Cinematic Sound Radio

On this week’s episode of CINEMATIC SOUND RADIO we’ll be featuring music from four brand new scores. We open the program with music from Thomas Wander and Harald Kloser’s INDEPENDENCE DAY: RESURGENCE. You’ll also hear selections from John Williams’ THE BFG, Ramin Djawadi’s music from the sixth season of GAME OF THRONES and Thomas Newman’s new music from Pixar’s FINDING DORY. Our re-recording of the week comes from the film THE THING FROM ANOTHER WORLD released in 1951 featuring an original score by Dimitri Tiomkin. Charles Gerhardt conducts the National Philharmonic. Our video game score of the week is STARCRAFT II: WINGS OF LIBERTY featuring the music of Russell Brower, Glenn Stafford, Derek Duke, Neal Acree, Sascha Dikiciyan and Cris Velasco. And our film music vault selection is David Arnold’s brilliant score to the 1996 film INDEPENDENCE DAY. We’ll feature a lengthy suite at the end of the program, which will include Arnold’s spectacular end credit cue. Cinematic Sound Radio http://www.cinematicsoun

Last week CINEMATIC SOUND RADIO presented an all new two-hour episode dedicated to the late, great film composer James Horner, who died tragically last year at the age of 61. This week, and to stick with our theme from last weeks program of presenting lesser known Horner scores, we'll be playing music from eight fim scores and one concert work. You'll hear music from one of Horner's very first scores -- BATTLE BEYOND THE STARS all the way through to his last -- THE 33. As mentioned, you'll also hear a lengthy suite from a concert work James Horner composed for violinist and cellist Mari and Hakon Samuelsen called PAS DE DEUX. NOTE - This program is dedicated to CINEMATIC SOUND RADIO listener Sandra Arnold and her late husband, Peter. Sandra is a new listener of the program thank to fellow film music radio presenter, Jason Drury, for introducing the show to her. Jason informed me earlier today that Sandra was diagnosed with terminal Pancreatic Cancer back in March and was given only a few months to live. Sh

On June 22, 2015, the world lost one of its greatest film music heroes. James Horner was only 61 one when he lost control of his S-312 Tucano MK1 turboprop and crashed 100 miles northwest of Los Angeles. James Horner’s loss was devastating. He was part of a holy trinity of film composers I grew up admiring. The others were John Williams and Jerry Goldsmith. I never thought that the day would came where only one of them would still be standing. Horner, a two time Academy Award winner, six time Grammy winner and IFMCA Award winner, had an uncanny knack for perfectly capturing the emotional core of a film with his patented musical textures and harmonies, which is still unmatched in film today. His list of legendary scores seems almost endless, however, on today’s program, and on the one year anniversary of his passing, we here at Cinematic Sound Radio will be presenting a special two part, four hour tribute to James Horner and his lesser known scores. On this first program you’ll hear music from such films as

On this week’s episode of CINEMATIC SOUND RADIO we’ll be featuring music from six brand new scores. We open the program with music from Brian Tyler’s new score to NOW YOU SEE ME 2. We’ll also be featuring music from the new video game OVERWATCH by Derek Duke, Neal Acree, Cris Velasco & Sam Cardon, ALICE THROUGH THE LOOKING GLASS by Danny Elfman, Cliff Martinez’s THE NEON DEMON, Ramin Djawadi’s WARCRAFT and Steve Jablonsky’s TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS.

This is our first new show in two weeks as I desperately needed last week off. But I’m back and this week I decided to featuring another IN THE SPOTLIGHT episode. This is a program that I initially produced in January of 2006. The reason for presenting it again – newly recorded and edited to fit the new WROCK two-hour format – was that a few days ago Erich Kunzel’s recording of the Silverado themes with the Cincinnati Pops Orchestra popped up on my iPod while driving home from work. The western genre always reminded me of warm, summer weather and since summer temperatures are finally upon us here in Southern Ontario I decided to present the show you will hear today! So we are skipping the normal format, which will return next week, so you can enjoy two hours of Bruce Broughton western scores, which will include music from SILVERADO, O PIONEERS!, TOMBSTONE, TRUE WOMEN, THE BALLAD OF LUCY WHIPPLE, ROUGHING IT and TEXAS RISING! Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockr

On this week’s episode of CINEMATIC SOUND RADIO we’ll be featuring music from four brand new scores. We open the program with music from X-MEN: APOCALYPSE by John Ottman. You’ll also hear selection from Heitor Pereira’s THE ANGRY BIRDS MOVIE, Scott Glasgow’s THE CURSE OF SLEEPING BEAUTY and John Ottman and David Buckley’s THE NICE GUYSOur John Williams album of the week is Varese Sarabande Records CD Club release of John Williams’ 1981 score to HEARTBEEPSOur re-recording of the week comes from BSX Records’ SIREN SONGS: CLASSIC FILM AND TV THEMES FOR SOLO VOICE AND ORCHESTRA featuring music from THE TWILIGHT SAGA: NEW MOON by Alexandre Desplat, POWDER by Jerry Goldsmith and Philippe Sarde’s GHOST STORY.Our film music vault selection is Harold Faltermeyer’s TOP GUN, which celebrates 30 years this month.And our video game score selection of the week comes from Chad Seiter and Chris Tilton’s outstanding orchestral score to the 2008 game FRACTURE!Cinematic Sound Radiohttp://www.cinematicsound.netWROCK Radiohttp://

On this week’s episode of CINEMATIC SOUND RADIO we’ll be featuring music from four brand new scores. The show opens with music by Carlo Siliotto from the film MIRACLES FROM HEAVEN. You’ll also hear selections from A LIGHT BENEATH THEIR FEET by John Swihart and Martin Phipps innovative score to the TV mini-series WAR & PEACE. And our video game selection of the week comes from the new game UNCHARTED 4: A THIEF’s END by Henry Jackman.Our John Williams album of the week is BSX Records brand new album THE MUSIC OF JOHN WILLIAMS ON SOLO PIANO featuring pianist Dan Redfeld.Our re-recording of the week is Tribute Film Classics outstanding recording of Max Steiner’s iconic 1948 score to THE ADVENTURES OF DON JUAN. William Stromberg conducted the Moscow Symphony Orchestra.Jerry Goldsmith’s score to 1981’s OUTLAND is our film music vault selection.And our lone end credit cue comes from TWISTER, which turns 20 years old this month. You’ll hear Mark Mancina and Alex & Eddie Van Halen’s outstanding composition

On this week’s episode of CINEMATIC SOUND RADIO we’ll be playing music from superhero and comic book film and television scores. We’ll open the show with Henry Jackman’s new score to the brand new Marvel Cinematic Universe film CAPTAIN AMERICA: CIVIL WAR.Our John Williams album of the week is SUPERMAN IV: THE QUEST FOR PEACE. Williams supplied the film with three new themes while Alexander Courage wrote the rest of the score.Our re-recording of the week is a recording by the Cincinnati Pops Orchestra called SUPERHEROES conducted by John Morris Russell. We’ll feature three selections; A TV Show Medley, a new concert work called “The Launch (Conduktor’s Theme)” by Pete Anthony and Alan Silvestri’s CAPTAIN AMERICA: THE FIRST AVENGER end credits.Our video game score of the week will feature Michael Giacchino and Chris Tilton’s unreleased score to THE INCREDIBLES: RISE OF THE UNDERMINER.You’ll also hear selections from Danny Elfman’s DARKMAN, Christopher Young’s GHOST RIDER, David Newman’s THE SPIRIT, Graeme Revel

After a 13 month hiatus CINEMATIC SOUND RADIO’s “In The Spotlight” segment returns with a special two hour tribute to one of the greatest orchestras in the United States, The Utah Symphony Orchestra. The orchestra, founded in 1940, is celebrating their 75th year during their 2015-2016 season. To honour that momentous occasion we here at CINEMATIC SOUND RADIO proudly present music from some of the Utah Symphony’s film music themed albums.This is our 10th episode of the new two hour CINEMATIC SOUND RADIO format and this show might very well be the best one we’ve produced so far. You will hear sensational music from such films as OWN TOWN by Aaron Copland, THE SEA HAWK by Erich Wolfgang Korngold, SPELLBOUND by Miklos Rozsa, THE COMANCHEROS by Elmer Bernstein, THE EMPIRE STRIKES BACK by John Williams, NOTORIOUS by Roy Webb and much more.Cinematic Sound Radiohttp://www.cinematicsound.netCinematic Sound Radio Fanfare and Theme by David Coscinahttps://soundcloud.com/user-970634922Bumper voice artist: Tim Burdenhttp:

