New Books In Literature

In this NBN episode, host Hollay Ghadery speaks wit Griffin Prize winner Kaie Kellough about his new long poem, Interposition (McClelland & Steward, 2026). Featured in the Publishers Weekly Spring 2026 PreviewFrom Kaie Kellough, poet, sound performer, and Griffin prize winner, comes a linguistic incursion into desire, technology, and the absurd.Kaie Kellough (Magnetic Equator, Griffin Poetry Prize winner, 2020) returns with a long poem that repurposes the language of the present. Interposition borrows its vocabulary from the news, entertainment, war, advertising, technology, and the everyday tragedies of popular culture. It reveals the morbid humour of our inability to distinguish between the urgencies of personal achievement and climate crisis. It compresses sound and rhythm into paradox, and it conflates absurdity and emergency.Mapping the continued encroachment of capital and virtual culture upon our psychic space, Interposition examines how, with each click, we are reconstituted online and sold back to o

In this NBN episode, host Hollay Ghadery speaks with Dawn MacDonald about her Griffin Prize winning collection, Northerny (University of Alberta Press, 2024). Northerny: winner of the 2025 Canadian First Book Prize, awarded by the Griffin Poetry Prize. Fresh, funny, and imbued with infectious energy, Northerny tells a much-needed and compelling story of growing up and living in the North. Here are no tidy tales of aurora borealis and adventures in snow. For Dawn Macdonald, the North is not an escape, a pathway to enlightenment, or a lifestyle choice. It’s a messy, beautiful, and painful point of origin. People from the North see the North differently and want to tell their own stories in their own way, including about their experiences growing up on the land, getting an education, and struggling to find jobs and opportunities. Expertly balancing lyric reflection and ferocious realism, Macdonald busts up the cultural myths of self-interest and superiority that have long dominated conversations about both Nor

Starting in the late 1970s, three women navigate post Cultural Revolution China: Lulu, who’s forced to become a prostitute in Shanghai to save her mother and sister from starving, Lei who is sold in marriage for cigarettes and a few eggs, and Yan, Lei’s smart, beautiful daughter, whose kindness to the farmer master’s neurodivergent son allows her to get an education. Both Lei and Lulu must put aside their dreams and suffer indignity after indignity, Lei from her husband, and Lulu from her pimp, while Yan ultimately sacrifices her career to help her family. With a cast of unforgettable characters struggling through China’s transition to modernity, and grappling with the impact of mental illness, prostitution, and Aids, And the Ancestors Sing is a stunning gripping historical novel. Radha Lin Chaddah was born in London to an East Indian father and a Malaysian Chinese mother, and grew up in Kenya, the UK and the US, graduating from New Trier High School in Winnetka, IL. She majored in Biology at the University

Aphrodite in Pieces gathers diverse myths featuring the goddess and unites them to create a comprehensive portrait. Beginning with her innocent days on the island of Cyprus, progressing to her disappointing welcome in the pantheon of Olympus, and culminating in her shattering experiences of the Trojan war, Aphrodite is depicted in all her aspects—calculating and vengeful, kind and forgiving, passionate and abandoned. A woman does not live her life independent of society. As it is above, so it is below. Sometimes Aphrodite is praised for her beauty, and other times, her pulchritude condemns her to be judged as a whore. As Aphrodite grows in wisdom, she finds compassion for women such as Helen of Troy who suffer a similar fate. The stories of Aphrodite remain pertinent today. In them, Lauren J.A. Bear finds reflections and connections between art, love, and beauty. Gabrielle Mathieu writes historically inspired fantasy with a dash of romance and a dollop of adventure. You can find out more about her books an

In their anthology, In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union (Stanford University Press, 2026), Sasha Senderovitch and Harriet Murav provide an underappreciated perspective on the Holocaust, as it was experienced and remembered in the former Soviet Union. In these works, Jewish authors from Ukraine, Lithuania, Russia, and Belarus, writing in Yiddish and Russian, tell the stories of ordinary people living on after the devastation of the Holocaust. Filled with memories, love, and loss, these narratives describe not only how people died, but also how they continued to live. Despite the official view in the Soviet Union that Jewish deaths should be subsumed under the larger tragedy of Nazi Germany's invasion, Jews in the USSR profoundly engaged with thinking about and memorializing the Holocaust, addressing it in a wide range of literary works. Interviewees: Sasha Senderovich is Associate Professor of Slavic Languages & Literatures and of International Studies at the

Sayantani DasGupta's latest middle grades novel, Theft of the Ruby Lotus (Scholastic, 2026) is an adventure heist. Ria Bailey finds herself in quite a fix, and it's all because of a strange treasure that turns up in the mail one fateful day. It might be a ruby, and it just might hold the key to some troubling developments in her life. Most importantly, if she and her besties Miracle Owusu and Annie Hernandez can trace the significance and stay one step ahead of the mysterious strangers tracking their moves through the Metropolitan Museum of Art and out into the city streets of New York, then just maybe Ria can turn things around for herself. Sayantani DasGupta returns in rare form with a brand new story that's part love letter to the Metropolitan Museum and New York City immigrant families, part twisting and turning heist, and completely an examination of where art belongs, who gets to keep it, and what it means to be on display. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show

