Working Class Audio

In this episode of Working Class Audio, Matt welcomes back producer, mixer, and engineer Will Kennedy. Will shares an update on his journey since his last appearance, focusing on his partnership with Matt Wallace and their deep dive into immersive and Dolby Atmos mixing from their Los Angeles studio. They discuss the strategic decision to sell off their traditional recording gear, the evolution of the immersive audio market, and the amusing discovery of a hidden Starbucks inside a Jaguar dealership. The conversation also explores the unique, ongoing challenges of adapting rock and roll production techniques for the Atmos format.In This Episode, We Discuss:Biking With Brad WoodHuman Powered VehiclesPartnership With Matt WallaceDolby Atmos Mixing FocusLos Angeles Studio LocationHorseless Carriage DinerJaguar Dealership StarbucksSelling Traditional Recording GearKeeping Essential Overdub SetupOffloading Full Band TrackingEarly Adopter Atmos StrategyBecoming Premium Immersive MixersDolby Atmos Market CorrectionNa

In this episode, Matt welcomes mastering engineer Steve Kitch. Steve shares his journey from early music programming on home keyboards and classical piano training to building a worldwide mastering practice from his studio in Devon, UK. They discuss the transition from transferring DAT tapes to CDs, being an early adopter of online file delivery, and the evolution of a professional audio career through self-taught exploration and technical curiosity.In This Episode, We Discuss:Full Time MasteringDevon Studio LocationClassical Piano TrainingEarly Keyboard SequencersHiFi Technical UpbringingSound On SoundSelf Taught EducationDAT Tape TransfersOnline Mastering PioneerGoogle AdWords StrategiesSupermarket Shift WorkWebsite Design SoftwareGlobal Client ReachDigital Audio EvolutionMatt's RANT!: The Small ThingsLinks and Show Notes:Steve Kitch’s Site: AudiomasterRelated Episode: WCA #593 with Katie Marie RichardsCredits:Guest: Steve KitchHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice:

In this episode, Matt welcomes mastering engineer and artist Amar Lal of Oakland’s Macro Sound. Amar shares his journey from the New York DIY scene and touring with Big Ups to a corporate role at Sennheiser and his eventual return to independent studio ownership. They discuss the benefits of an all-digital mastering workflow, the "Active Listening Club" philosophy, and how Amar maintains career longevity through work-life balance and photography.In This Episode, We Discuss:Mastering Engineer RolesOakland Studio LocationShared Building BenefitsEarly Childhood CanadaChildhood Piano LessonsExperimental Music SceneCircuit Bending GearHigh School RecordingNew York EducationTouring Big UpsFacing Career BurnoutCorporate Sennheiser ExperienceLaunching Macro SoundHome Studio LogisticsOakland Artistic CommunityAll Digital MasteringActive Listening ClubBalancing Personal LifePassion For PhotographyArtistic Practice PhilosophyMastering Room AcousticsLocal Community TiesRemote Working ModelsStudio Business LogisticsAudito

In this episode of Working Class Audio, Matt welcomes producer, engineer, and multi-instrumentalist Katie Marie for a deep dive into her 30-year career journey, moving from a rural UK trailer to world-class studios. They discuss the transition from solo artistry to a supportive production role, the philosophy of professional growth, and maintaining a healthy mindset around the business of music.In This Episode, We Discuss:Producer And Multi-instrumentalist BackgroundLeaving School At FifteenSelf-taught Musical FoundationsEarly Four-track Recording ExperimentsTransitioning From Solo ArtistManaging Performance AnxietyRelocating From Devon To AustinMentorship At Blue Rock StudioSharing Process Via Live StreamsTransitioning To North CarolinaMorning And Afternoon Life StagesGrowing Wider Rather Than TallerCollaborating With Christie LenéeOvercoming A Poverty MindsetCharging Based On ValueSelling The Human ExperiencePrioritizing Songs Over GearAdapting To New EnvironmentsLinks and Show Notes:Katie Marie’s SiteBlue

