Cinematic Sound Radio

The tenth episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO is a discussion between Erik Woods and Randy Andrews about the film and score to the 1995 Kevin Reynolds directed post-apocalyptic adventure film, WATERWORLD, starring Kevin Costner, Dennis Hopper, Jeanne Tripplehorn, Tina Majorino and Michael Jeter. Set in the distant future, the polar ice cap has completely melted, and the sea level has risen covering nearly all of the land. The plot of the film centres on an otherwise nameless antihero, "The Mariner", a drifter who sails the Earth in his trimaran. The original score for the film was composed by James Newton Howard, performed by The Hollywood Studio Symphony Orchestra and Chorus and was recorded by Bruce Botnick. The original soundtrack recording was originally released on MCA Soundtracks and was re-released in expanded form by La La Land Records 2017. On the program, you'll hear Randy and Erik talk about various topics including when they first saw the film, the bloated budget of the fil

In today’s episode of THE 1UPBEAT, Eric Silver dedicates the entire episode to FINAL FANTASY VII; Nobuo Uematsu's masterpiece. Eric is joined in the studio by his very first live guest, writer and journalist Ashe Short, as they discuss and listen to various music arrangements from the series. This is part one of a two-part episode. Happy listening! Part 2 will be up soon... —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

For decades Stephen King has inspired readers and artists, making him among the most successful authors of his generation. His impact on the world of cinema and television is arguably unmatched by any other novelist, and some of Hollywood’s most talented and respected filmmakers have adapted his work. However, what gets less attention is that an equally gifted, respected, and eclectic group of artists has created the music for the massive list of films and T.V. series/mini-series based on his writings. In this first instalment into a limited series, host J. Blake Fichera takes you through the vast, beautiful and terrifying cinematic soundscape inspired by the horror texts of one of the most celebrated and prolific authors of the last 50 years. Purchase both SCORED TO DEATH books by going to scoredtodeath.com Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebn

Welcoming to part two of our special interview with Austin Wintory, which is part of the continuing series of film, TV and video game composer interviews on the CINEMATIC SOUND RADIO PODCAST NETWORK. In March 2021 for the CINEMATIC SOUND RADIO PODCAST NETWORK, via Zoom, Jason Drury had the pleasure of talking to Austin Wintory. In part one, Austin and Jason Drury talked extensively about his work on video games and how he chooses assignments. In part two, amongst other things, Austin talks about his other film projects, his musical influences and his use of Bandcamp. You'll also hear more selections of his wonderful music. Enjoy! Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, & Alphonse Brown. —— Cinematic Sound Radio is fully licensed to play mu

Part two of the ninth episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO continues the analysis and discussion of the music written for the separate cuts of Ridley Scott’s 1985 epic dark fantasy adventure film, LEGEND, featuring music by Jerry Goldsmith (European Cut) and Tangerine Dream (American Cut). The conversation continues with an in-depth look at three more sequences; Jack accepting weapons and armour to become The Champion, a bewitched and seduced Lili dancing and the fall of Darkness. Joining fill-in host, Erik Woods, is the host of THE ARCHIVE, Jason Drury, host of OBSCURE SCORES, Robert Daniels and CINEMATIC SOUND RADIO’s in-house composer and host of COMPOSER CONVERSATIONS, David Coscina. LEGEND is a 1985 epic dark fantasy adventure directed by Ridley Scott and starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, Cork Hubbert, and Annabelle Lanyon. The film revolves around Jack (Cruise), a pure being who must stop the Lord of Darkness (Curry) who plots to

Welcome to another of our special continuing series of film, TV and video game composer interviews on the CINEMATIC SOUND RADIO PODCAST NETWORK. On the program today, film and video game composer, Austin Wintory. Austin grew up in Denver and from the age of 10 was utterly addicted to film music. After teaching himself to compose, orchestrate and conduct in high school, he went on to study classically at NYU and USC. Following a whirlwind education in which he scored well over 150 student and small independent productions, he graduated and began working full-time in Los Angeles. In 2012, Austin’s soundtrack for the hit PlayStation3 game JOURNEY became the first-ever Grammy-nominated videogame score, also winning two British Academy Awards, a DICE Award, a Spike TV VGA, and IGN’s “Overall Music of the Year,” along with five Game Audio Network Guild awards, and a host of others. Excerpts from the score have been performed all over the world since its release, including by such ensembles as the National Symphon

The ninth episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO features a bit of a different format than other SOUNDTRACK ALLEY episodes. Regular host, Randy Andrews, decided to skip this episode and left it up to Erik Woods to host and moderate a roundtable discussion about the film, LEGEND. Joining Erik is the host of THE ARCHIVE, Jason Drury, host of OBSCURE SCORES, Robert Daniels and CINEMATIC SOUND RADIO’s in-house composer and host of COMPOSER CONVERSATIONS, David Coscina. LEGEND is a 1985 epic dark fantasy adventure directed by Ridley Scott and starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, Cork Hubbert, and Annabelle Lanyon. The film revolves around Jack (Cruise), a pure being who must stop the Lord of Darkness (Curry) who plots to cover the world with eternal night. Although the film wasn’t a critical hit it did win the British Society of Cinematographers Award for Best Cinematography for Alex Thomson, as well as being nominated for multiple other award

In episode fourteen of THE ANIME SPECTACULAR on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections from PACIFIC RIM BLACK with music by Brandon Campbell. The music continues with selections from DEMON SLAYER KIMETSU NO YAIBA with music composed by Go Shiina. You’ll then hear selections from BUBBLEGUM CRISIS 2033 VOL. 4 REVENGE ROAD with an original score by Kouji Makaino. The show closes out with music from LUPIN THE THIRD CASTLE OF CAGLIOSTRO with music by Yuji Ohno and the end credit music from PACIFIC RIM BLACK. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https:

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO NETWORK, Erik Woods presents custom trailer music written by the film's composer. Before we get into the music you will hear a brief history of the movie trailer. For this section, Erik has referenced portions of Matthew Schimkowitz's essay published on hopesandfear.com called AN EPIC HISTORY OF THE MOVIE TRAILER. We thank Matt for being so cooperative in allowing us to quote portions of his extremely well-researched essay in the program. You can visit Matt's personal web page by clicking HERE! Afterwards, you will then hear suites featuring the trailer music of John Debney (LAIR, THE PASSION OF THE CHRIST), Jerry Goldsmith (RAMBO: FIRST BLOOD PART II, EXTREME PREJUDICE), and John Williams (BACHELOR FLAT, 1941, HARRY POTTER AND THE PHILOSOPHER'S STONE, NIXON). You'll also hear a video game suite featuring music by Jack Wall (MYST III), Gareth Coker (ORI AND THE BLIND FOREST) and Chad Seiter (RECORE) We'll then move onto Golden Age trailer

The second QUARTET RECORDS SPECIAL here on the CINEMATIC SOUND RADIO NETWORK focuses on recent releases from the Spanish-based soundtrack record label. Join Jason Drury and guest, film music restorer and mastering engineer Chris Malone, as they discuss and showcase music from THE PRIVATE LIFE OF SHERLOCK HOLMES by Miklos Rozsa released in 1970. Then you'll hear selections from Claude Bolling’s suspenseful score to the 1980 horror THE AWAKENING. The 1965 Orson Welles classic period comedy, FALSTAFF (aka CHIMES AT MIDNIGHT) with music by Angelo Francesco Lavagnino, comes next and selections from the 1968 Italian crime thriller score ROMA COME CHICAGO (aka BANDITS IN ROME) composed by Bruno Nicolai and Ennio Morricone follows. The show ends by returning to THE PRIVATE LIFE OF SHERLOCK HOLMES by playing Miklos Rozsa’s concert arrangement “Fantasy Suite”. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out o

This month's show features double tracks of new releases from Abel Korzeniowski and Debbie Wiseman. A salute to Jane Fonda plus Victor Young takes the Vintage spot with a 1956 spectacular. The show also included tracks by James Newton Howard, Benjamin Wallfisch. Ley also focuses on a score to the short movie GET'S GOOD LIGHT with music by Elizabeth Phillipson-Weiner. And of course, there’s room for a sneaky Italian track by Robby Poitevin. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The eighth episode of SOUNDTRACK ALLEY here on CINEMATIC SOUND RADIO is a discussion between Erik Woods and Randy Andrews about the film and score to the 1986 James Cameron written and directed science fiction/action classic, ALIENS. It is the sequel to the 1979 science fiction horror film ALIEN. Set in the far future, the film stars Sigourney Weaver as Lieutenant Ellen Ripley, the sole survivor of an alien attack on her ship. When communications are lost with a human colony on the moon on which her crew first encountered the alien creatures, Ripley agrees to return to the site with a troop of colonial marines to investigate. The film also stars features Michael Biehn, Paul Reiser, Lance Henriksen, and Carrie Henn in supporting roles. The original score for the film was composed and conducted by James Horner, performed by The London Symphony Orchestra and recorded by the legendary Eric Tomlinson.  The original soundtrack recording was released on Varese Sarabande Records in 1986 and was expanded by the same

Welcome to part two of episode 29 of THE ARCHIVE WITH JASON DRURY on the CINEMATIC SOUND RADIO NETWORK. The show opens with the "Prologue and Main Title" from the classic 1971 thriller DIRTY HARRY (ALEPH RECORDS) composed by Lalo Schifrin. Jason then plays a suite from the 1974 Paranoia thriller THE PARALLAX VIEW (CINEMA PARADISO RECORDS) by Michael Small which celebrated a recent vinyl reissue. Then comes music from the recent INTRADA RECORDS release from the 1991 action comedy thriller COMPANY BUSINESS by Michael Kamen, selections from James Paterson wonderful award-winning score for the martial arts drama THE RED CANVAS (MOVIESCORE MEDIA)  and finishes part two in the same way part one started with a suite from the episode of THE ORVILLE SEASON 2 (LA LA LAND RECORDS) "Identity" this time with music by Joel McNeely! Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePu

In the second and final installment of this music special, author and host J. Blake Fichera highlights the talent and work of the fantastic line-up of film composers who are featured in his new book, SCORED TO DEATH 2: MORE CONVERSATIONS WITH SOME OF HORROR’S GREATEST COMPOSERS. You'll hear selections from such films as ARMY OF DARKNESS (LoDuca), HELL FEST (McCreary, Massari), IT FOLLOWS (Disasterpiece), GRETEL & HANSEl (Rob), SOUND OF DEATH NOTE (Kawai),  DAY OF THE DEAD (Harrison), BRUISER (Rubinstein) and more. Purchase both SCORED TO DEATH books by going to scoredtodeath.com —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fa

Welcome to part one of episode 29 of THE ARCHIVE WITH JASON DRURY on the CINEMATIC SOUND RADIO NETWORK. The show starts with the cue "The Ransom" from the recently released deluxe edition of the 2001 score ALONG CAME A SPIDER composed by Jerry Goldsmith (Varese Sarabande). The show continues with music from season two of THE ORVILLE (La La Land Records). You'll first hear Shawn Murphy's remix of the main theme composed by Bruce Broughton. Then you will hear a suite from the episode "Identity Part One" composed by John Debney. Then Jason showcases selections from Ernest Troost’s score for the 1990 sci-fi horror comedy, TREMORS (La La Land Records), music from the 1976 Bernard Herrmann’s masterpiece OBSESSION (Music Box Records), and finishes with James Horner’s 1989 controversial classic score to HONEY, I SHRUNK THE KIDS (Intrada Records). Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/

On today’s episode of THE 1UPBEAT, Eric Silver offers you the remaining five scores from his TOP 10 GAME SCORES OF 2020 list.  On the program, you hear music from such composers as Yoshito Sekigawa, Shoh Murakami, Yoshiaki Kimura, Hiroki Morishita, Fumihiro Isobe, Austin Wintory, Yasuaki Iwata, Yumi Takahashi, Shinobu Nagata, Sayako Doi, Masato Ohashi, Gareth Coker, Michael Giacchino, and Nami Melumad. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

