New Books In Critical Theory

What does non-religion mean? In a new book Recognizing the Non-Religious: Reimagining the Secular (Oxford University Press, 2015), Lois Lee, one of the editors of Secularism and Non-Religion, interrogates the role of non-religion in society, to better understand how a seemingly neutral category tells us much about the contemporary world. Positioning the research against narratives that claim society as secularized, or as increasingly post-secular, Lee’s work, along with other scholars in the Non-Religion and Secularity Research Network, shows how there are varieties of secularism and non-religion prevailing today. The book is programatic, setting out a framework for engaging with non-religion as a bodily practice, as sociality, as media and as the everyday. Moreover it offers a methodological challenge to traditions of survey research in this area. In the final chapter the book also sketches the concept of existential cultures, showing the points of intersection in the practices of the secular and non-r

New Subaltern Politics: Reconceptualizing Hegemony and Resistance in Contemporary India (Oxford University Press, 2015), edited by Alf Gunvald Nilsen and Srila Roy, is a wonderfully rich and theoretically coherent collection of texts that critically assess the legacies of Subaltern Studies through research into political movements in India today. The case studies range from students at elite higher education institutes shoring up their privilege, to queer activism in Kolkata, to Dalit villagers fighting land grabs, and the studies’ richness allows for a really nuanced relational understanding of subalternity, hegemony and the state that make the book a truly conceptually and ethnographically innovative collection.Learn more about your ad choices. Visit megaphone.fm/adchoices

The role of financial services in individuals’ and communities’ everyday lives is more important than ever. In Devising Consumption: Cultural Economies of Insurance, Credit and Spending (Routledge, 2014), Liz McFall charts the rise of one particular element of financial services, door-to-door sales, to understand the role of insurance and credit in society. In doing so McFall aims to ‘ventriloquise the lives and consumption practices of the silent poor’, as well as charting a the history of a very neglected element of the story of finance’s role in contemporary life. The book contains a wealth of historical data, alongside a theoretical engagement with the meaning of ‘the device’ within current social theoretical literature. Moreover the book offers reflections on the role and workings of markets and states, both with regard to finance and more broadly to the government of social life. The combination of these perspectives offers an important new lens through which to

Are you happy? In his new book The Happiness Industry: How the Government and Big Business Sold Us Well-Being (Verso, 2015), William Davies, a senior lecturer at Goldsmiths’ College, University of London, critically investigates this question. The book offers skepticism towardsthe demand that economy and society be happy, skepticism founded in an interrogation of the practices of contemporary government and businesses. A whole range of our everyday experiences, including ‘nudges’ for citizens and staff, the perverse incentives of metrics, through tothe consequences of how psychiatry classifies depression, are subject to critical scrutiny.Moreover, the book acts as a primer on economics, psychology and organizational theory, clearly articulating the roots and the consequences of our current economic and social settlement. The book concludes with the possibility of a more democratic way of organizing the world, in contrast to our impersonal, oppressive, and data driven present. Dr Davies is a

Networks seem to be the dominant metaphor for contemporary society. In Networkologies: A Philosophy of Networks for a Hyperconnected Age (Zero Books, 2014), Christopher Vitale sets out a manifesto for understanding and using networks as the basis of a new philosophy. The book draws on continental philosophy, complex systems theory and a range of other elements to both introduce and contextualise, as well as present, the networkology manifesto. The book explores what networks are, how they emerge, how they change and how they are resilient (or not). The book intervenes in the contemporary interest in networks and will thus be of interest beyond just the critical theoretical disciplines. The text is also part of a much broader networkological project, including an original iteration of the manifesto and several papers. You can find out more about the project here.Learn more about your ad choices. Visit megaphone.fm/adchoices