In this episode of Working Class Audio, Matt welcomes back producer, engineer, mixer Ronan Chris Murphy (King Crimson, Steve Morse, Terry Bozzio, Tony Levin) to talk about being a pro audio nomad, falling trees, and and anchor points.In This Episode, We Discuss:World TravelFalling TreesLanguageBeing a Respectful HumanAnchor POintsDebtLinks and Show Notes:Ronan's SiteMatt's Rant: Passion for AudioCredits:Guest: Ronan Chris MurphyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes mixing and mastering engineer Tyrone "Cross Bone T" Harris who shares his journey from a young music enthusiast in London to a professional mixing and mastering engineer.In This Episode, We Discuss:Musical Roots and Early InfluencesThe Journey into Music ProductionCuriosity and Learning in MusicEarly Experiences with TechnologyFirst Steps in Radio and EducationNavigating Challenges in Music EducationTransitioning to Professional EnvironmentsLive Sound Experiences and GrowthThe Art of Live Sound EngineeringNavigating the Music Industry as a Young ProfessionalHealth Challenges and Career AdaptationTransitioning to Home Studio WorkBuilding a Client Base in a Niche MarketPhilosophy on Life and Overcoming ObstaclesThe Importance of Small Wins and MotivationLinks and Show Notes:CBT's SiteMatt's Rant: Sonic CitizensCredits:Guest: Tyrone "Cross Bone T" HarrisHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes producer/engineer/mixer and archivist, Phillip Broussard who has worked with the Red Hot Chili Peppers, Slipknot, System of a Down, and many moreIn This Episode, We Discuss:Texas upbringingJobs in Gulf Coast refineriesFirst studio internships in AustinHouston and AustinKingsway Studio in New OrleansPrioritizing vibe over gearRelocating to Los AngelesManaging Teatro in OxnardCollaboration with Rick RubinHandling limited recording budgetsSkills in reading the roomBalancing career and family lifeNegotiating rates and invoicingAudio archiving and session restorationNetworking to find new musicLinks and Show Notes:Phillip's SiteTrina Shoemaker on WCADave Schiffman on WCAMatt's Rant: Inspiration and ImaginationCredits:Guest: Phillip BroussardHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcome musician/songwriter/producer/engineer Mitch Easter known for his work on the early R.E.M. records as well as his work with the db's, Game Theory, and Marshal Crenshaw as well as his own band Let's Active.In This Episode, We Discuss:Background and UpbringingEarly Interest in RecordingDrive-In StudioFidelatorium RecordingsBalancing Multiple RolesCollaboration with Don DixonThe Music Industry and the Indie EcosystemInfluences and InspirationsViews on RetirementLinks and Show Notes:YouTube versionMitch's SiteMatt's Rant: Creating OpportunityCredits:Guest: Mitch EasterHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes engineer/mixer Joe Costa who has worked with Ben Folds. Sara Bareilles, William Shatner and many more.In This Episode, We Discuss:Ordering Lunch with William (Bill) ShatnerWorking with Ben FoldsMixing from HomeMoving to NashvilleBerklee School of MusicReading the RoomLinks and Show Notes:Joe On Instagram @costa71Watch the Interview on YouTubeMatt's Rant: Know Your ValueCredits:Guest: Joe CostaHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Producer, engineer, artist, and professor Willie Green returns to WCA to chat with Matt about about his new studio adventure and much more! Willie has worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa.In This Episode, We Discuss: The Green House Expands! Physical Media Marketing Strategies for Creative Spaces Daily Patterns and Balancing Responsibilities Adapting to Client Needs and Studio Management Business Strategy InnovationLinks and Show Notes:Willie Green’s WebsiteMatt's Rant: Which music industry do you work in?Credits:Guest: Willie GreenHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