This episode of the Books on Asia podcast introduces new fiction and non-fiction on Japan to be published this year, 2026, along with two upcoming books on Taiwan. Books are presented in the order they appear on the podcast. Listen to the episode for more information on each title: Phantom Paradise: Escape from Manchuria, by Kay Enokido (Bold Story Press, January 13, 2026) Kokun: The Girl from the West, by Nahoko Uehashi (transl. Cathy Hirano) (Europa Editions, January 13, 2026) When the Museum Is Closed, by Emi Yagi (transl. Yuki Tejima) (Soft Skull Press, January 27, 2026) Hooked: A Novel of Obsession, by Asako Yuzuki (transl. Polly Barton) (HarperVia, March 17, 2026) Sisters in Yellow, by Mieko Kawakami (transl. Laurel Taylor and Hitomi Yoshio) (Knopf, March 31, 2026) Hollow Inside, by Asako Otani (transl. Ginny Tapley Takemori) (Pushkin Press, May 5, 2026) Japan’s Anime Revolution!: Twenty Animated Films That Changed the World, by Jonathan Clements (Tuttle Publishing, May 12,

Doha, a North Korean spymaster, is found stabbed in an alley in Oxford. Doha tells his mentee–another North Korean spy named Yohan—to go to the Oxford Soju Club, a restaurant in the British college town. That starts a dance between three different Koreans: Yohan; Jihoon, the South Korean owner of the Soju Club; and Yunah, a Korean-American recruited to weed out Yonah. Oxford Soju Club (Dundurn Press, 2025), the debut novel from Jinwoo Park, uses this spy thriller setting to explore ideas of history, migration and identity. Jinwoo Park is a Korean Canadian writer based in Montreal. He completed a master's degree in creative writing at the University of Oxford, and currently works as a marketer in the tech industry. In 2021, he won the Jim Wong-Chu Emerging Writers Award. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Oxford Soju Club. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer f

There must be a shift in the Zeitgeist of the publishing world, because after a long drought in Gothic novels, this is the second one I’ve encountered in little more than a month. The Fourth Wife (Kensington, 2026) takes place near Salt Lake City, Utah, during the years when the Mormon community there still practiced polygamy but was coming under increasing pressure from the US government to abandon the practice, pressure that included a law making multiple, simultaneous marriages a criminal offense. It’s 1882. Twenty-year-old Hazel Russon, a talented pianist, has grown up in a polygamous family, but she has a secret agreement with her childhood friend Elijah Crowther that they will become each other’s only spouse once they are permitted to marry. When Elijah’s father, a powerful figure in Salt Lake City society, summons Hazel and informs her that Elijah has rejected her in favor of a return to the fundamental principles of Mormon life—the most fundamental of which is polygamy, known only as the Principle—s

Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both

The print adaptation of Jason Reynolds acclaimed, award-winning audiobook Soundtrack (Crown Books, 2026)—a stirring story of music, friendship, and finding your voice in 2000s New York City. Stuy Grey plays the drums, just like his mom, a founding member of the all-black punk band the Bed-Stuy Magic Dusters. He teaches himself by watching videos of tap dancers. Now he’s left home, estranged from his mom and her abusive boyfriend. He’s camping out with his uncle on the Lower East Side. His landlord, Dunks, has chops: He shreds on only five strings. Add Alexis on bass guitar and Keith on horn: These teens are a band, busking in New York City subway stations to scrape enough money to record an album. As their popularity grows, so do the pressures, from complicated family dynamics to the glare of unexpected public attention. And when the police start looking for their bassist, Stuy faces his toughest decision yet. Adapted from the acclaimed Listening Library original audiobook and written with Jason Reynolds’s si

Casey Walker speaks to Emily Everett about his story “Islands,” which appears in The Common’s fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century. Casey Walker's new novel Mexicali is forthcoming from Knopf in 2027. He is also the author of the novel Last Days in Shanghai and has published fiction and essays in The Common, Ninth Letter, The Believer, The New York Times, and El País, among others. He holds a PhD in English Literature from Princeton University and an MFA from the Iowa Writers' Workshop. ­­Read Casey’s story in The Common here. The Common is a print and online literary magazine publish

In Pinky Swear (Simon and Schuster, 2026) Lexi thought she knew everything about Mara Vannatta. Best friends since middle school, they drifted apart after a tragedy derailed their senior year. But when Mara shows up on Lexi’s doorstep sixteen years later fleeing an abusive husband, Lexi takes her in without question. Lexi’s own marriage has been strained by her desire to have a baby, and when Mara offers to become her surrogate, their friendship feels stronger than ever.But four days before the due date, Mara disappears.Lexi is shocked but certain there must be something wrong—Mara would never willingly leave with her unborn child. Or would she? As she embarks on a perilous cross-country hunt for the truth, Lexi is forced to reconsider a friendship she thought she knew—and what really happened that terrible night their senior year. How many secrets lie in their shared past, waiting to be uncovered? And just how far will Lexi go to bring her child safely home? Learn more about your ad choices. Visit megaphone

