minutes to 2 hours in length with in-depth discussions of the film and music. Randy has produced close to 100 episodes of the show which also included various composer interviews. A few days ago, Randy came to me and told me that he was thinking of moving SOUNDTRACK ALLEY to CINEMATIC SOUND RADIO. We had a lengthy discussion to make sure this is what he wanted and after going over the details we agreed to br

On episode three of FILMIC here on CINEMATIC SOUND RADIO, host Ley Bricknell presents more new film and game soundtrack releases including Trolls World Tour (Shapiro), The Quarry (McIntosh), X4: Split Vendetta (Zakharov), Scoob (Holkenborg) and many more.  Ley also shines the spotlight on composers Sid De La Cruz and Thomas Clay.  You'll also hear music from one of the most influential scores of the ’70s in the monthly ‘Vintage’ segment! Enjoy! —— Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to a Cinematic Sound Radio Network Interview Special featuring film composer, musician and writer Brad Fiedel. Raised in Bayville, New York on Long Island on March 10, 1951, Fiedel graduated from The Barlow School. After college, he became a popular and progressive composer, and in the 1980s, he worked on several successful movies, predominantly in the action and thriller genres, and pioneered the use of electronic instruments and synthesizers—almost disappearing from the mainstream at the end of the 1990s. He was the keyboardist for Hall and Oates. He began his career in film in the late 1970s, and wrote extensively for television films and minor cinema releases, until director James Cameron hired him to score the science fiction film The Terminator in 1984, setting the wheels in motion for a successful career. Since then, Fiedel has scored many popular and successful movies, including FRIGHT NIGHT (1985) and its sequel FRIGHT NIGHT PART 2 (1988), THE BIG EASY (1987), THE SERPENT AND THE RAINBOW (

On part one of episode 23 of THE ARCHIVE on the CINEMATIC SOUND RADIO NETWORK, host Jason Drury starts the show with "The Trees" from Jerry Goldsmith’s score for MEDICINE MAN. He then heads to the Irish coast and plays selections from John Williams' brilliant score for the Ron Howard film, FAR AND AWAY, recently released in expanded form from La La Land Records. Jason then plays music from the new Varese Sarabande Records remastering of Joseph LoDuca's ARMY OF DARKNESS. The PUTTING THE A IN ARCHIVE segment features music from the 1953 classic Western SHANE by Victor Young and the show ends with James Horner’s memorable work for the epic historical western, LEGENDS OF THE FALL, which was recently released in its complete form by Intrada Records. Enjoy! —— Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/ci

In today’s program, we’ll be paying tribute once again to two-time Academy Award-winning composer James Horner. It has been five years since his tragic death and CINEMATIC SOUND RADIO once again is paying tribute to the composer by playing more of his music. Back in the 1970s, James Horner dreamt of a career as a concert composer, but it was film scoring that was to be his true calling, and it would take him 30 years to finally return to the concert hall with Pas De Deux. One can argue that Horner was always writing concert works as he broke convention by producing extended cues that retained the long-form structures observed in classical music. End Credits similarly offered Horner the opportunity to write pure music which could be enjoyed without visuals; stand-alone compositions that developed the thematic and motivic material introduced in the score, but free of any narrative, dramatic tone or tempo obligations from their cinematic counterpart. On today’s program we will be playing end credit cues compos

Today on the Anime Spectacular, Randy Andrews interviews Lucas Cantor.  Lucas Cantor is a composer, producer, multi-instrumentalist, and conductor. He has worked in NBC's music department for the Olympic Games in Salt Lake City, Athens, Torino, Beijing, Vancouver, London, Sochi, Rio, and Pyeong Chang. He won two Emmys for the Olympics (2008 and 2012).  Lucas co-produced Lorde's cover of "Everybody Wants To Rule The World" on THE HUNGER GAMES: CATCHING FIRE soundtrack. He finished Schubert’s 8th Symphony (the unfinished symphony) with the help of AI. The full symphony was premiered in London at Cadogan Hall. He's the composer for WU-TANG IN SPACE; a collaboration between Impossible foods, and the Wu-Tang Clan. He currently writes music for DreamWorks Animation's SPIRIT: RIDING FREE and for CANNON BROTHERS He wrote the theme and background music for the LA Times Podcast, THE REEL. In 2013, he was the composer for THE DEVOTION PROJECT, a series of short films about LGBTQ couples. In 2014, he was the execu

