New Books In Critical Theory

Theoretical and historical accounts of postcatastrophic societies often discuss melancholia and trauma at length but leave processes of mourning underexplored. In Warped Mourning: Stories of the Undead in the Land of the Unburied (Stanford UP, 2013), Alexander Etkind shows why mourning is more conducive to cultural analysis. Where trauma is unsymbolized and melancholia is contained within the self, mourning is often an address to the other.Mourning might entail attempts to remember, creatively work through, and make manifest losses in poetry, memorials, histories, painting, and other art forms.Without access to the unconscious, cultural historians can only engage what has already been represented and written — that which has materiality and symbolic richness.Individual and mutigenerational testaments and rituals of mourning — warped, haunted, and incomplete — are all that scholars have available. Warped Mourning is about how three generations spanning the Soviet and post-Soviet periods have

Credit, debt and default are embedded into everyday life, whether as a constant part of people’s daily routines or as a constantly discussed topic in news media. Joe Deville‘s new book, Lived Economies of Default: Consumer Credit, Debt Collection and the Capture of Affect, helps to make sense of this by asking how this core part of the social world functions.The book draws on science and technology studies and theories of affect, to lay bare the practices of attaching the debtor to debt, and to getting debts to be repaid. The book has case studies of credit cards, collections agencies, telephone calls and letters, revealing the reality of default and debt in contemporary society. The book will appeal widely, not only to sociology, organization studies and anthropology, but also to politics, psychology, and the wider humanities.Learn more about your ad choices. Visit megaphone.fm/adchoices

How is “the public sphere” best conceptualized on a transnational scale? Nancy Fraser (The New School for Social Research) explores this pressing question in her book Transnationalizing the Public Sphere (Polity, 2014). Opening with Fraser’s foundational essay, “Transnationalizing the Public Sphere: On the Legitimacy and Efficacy of Public Opinion in a Post-Westphalian World,” the book then contains critiques of the essay from a range of scholars working in different fields and concludes with Fraser’s reply, “Publicity, Subjection, Critique.” The interview covers the history and formation of public sphere theory, the currents and forces in the “postnational constellation” that demands its rethinking, critical theory, what normative legitimacy and political efficacy look like on the transnational scale, and more. The book is of interest to democratic theorists, scholars of globalization, critical and postcolonial theorists, media studies scholars, and

Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here.Learn more about your ad choices. Visit megaphone.fm/adchoices

How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (& Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such

Can sociology explain punk? In a new book, Networks of Sound, Style, and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool, and Sheffield, 1975-80 (Manchester University Press, 2015), Nick Crossley from the University of Manchester offers an important new perspective on the birth of punk and post-punk in London, Liverpool, Manchester and Sheffield in the mid to late 1970s. Crossley uses social network analysis (SNA) to show why punk developed in specific places in specific ways. This is in contrast to existing work that seeks to ground punk in the strains of adolescent life in the crisis ridden 1970s, or in the actions of specific individuals. The book seeks to account for punk and post-punk in the four cities as a series of musical worlds, all of which have similarities shown by the SNA. Indeed, by concentrating on the networks that facilitated the rise of punk, the book shows how punk can be explained through networks of connected and sometimes competing sets of enthusiasts, before

Our guest today tells us that the seemingly straightforward field of logistics lies at the heart of contemporary globalization, imperialism, and economic inequality. Listen to Deb Cowen, the author of The Deadly Life of Logistics: Mapping Violence in Global Trade (University of Minnesota Press, 2014), discuss how the field of logistics reshaped global capitalism, undermined worker power, and even transformed how we think about life and death.Learn more about your ad choices. Visit megaphone.fm/adchoices

Struggles over information in the digital era are central to Tim Jordan‘s new book, Information Politics: Liberation and Exploitation in the Digital Society (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of information with the architectures and practices surrounding information. The text begins by setting out how information is not separated from contemporary struggles over liberation and exploitation and points towards the principles of information politics that guide the reader through an engagement with contemporary theories, including the work of Haraway and Deleuze. These principles then inform theories of networks, recursion and the affordances of technologies that are used, in turn, to account for the platforms and battlegrounds of informational politics. The book does not offer up information as a new master discourse for political struggles, but rather shows, through examples including Facebook, the ICloud, the iPad, online gaming, and hacktivism, how

What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this question. The book is based on four case studies, of The Lowry in Salford, The Deep in Hull, The Sage Gateshead and The Public in West Bromwich. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individ

Identity, performance and globalisation are at the heart of the cultural practices interrogated by Amanda Rogers in Performing Asian Transnationalisms: Theatre, Identity and the Geography of Performance (Routledge, 2015).The book explores the global networks of theatre that have emerged between Asia, America and Europe, using a variety of policy, practice and political examples. The book argues that globalisation, and the attendant transnational flows of people and culture, has both the potential to create theatre careers and new, important, works, whist at the same time constraining individuals, communities and cultural forms. The book draws on a rich combination of ethnographic and interview data, along with theoretically informed cultural analysis, using examples ranging from The British Council and the Singapore Art Festival, through Asian American and British East Asian identities, to controversial performances of theOrphan of Zhao. The book will be of primary interest to cultural,geography and performan

What is a father? In Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (Fairleigh Dickinson UP, 2014), Helena Gurfinkel offers an insightful new vision of fatherhood through an engagement with English literature, Freudian psychoanalysisand queer theory. The book takes a range of authors who have depicted ideas of fatherhood, patriarchal relations and homosociality along with depictions of queer ideas of the family and of fatherhood itself. From Trollope, through James and Forster, to Hollinghurst and contemporary queer media, the book explores how the tightly drawn boundaries of the Victorian paternal relationship are represented and transformed in over a century of literary works. Moreover the core theoretical approaches, for example Freud’s theory of the negative Oedipus, are presented in an accessible opening chapter, making the book a readable entry into literary uses of these ideas.The book concludes by considering contemporary queer texts from and about the Female to M

To be human is to question. This act of questioning is the essence of philosophy, as it allows ontology and epistemology to exist. For example, to understand what it is to be we must first ask the question of what it is to be. This insight, of the primacy of questioning, is at the heart of problematology, a philosophical approach explored in Nick Turnbull‘s new book Michel Meyer’s Problematology: Questioning and Society (Bloomsbury, 2014). The book has two core aims, to introduce problematology to the Anglophone world and to show how this approach can be useful for the social sciences. In particular the book mounts a defence of social science, grounded in the way problematology carves out a specific role for philosophy. The book ranges across Meyer’s work, including aesthetics, rhetoric, philosophies of science and language and political philosophy. The text engages with several key authors in post structuralism, including Derrida, showing the usefulness of Meyer’s thought for contempo

Victoria Hesford is an associated professor of Women and Gender Studies at Stony Brook University in New York. Her book Feeling Women’s Liberation (Duke University Press, 2013) examines the pivotal year of 1970 as defining the meaning of “women’s liberation.” Applying a theory of emotions to the rhetoric of mass media and the response of movement participants, Hesford demonstrates how our memory of the movement has been formed by either feelings of attachment, or dis-identification that hide its complexity and heterogeneity. The movement came to represent a radical form of feminism standing against the more staid liberal feminism of Betty Friedan. Instead of ideologically driven, Hesford argues that women’s liberation engaged in the “politics of emotion.” She demonstrates how the visceral media coverage and participant’s experience were mutual constituted in the “feminist-as-lesbian.” The language and multiple images of the feminist as a guerilla fig

Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013) by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individua

Two Canadian socialist thinkers have published a new book on the successes and failures, the crises, contradictions and conflicts in present-day capitalism. In The Making of Global Capitalism: The Political Economy of American Empire (Verso, 2013), Leo Panitch and Sam Gindin trace the evolution of the international capitalist system over the last century. (Panitch is a professor of political science at Toronto’s York University while Gindin holds the Packer Chair in Social Justice at York.) They argue that today’s global capitalism would not have been possible without American leadership especially after the two World Wars and that the U.S. Treasury and Federal Reserve were more crucial in extending and maintaining American power than the Pentagon or the CIA. The U.S. capitalist empire is an “informal” one, they write, in which Americans set the terms for international trade and investment in partnership with other sovereign, but less powerful states. Panitch and Gindin also disagree w