We are proud to welcome author J. Blake Fichera to the CINEMATIC SOUND RADIO team. He brings along with him his wonderful podcast called SCORED TO DEATH RADIO where he will share with you music exclusively from horror films. Below you'll find his bio and what he has in store for you on this premiere episode of SCORED TO DEATH RADIO here on the CINEMATIC SOUND RADIO PODCAST NETWORK! Please give Blake, who is now the fifth member of the IFMCA (International Film Music Critics Association) on the CSR team, a very warm welcome. Enjoy! —— Bio: J. Blake Fichera is the author of the books, SCORED TO DEATH: CONVERSATIONS WITH SOME OF HORROR’S GREATEST COMPOSERS, and its sequel SCORED TO DEATH 2: MORE CONVERSATIONS WITH SOME OF HORROR’S GREATEST COMPOSERS. He is a member of the International Film Music Critics Association, has taught film studies at the State University of New York at Purchase, contributed as a writer to several noteworthy film and music-related publications and websites—including Rue Morgue ma

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO NETWORK, Erik Woods presents music from composer Robert Folk. This show is produced in conjunction with Jason Drury’s two-part interview with legendary composer Robert Folk. I hope you enjoyed the interview and the music featured on those programs and if you haven't listened to those shows yet I highly recommend you do so before listening to this one. So why produce another Robert Folk show? Well, Robert Folk is one of my all-time favourite composers and this specific show is dedicated to the scores that weren’t featured on Jason’s two programs. On this show you'll hear selections from THE NEVERENDING STORY II: THE NEXT CHAPTER, POLICE ACADEMY 4: CITIZENS ON PATROL, CAN'T BUY ME LOVE, MAXIMUM RISK, TRAPPED IN PARADISE, IN THE ARMY NOW, and a few surprises. Enjoy! Interview with Robert Folk Part 1 http://www.cinematicsound.net/interview-with-robert-folk-part-one/ Interview with Robert Folk Part 2 http://www.cinematicsound.net/interview-

Welcome to part two of a CINEMATIC SOUND RADIO NETWORK interview special on film and TV composer Dr. Robert Folk conducted by Jason Drury In part one of the interview, Folk talked about how he got into film and TV music, working on the numerous sequels, and how he came about working on the POLICE ACADEMY series of films. In part two, amongst other things, Folk talks about his work on films such as ACE VENTURA: WHEN NATURE CALLS, THERE BE DRAGONS, his collaborations with various directors, and how he came oh so close to scoring one of the James Bond films in the mid-90s. Also, as with part one of this special, you will be hearing more of the wonderful and at times exciting music that this legendary composer has created during his illustrious career. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: h

Welcome to part one of an CINEMATIC SOUND RADIO NETWORK interview special. Doctor Robert Folk is an American film and television composer and conductor. His extensive credits include ACE VENTURA: WHEN NATURE CALLS, TREMORS, THE NEVERENDING STORY II: THE NEXT CHAPTER, TOY SOLDIERS, POLICE ACADEMY, KUNG POW! ENTER THE FIST, BACK IN THE DAY and most recently, ELEPHANT WHITE, UNDERGROUND, THE SECRET VILLAGE, THERE BE DRAGONS and SILENT LIFE. Robert Folk has worked with many top filmmakers including Roland Joffe, Steve Oedekerk, George Gallo, Dan Petrie Jr., Gary Sinise, Hugh Wilson, Jonathan Betuel, Don Bluth, Jon Davison, Gary Goldman, Gene Quintano, Ron Underwood, and Gale Anne Hurd to name a few. Folk has also composed and conducted numerous concert works including Symphonic, Vocal and Chamber music compositions. His Ballet “To Dream Of Roses,” composed for the Osaka Worlds Fair and was recorded by the London Symphony Orchestra, and is a member of the Academy of Motion Picture Arts and Sciences, and the Ame