On today’s show, Jason Drury interviews composer Atli Örvarsson. Originally from the small town of Akureyri, Atli Örvarsson became established in the local music scene at a young age. He earned three platinum and two gold records as a member of the Icelandic band Sálin hans Jóns míns before studying film composing at Berklee College of Music and the North Carolina School of the Arts. He excelled in composing and was awarded the Pete Carpenter Fellowship, which brought him to Los Angeles. He began working alongside TV veteran Mike Post on NYPD BLUE and three LAW AND ORDER brands. Soon after that, Atli met composer Hans Zimmer, who extended an invitation to join his team at Remote Control Studios. Atli’s accolades include winning the HARPA Nordic Film Composer Award for his acclaimed score to Rams, several ASCAP & BMI Film & TV Music Awards, a “Breakthrough of the Year” nomination with the IFMCA Awards in 2009, plus he was nominated for the prestigious World Soundtrack Academy’s “Discovery of the Yea

Today’s episode on the CINEMATIC SOUND RADIO network is episode nine of our orchestral video game show, THE 1UPBEAT with Eric Silver. On the program today, Eric presents us with a look back on the life and career of legendary video game composer Grant Kirkhope. Eric will chronicle each era of the famed composer’s career. You’ll even hear from the man himself, who was kind enough to contribute to today’s program. All of this plus excerpts from some of the most beloved game scores in history, including VIVA PIÑATA and KINGDOMS OF AMALUR: RECKONING. Enjoy! —— Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode nine of THE ANIME SPECTACULAR on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections from SUMMER WARS with music composed by Akihiko Matsumoto. The music continues with selections from FATAL FURY: LEGEND OF THE HUNGRY WOLF with music composed by Toshihiko Sahashi and Toshio Masuda. You'll then hear selections from the 1986 film Hayao Miyazaki's CASTLE IN THE SKY with an original score by Joe Hisaishi. The show closes out with music from the 1996 classic GHOST IN THE SHELL with music by Kenji Kawai. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On today’s show, Jason Drury interviews composer Vivek Maddala. Vivek is a two-time Emmy-winning composer for his music in the Cartoon Network series The Tom and Jerry Show. His most recent project is the thought-provoking PBS documentary series Asian Americans, which casts a new lens on U.S. history and the ongoing role that Asian Americans have played. Each of the five episodes contains wall-to-wall music, and Vivek created different themes which evolve alongside the storytelling throughout the series. Asian Americans premiered on PBS on May 11th 2020. For the score, he intentionally threaded recurring themes into the story to help the audience connect the dots and see the parallels between these oppressive situations that Asian Americans have endured throughout history in the U.S. One of the themes Vivek created is called “resigned acceptance,” which he explains is the decision of the oppressed to not rebel, but to unite and better their own situation as best as possible. Overall, the composer set out

On today’s show, Jason Drury interviews composer Florencia Di Concilio Born in the midst of a South American dictatorship, Florencia Di Concilio grew up in a home full of dusty Italian opera records, hanging out at a young age in nightclubs and cabarets where her father used to play jazz and tango, and making her stage debuts in the underground scene as a punk rock bass player. Defying boundaries, she went on to become an accomplished classical pianist, earning degrees from the New England Conservatory in Boston, winning international competitions and performing internationally as a concert pianist. Through a mastery of classical musical language, and of electronic composition, Florencia Di Concilio has developed a trademark style that can be best described as an orchestration of everyday life. She uses real everyday noises and, through her personal sound processing technique, turns them into musical instruments, and orchestrates them into organic, complex, and architecturally imposing pieces of music. Her

Welcome to the second episode of COMPOSER CONVERSATIONS WITH DAVID COSCINA on CINEMATIC SOUND RADIO. On today's episode, David sits down with David William Hearn David William Hearn is an English composer, arranger and music producer based in London whose music can be heard in television shows; commercials; live tours; records; trailers and films. Some of his recent work includes music for television shows such as FRIDAY NIGHT LIGHTS, DANCING ON ICE, AMERICAN IDOL and THE VOICE; commercials for WAITROSE, SAMSUNG and LEXUS; and live events and concerts for major recording artists. David has provided orchestral mockups, additional arrangements and orchestrations for other film composers on features including MARY POPPINS RETURNS, LES MISÉRABLES, HEART OF THE SEA, A DOG'S PURPOSE and THE CHRONICLES OF NARNIA. Additionally, Hearn is the creator of the revolutionary Staffpad, a program that was introduced in 2015 for the Microsoft Surface and allowed notes to be directly written onto the tablet using the Surfac

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO, I conclude the countdown of my favourite scores from the past ten years.  On part four I’ll be talking about and playing music from my number 5-1 favourite scores of the past decade.  You'll be hearing music from such composers as John Powell, Daft Punk, John Williams and Olivier Derivière. And if you haven't listened to the other parts of the series then I highly recommend you listen to those shows before diving into this one. Again, these are my favourites. No doubt you are going to have a much different list. If you do, please share it with me on Twitter, Facebook or on cinematicsound.net. I’d love to read what you liked over the past ten years! Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burd