The work of Theodore Adorno is well established as a crucial resource for understanding the complexities of contemporary capitalism, playing a foundational role in Critical Theory. Dialectic of Enlightenment, Adorno’s most well known text written with Max Horkheimer, is reassessed in a new book of philosophy by Martin Shuster. Autonomy after Auschwitz: Adorno, German Idealism and Modernity (University of Chicago Press, 2014) considers how autonomy might exist under the conditions of contemporary capitalism, following the disastrous inhumanity of events in the twentieth century. Shuster explores the nature of autonomy in four ways. The book opens with a re-reading of Dialectic of Enlightenment, as a means to engage and critique Kant’s notion of autonomy. The text then turns to consider a potential ‘response’ from Kant, in the form of Kant’s conception of a rational theology. It is here where Shuster considers the importance of God to Kantian ethics, most notably the role of God as

Steven Shaviro‘s new book is a wonderfully engaging study of speculative realism, new materialism, and the ways in which those fields can speak to and be informed by the philosophy of Alfred North Whitehead. While The Universe of Things: On Speculative Realism (University of Minnesota Press, 2014) will satisfy even advanced scholars working on “object-oriented ontology” and related issues, it’s also a fantastic introduction for readers who have never heard of “correlationism” or panpsychism, don’t quite understand what all of the recent humanities-wide Whitehead-related fuss is all about, and aren’t sure where to begin. After a helpful introduction that lays out the major terms and stakes of the study, seven chapters each function as stand-alone units (and thus are very assignable in upper-level undergrad or graduate courses) while also progressively building on one another to collectively advance an argument for what Shaviro calls a “speculative aesthetic

How did a golden age of cultural funding in UK turn to lead? This is the subject of a new cultural history by Robert Hewison. Cultural Capital: The Rise and Fall of Creative Britain (Verso, 2014) charts the New Labour era of cultural policy, detailing the shift from the optimism of the late 1990s to the eventual crisis of funding and policy currently confronting culture in the UK. The book identifies the faustian pact between government and cultural sector, as increased funding came at the price of delivering economic and social policy agendas and responding to bureaucratic forms of management. The book uses a range of examples to illustrate this problematic bargain, from the disasters of the Millennium Dome and The Public, through an analysis of the 2012 Olympic Games. Alongside the range of cultural policy projects discussed is an exploration of the infrastructure, in particular the government departments and public bodies, which are at the root of the failure of British cultural policy between 1997 and

To understand contemporary politics we must understand how it is represented in fiction. This is the main argument in A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It (Bloomsbury Academic, 2014) a new book by Steven Fielding, Professor of Politics at the University of Nottingham. The book explores how British politics has been represented in fiction from the late Victorian era through to the present. The book identifies a fascinating set of core themes, including how the political class has been defended and attacked, how the idea of populism has developed over time, along with the changing role of women in British political fiction. A State of Play does not over-claim, stressing that although an understanding of fiction is essential to understanding politics, we still don’t know the exact relationship between people’s political participation and political fiction. However, it does make a convincing case that any understanding of the British p

It is a cliche to suggest we are what we read, but it is also an important insight. In The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century (Palgrave-MacMillan, 2014), Beth Driscoll, from University of Melbourne, extends and critiques the work of Pierre Bourdieu to account for modern literary tastes and the literary field in which those tastes are embedded. The book attempts to explore and defend the idea of the middlebrow in literature. ‘Middlebrow’ is defined by eight characteristics, whereby it is middle class, it has reverence to elite cultures, and it is entrepreneurial, mediated, feminized, emotional, recreational and earnest. In the main it is situated within the tension between the aesthetic and the commercial. The book uses four case studies to explore how this tension, along with the idea of the middlebrow, plays out. In the first case study the role of Oprah Winfrey as a tastemaker and cultural intermediary is explored as part of an analysis of book clubs. Th