Chicago is the main character, the setting, the obsession, and the historical grist for the mill of Peter Orner’s most recent novel, The Gossip Columnist’s Daughter (Little Brown and Company, 2025). In conversation about his hometown with Novel Dialogue host Sarah Wasserman, Peter brings us into a lost pocket of time. It is the early 1960s, when Chicagoans partied in a kind of “Midwestern Weimar” and the gossip columnist Irv Kupcinet, holding forth as many as six times a week for 60 years, wrote a garrulous, glamorous story of the city. While the increasingly unhinged narrator of his novel investigates the mysterious death of Kupcinet’s daughter in 1963, Peter delves into his own family’s history, anxiously asking “we can’t hurt our dead, can we?” The novel swerves between fact and fiction, including photographs that are both real artifacts from the historical record and staged photos that participate in the fictional world of the novel. Peter laughs off this contradiction, remarking “the closer I get to rea

Rising authoritarianism. Covid. Inflation. Wealth disparity. War. Climate change. While every time period is marked by apocalyptic fears, it certainly seems like our current anxieties aren't ill placed. And yet, art and literature persist.In captivating and culturally savvy prose, Ed Simon grapples with the notion that writers and their work ought to distract readers from the dire situation we face in these fetid days of the Anthropocene. In Writing During the Apocalypse: Reflections on the Great Unraveling (Bloomsbury, 2026) he also addresses the wider question of what it's like to write during what could be the last decades of human civilization, arguing that to craft imaginative spaces through the magic of words isn't superfluous. Instead it exists at the core of human experience – as it always has and always will. Ed Simon is the Public Humanities Lecturer in the English Department of Carnegie Mellon University and the founding editor of The Pittsburgh Review of Books. He is a contributing editor to The

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you’ve never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-r

Dana Mele talks abut her latest book, The Beast You Let In (Sourcebooks, 2026). Everyone in the rural town of Ashling knows the tale of Veronica Green, a teen who was murdered in the woods. But did a party trick bring her back to claim her revenge? A fast-paced, suspenseful YA horror from the author of Summer's Edge and People Like Us. There is no one Hazel trusts less than her self-centered twin, Beth. Like when Beth storms out of a party, abandoning Hazel when she didn't want to attend in the first place. Rather than chasing after her, Hazel throws herself into flirting and telling ghost stories over a Ouija board. She might not be the popular twin, but she can be fun too. Except Beth doesn't come home that night, and Hazel's anger morphs into anxiety. It only sharpens when Beth reappears a day later, disoriented and claiming to be Veronica Green, a teen who was murdered in their small town years before. If it isn't a possession, Beth is really good at faking it. Did they accidentally release a vengeful hor

Cameron Sullivan’s novel The Red Winter (Tor Books, 2026) follows Sebastian Grave, a centuries old monster hunter, recounting events that occurred in largely the woods of Gévaudan during the years leading up to the French Revolution. The story centers around a terrible beast that hunts the local people and has not been stopped by even the resources of the French crown itself. Sebastian is drawn in not just by the promise of slaying the creature, with whom he has something of a history, but also by his attraction to a young aristocrat, Antione, who Sebastian, for all his experience and better judgement, cannot quite seem to get over. In this interview, Sullivan describes building a magic that feels deep and rooted to our world, the shadow of the French Revolution, and the challenges and excitement of turning historical legend into fantasy. He discusses the research process, queer relationships over time, and what we can and can’t know about the past. We also chat about the joys of footnotes and the importanc

"Honoured Investors, As Zhongfu Group enters its eighth decade, we are pleased to announce the acquisition of two famous coal mines. These assets further demonstrate our steadfast commitment to promoting the interests of local government and the people of Jingzhou. While the recent death of a Discipline Inspection Committee member has been regrettable, rest assured that any accusations of accounting irregularities or missing wages are unfounded, used by rumourmongers to incite valued employees to down tools. To assuage any possibility of misconduct, Qi Ben’an along with his siblings Shi Hongxing and Lin Manjing will be promoted to oversee these new assets with immediate effect. They will ensure the operations are run according to company values without deviation. Nothing can stop this bright era of unprecedented prosperity. We thank you for your continued support - The Board of Directors, Zhongfu Group.” Find out more in Property of the People (Sinoist, 2025) by Zhou Meisen, translated by James Trapp. T

When a young reporter comes to interview Margaret Kenyon, the oldest practicing nurse in the Texas panhandle, she tells him that he’ll have to listen to her story before she answers any questions. It’s 2000, but her story begins in 1925, with Frankie, a beautiful 15-year-old who has never known anything other than violence, hunger, and fear. Frankie grabs the opportunity to escape her home with a charismatic gambler who shows her the world of bootlegging and uses her beauty for his own ends. After being violently abused, Frankie finds solace in a quite hospital laundry room and begins to rebuild her shattered life. Today we're discussing Far From Uncertain: One Woman’s Life of Crime and Other Righteous Deeds (Stoney Creek, 2026). Since completing a graduate degree in creative writing in 2012, Teddy Jones has made creating fiction her full-time occupation. She’s had six novels—including A Family of Good Women, which first introduced readers to Frankie—and a collection of short stories published and collected