Whether you need help being more focused at work, are having a spiritual crisis, or want to understand how you can change your inner self for the better, the popular self-help and spiritual well-being market has got you covered. In Capitalizing Religion: Ideology and the Opiate of the Bourgeoisie (Bloomsbury, 2014), Craig Martin, Associate Professor of Religious Studies St. Thomas Aquinas College, examines the rhetoric of individualism at root in these works and popular conceptions of ‘spirituality’ or individual religion. He demonstrates that individual religion has been placed within sets of dichotomies, communal vs. individual, tradition vs. choice, organized religion vs. spirituality, that establish the continuing conversations about contemporary spirituality. Overall, he argues that many spirituality and related self-help discourses recommend quietism, consumerism, and worker productivity, which reproduce the status quo within neoliberal capitalism. In our conversation we discuss the relation

Theoretical and historical accounts of postcatastrophic societies often discuss melancholia and trauma at length but leave processes of mourning underexplored. In Warped Mourning: Stories of the Undead in the Land of the Unburied (Stanford UP, 2013), Alexander Etkind shows why mourning is more conducive to cultural analysis. Where trauma is unsymbolized and melancholia is contained within the self, mourning is often an address to the other.Mourning might entail attempts to remember, creatively work through, and make manifest losses in poetry, memorials, histories, painting, and other art forms.Without access to the unconscious, cultural historians can only engage what has already been represented and written — that which has materiality and symbolic richness.Individual and mutigenerational testaments and rituals of mourning — warped, haunted, and incomplete — are all that scholars have available. Warped Mourning is about how three generations spanning the Soviet and post-Soviet periods have

Credit, debt and default are embedded into everyday life, whether as a constant part of people’s daily routines or as a constantly discussed topic in news media. Joe Deville‘s new book, Lived Economies of Default: Consumer Credit, Debt Collection and the Capture of Affect, helps to make sense of this by asking how this core part of the social world functions.The book draws on science and technology studies and theories of affect, to lay bare the practices of attaching the debtor to debt, and to getting debts to be repaid. The book has case studies of credit cards, collections agencies, telephone calls and letters, revealing the reality of default and debt in contemporary society. The book will appeal widely, not only to sociology, organization studies and anthropology, but also to politics, psychology, and the wider humanities.Learn more about your ad choices. Visit megaphone.fm/adchoices

How is “the public sphere” best conceptualized on a transnational scale? Nancy Fraser (The New School for Social Research) explores this pressing question in her book Transnationalizing the Public Sphere (Polity, 2014). Opening with Fraser’s foundational essay, “Transnationalizing the Public Sphere: On the Legitimacy and Efficacy of Public Opinion in a Post-Westphalian World,” the book then contains critiques of the essay from a range of scholars working in different fields and concludes with Fraser’s reply, “Publicity, Subjection, Critique.” The interview covers the history and formation of public sphere theory, the currents and forces in the “postnational constellation” that demands its rethinking, critical theory, what normative legitimacy and political efficacy look like on the transnational scale, and more. The book is of interest to democratic theorists, scholars of globalization, critical and postcolonial theorists, media studies scholars, and

Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here.Learn more about your ad choices. Visit megaphone.fm/adchoices

How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (& Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such

Can sociology explain punk? In a new book, Networks of Sound, Style, and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool, and Sheffield, 1975-80 (Manchester University Press, 2015), Nick Crossley from the University of Manchester offers an important new perspective on the birth of punk and post-punk in London, Liverpool, Manchester and Sheffield in the mid to late 1970s. Crossley uses social network analysis (SNA) to show why punk developed in specific places in specific ways. This is in contrast to existing work that seeks to ground punk in the strains of adolescent life in the crisis ridden 1970s, or in the actions of specific individuals. The book seeks to account for punk and post-punk in the four cities as a series of musical worlds, all of which have similarities shown by the SNA. Indeed, by concentrating on the networks that facilitated the rise of punk, the book shows how punk can be explained through networks of connected and sometimes competing sets of enthusiasts, before

Our guest today tells us that the seemingly straightforward field of logistics lies at the heart of contemporary globalization, imperialism, and economic inequality. Listen to Deb Cowen, the author of The Deadly Life of Logistics: Mapping Violence in Global Trade (University of Minnesota Press, 2014), discuss how the field of logistics reshaped global capitalism, undermined worker power, and even transformed how we think about life and death.Learn more about your ad choices. Visit megaphone.fm/adchoices