This is part 2 of a discussion Matt had with multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.In This Episode, We Discuss:ManagementNetworking: Building Relationships for SuccessCultural Transition: From Canada to the U.S. Music SceneThe Rush Connection: Networking and OpportunitiesNavigating the World of Immersive Audio TechnologiesFuture Plans and Networking in NashvilleLinks and Show Notes:Part 1 InterviewRich's SiteMatt's Rant: Auto PilotCredits:Guest: Richard ChyckiHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes mixing engineer, producer and composerJade Alysse Berry, whose path to mixing was sparked by a life‑changing health event and a deep love for music. Jade shares practical insights on creativity, collaboration, and setting clear boundaries with clients.In This Episode, We Discuss:How a health crisis redirected Jade’s career toward audio engineeringChallenges and politics of the music industryCollaborative dynamics with partner Bob Horn The creative process of mixingSetting boundariesUnderstanding client expectationsEffective communicationLinks and Show Notes:Jade on InstagramMatt's Rant: The Home StudioCredits:Guest: Jade Alysse BerryHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt is joined by grammy winning engineer Tom Camuso who has worked with Lenny Kravitz, Blondie, Steve Earl as well as a number of commercial, television and film projects. Tom is also the Chief Engineer at The Les Paul Recording Studio in Holly wood.In This Episode, We Discuss:Preserving Les Paul's LegacyLos Angeles vs. New YorkCracking the Preservation CodeWeatherEducationLibrary of CongressLinks and Show Notes:Tom's SiteLes Paul StudioMatt's Rant: Economic ReevaluationCredits:Guest: Tom CamusoHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt is joined by multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.In This Episode, We Discuss:NAMM ExperienceCurrent State of Immersive AudioMoving to Nashville: Reasons and PlansEarly Musical Journey and Transition to EngineeringThe Shift from Musician to EngineerAdapting to Technological Changes in AudioThe Future of Atmos and Immersive AudioArtist Reactions to Immersive MixingThe Evolution of Atmos TechnologyLearning from Major ArtistsNavigating the Music IndustryFinancial Strategies in Music ProductionThe Importance of NetworkingMixing Classic Records in AtmosLinks and Show Notes:Rich's SiteMatt's Rant: The ExpensesCredits:Guest: Richard ChyckiHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt welcomes Grammy Nominated producer /engineer/mixer Joel Weldon Willis.In This Episode, We Discuss:Building a Home StudioEarly Experiences in Music ProductionTransitioning to Freelance and Indie Music SceneCreative Approaches to Music ProductionNavigating Financial Challenges in the StudioRecording Techniques and Live SessionsLessons Learned in the StudioFreelancing and Renting Studio SpacesCommunity and Collaboration in Music ProductionBalancing Promotion and AuthenticityThe Impact of Grammy NominationsAdapting to Client Needs and CommunicationRemote MixingHandling Criticism and Professional GrowthThe Importance of Collaboration Over CompetitionLinks and Show Notes:Joel's SiteMatt's Rant: InspirationCredits:Guest: Joel Weldon WIllisHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt welcomes Producer /engineer/mixer and film composer Sanford Parker. As an artist he’s performed and released albums with extreme heavy and industrial bands like Black Cross Hotel, Corrections House, Mirrors for Psychic Warfare and Minsk. Throughout the years he’s collaborated with members of Sonic Youth, Ministry, Napalm Death and Neurosis as well as producing and mixing albums for Darkthrone, Voivod, Brutal Truth, Pelican, YOB, Hide, Youth Code, Wovenhand, Rwake, Local H and many others. TakeawaysSanford opened his studio in March 2020, just before the pandemic.He prefers working with independent artists and punk music.Chicago's music scene is affordable compared to other major cities.Managing overhead is crucial for running a successful studio.Sanford transitioned to mixing in the box for efficiency.He values genuine relationships with artists over bureaucracy.The pandemic shifted his work focus back to mixing.The flexibility of working remotely with clients.Learning to navigate financial discussions w

In this episode of Working Class Audio, Matt welcomes back GRAMMY-winning recording engineer and producer Steve Chadie live from the AudioScape booth at NAMM 2026 to talk about recording bands. Steve has worked with WIllie Nelson, Los Lonely Boys, Wilco, and the Supersuckers.In This Episode, We Discuss:Mic placement and monitoring.The bleedBand dynamicsFood and energy levelsExpectationsCreative ruts.Being invisibleHeadphone mixesLess substance abuseLinks and Show Notes:Steve on WCA #245Steve on WCA #487Steve's SiteMatt's Rant: The PeopleCredits:Guest: Steve ChadieHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt welcomes producer/engineer/composer Fran Cathcart. Fran having just moved to the Bay Area from New York recounts his journey in studio ownership, working with Herbie Hancock, and facing down serious challenges that would make most throw in the towel, yet he still keeps going. In This Episode, We Discuss:Studio OwnershipHerbie HancockEarly Digital RecordingDivorceCovidGetting SuedStressMoving to the Bay AreaLinks and Show Notes:Fran's SiteMatt's Rant: Client CommunicationCredits:Guest: Fran CathcartHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5. In this episode we discuss Pro Audio Minimalism.In This Episode, We Discuss:Pro audio minimalism focuses on efficiency and workflow.Post-pandemic, many have adapted to home studios.Stripping down gear can lead to better productivity.Quality of work is not determined by the amount of gear.The bell curve illustrates the journey of audio engineers.Social media can exacerbate gear obsession.It's important to focus on skills rather than equipment.Minimalism can reduce stress in the creative process.Finding balance in audio engineering is crucial.Personal interests outside of audio can influence spending. Being debt-free allows for better control over finances.Intentional communication can streamline workflows and reduce confusion.Minimalism in

In this episode of Working Class Audio, Matt welcomes back Producer, Mixer & Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.In this conversation, Justin Gray discusses his album 'Immersed', exploring the creative process, technical aspects of immersive audio, and the importance of community and collaboration in music production. He shares insights on funding, marketing strategies, and the role of social media in promoting his work. The discussion also touches on the challenges of balancing family life with artistic pursuits and the significance of believing in oneself as an artist.In This Episode, We Discuss:Innovative immersive audioEarly surround experimentsCommunity-driven collaborationCanadian arts fundingValue of physical mediaSocial media promotionImpact of recognitionBalancing family supportBelief in the workEngineer and ArtistLinks and Show Notes: