Cinematic Sound Radio

Cinematic Sound Radio turns 17 this month so as I do every year (except last year) I make a valiant attempt at coming up with a topic or theme that I have never before explored on the show. This year I’m going to play for you some of my favourite end credit cues. These are by no means the definitive best of the best but I think this show features a fine selection of end credit cues from the most iconic to the more obscure. So, on this special three hour program you will hear music Alan Silvestri, James Horner, John Debney, John Williams, Joel McNeely, David Shire, David Arnold, Mark Snow and many others. Special thanks to David Coscina who composed the NEW Cinematic Sound Radio’s fanfare. We have retired the 20th Century Fox fanfare and will now be opening up all programs with Coscina’s new theme. And a big special thanks goes out to film music journalist and historian Jon Burlingame for his invaluable assistance on this show.

Guest host Tim Burden continues his conversation with Academy Award nominated and Emmy Award winning composer, Bruce Broughton. During this final segment Broughton discusses in length the process of writing some of his most beloved scores including TOMBSTONE, BABY’S DAY OUT, MIRACLE ON 34th STREET, TRUE WOMEN, SHADOW CONSPIRACY, LOST IN SPACE, his two ELOISE scores and much more. You will also be treated to some of Broughton’s concert work including FANFARES, MARCHES, HYMNS & FINALE as well as a live performance of the HOLLYWOOD IN VIENNA “FANFARE.”

Cinematic Sound Radio makes its long awaited return after a six month hiatus with a program that I’m sure you are going to love. Guest host Tim Burden sits down for an exclusive chat with Academy Award nominated and Emmy Award winning composer, Bruce Broughton. During this first part of a two part special Broughton discussed in great detail working on such projects like THE BLUE AND THE GREY, SILVERADO, YOUNG SHERLOCK HOLMES, THE BOY WHO COULD FLY, RESCUERS DOWN UNDER, HONEY, I BLEW UP THE KID and many more.