Struggles over information in the digital era are central to Tim Jordan‘s new book, Information Politics: Liberation and Exploitation in the Digital Society (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of information with the architectures and practices surrounding information. The text begins by setting out how information is not separated from contemporary struggles over liberation and exploitation and points towards the principles of information politics that guide the reader through an engagement with contemporary theories, including the work of Haraway and Deleuze. These principles then inform theories of networks, recursion and the affordances of technologies that are used, in turn, to account for the platforms and battlegrounds of informational politics. The book does not offer up information as a new master discourse for political struggles, but rather shows, through examples including Facebook, the ICloud, the iPad, online gaming, and hacktivism, how

What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this question. The book is based on four case studies, of The Lowry in Salford, The Deep in Hull, The Sage Gateshead and The Public in West Bromwich. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individ

Identity, performance and globalisation are at the heart of the cultural practices interrogated by Amanda Rogers in Performing Asian Transnationalisms: Theatre, Identity and the Geography of Performance (Routledge, 2015).The book explores the global networks of theatre that have emerged between Asia, America and Europe, using a variety of policy, practice and political examples. The book argues that globalisation, and the attendant transnational flows of people and culture, has both the potential to create theatre careers and new, important, works, whist at the same time constraining individuals, communities and cultural forms. The book draws on a rich combination of ethnographic and interview data, along with theoretically informed cultural analysis, using examples ranging from The British Council and the Singapore Art Festival, through Asian American and British East Asian identities, to controversial performances of theOrphan of Zhao. The book will be of primary interest to cultural,geography and performan

What is a father? In Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (Fairleigh Dickinson UP, 2014), Helena Gurfinkel offers an insightful new vision of fatherhood through an engagement with English literature, Freudian psychoanalysisand queer theory. The book takes a range of authors who have depicted ideas of fatherhood, patriarchal relations and homosociality along with depictions of queer ideas of the family and of fatherhood itself. From Trollope, through James and Forster, to Hollinghurst and contemporary queer media, the book explores how the tightly drawn boundaries of the Victorian paternal relationship are represented and transformed in over a century of literary works. Moreover the core theoretical approaches, for example Freud’s theory of the negative Oedipus, are presented in an accessible opening chapter, making the book a readable entry into literary uses of these ideas.The book concludes by considering contemporary queer texts from and about the Female to M

To be human is to question. This act of questioning is the essence of philosophy, as it allows ontology and epistemology to exist. For example, to understand what it is to be we must first ask the question of what it is to be. This insight, of the primacy of questioning, is at the heart of problematology, a philosophical approach explored in Nick Turnbull‘s new book Michel Meyer’s Problematology: Questioning and Society (Bloomsbury, 2014). The book has two core aims, to introduce problematology to the Anglophone world and to show how this approach can be useful for the social sciences. In particular the book mounts a defence of social science, grounded in the way problematology carves out a specific role for philosophy. The book ranges across Meyer’s work, including aesthetics, rhetoric, philosophies of science and language and political philosophy. The text engages with several key authors in post structuralism, including Derrida, showing the usefulness of Meyer’s thought for contempo

Victoria Hesford is an associated professor of Women and Gender Studies at Stony Brook University in New York. Her book Feeling Women’s Liberation (Duke University Press, 2013) examines the pivotal year of 1970 as defining the meaning of “women’s liberation.” Applying a theory of emotions to the rhetoric of mass media and the response of movement participants, Hesford demonstrates how our memory of the movement has been formed by either feelings of attachment, or dis-identification that hide its complexity and heterogeneity. The movement came to represent a radical form of feminism standing against the more staid liberal feminism of Betty Friedan. Instead of ideologically driven, Hesford argues that women’s liberation engaged in the “politics of emotion.” She demonstrates how the visceral media coverage and participant’s experience were mutual constituted in the “feminist-as-lesbian.” The language and multiple images of the feminist as a guerilla fig

Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013) by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individua