On episode nine of CINEMATIC SOUND RADIO ON WROCK we will be playing music from four brand new scores. You’ll hear selections from THE HUNTSMAN: WINTER’S WAR by James Newton Howard. Rachel Portman’s inspiring score to RACE and Edward Shearmur’s groovy music for ELVIS & NIXON will also be featured. Plus, Jason Graves’ new score to FAR CRY PRIMAL will be our video game score of the week.Our John Williams album of the week is one of his earliest gems, HEIDI released in 1968. We open the film music vault and pull out Bronislau Kaper’s fabulous swashbuckling adventure score to QUENTIN DURWARD released in 1955.. Our re-recording of the week is dedicated to the late Henry Mancini whose birthday would have been on April 16th. We’ll hear selections from two Cincinnati Pops Orchestra albums featuring conductor Erich Kunzel; MANCINI’s GREATEST HIT and STAR TRACKS II featuring music from THE PINK PANTHER, THE WHITE DAWN and LIFEFORCE.And we’ll end the program with a special tribute to the music of Prince, who passe

On episode eight of CINEMATIC SOUND RADIO ON WROCK we will be playing music from four brand new scores. You’ll hear selections from John Debney’s new score to Disney’s reimagining of THE JUNGLE BOOK. You’ll also hear selections from A HOLOGRAM FOR THE KING by Tom Tykwer and Johnny Klimek and music from Chad Cannon’s impressive score to the documentary PAPER LANTERNS. And our video game score of the week is Austin Wintory’s brand new score to THE BANNER SAGA 2.Our John Williams album of the week comes from INDIANA JONES AND THE LAST CRUSADE released in 1989. Our Golden Age score of the week is Leigh Harline’s 1954 western score to BROKEN LANCE. Our re-recording of the week is dedicated to the late, great Michael Kamen, whose 68th birthday would have been on April 15th. We’ll be playing selections from his compilation album MICHAEL KAMEN”s OPUS.And we’ll end the program with our end title suite featuring the music from THE HOWLING by Pino Donaggio, TOY SOLDIERS by Robert Folk and EXCALIBUR by Trevor Jones.Cine

On episode seven of CINEMATIC SOUND RADIO ON WROCK we will be playing music from two brand new film scores. You'll hear selections from Mark Mothersbaugh's delightful score to the newest Pee Wee Herman adventure called PEE WEE'S BIG HOLIDAY. You'll also hear new action music from the sequel to OLYMPUS HAS FALLEN called LONDON HAS FALLEN composed by Trevor Morris.Our John Williams album of the week comes from the 1985 Steven Spielberg anthology TV series AMAZING STORIES - we'll be playing selections from the episode THE MISSION. Our Golden Age score of the week is Dimitri Tiomkin's iconic score to the 1956 film, GIANT. Our video game score of the week is Lorne Balfe's fantastic score to BEYOND TWO SOULS. Our re-recording of the week, as voted by YOU, is Bernard Herrmann's classic score to Alfred Hitchcock's NORTH BY NORTHWEST featuring conductor Joel McNeely and the Slovak National Symphony OrchestraAnd we'll end the program with our end title suite featuring the music by the late Elmer Bernstein, who would ha

On episode six of CINEMATIC SOUND RADIO ON WROCK we will be playing music from three brand new film scores. The show opens up with new music by Gaute Storaas from the Norwegian historical epic, BIRKEBEINERNE featuring the outstanding song “Bifröst” performed by Helene Boksle. You’ll also hear music by Spanish composer Victor Reyes from the television series, THE NIGHT MANAGER. And Ye Xiaogang and Chad Cannon score the Chinese war epic, THE CAIRO DECLARATION.Our John Williams album of the week comes from Williams’ 1976 score to Alfred Hitchcock’s final film, FAMILY PLOT. Our Golden Age score of the week, as voted by YOU, is La La Land Records’ release of THE EGYPTIAN by Alfred Newman and Bernard Herrmann. Our video game score of the week is Jeremy Soule’s brilliant music from THE ELDER SCROLLS IV: OBLIVION. Our re-recording of the week is two selections from an album called CHARLIE CHAPLIN: THE ESSENTIAL FILM MUSIC COLLECTION featuring music from THE KID and MODERN TIMES.And we’ll end the program with our end

On episode five of CINEMATIC SOUND RADIO ON WROCK we will be playing music from two brand new film scores. The show opens up with new music by Hanan Townshend from the film KNIGHT OF CUPS. You'll also hear selections from Richard Harvey and Hans Zimmer's delightful and imaginative score to THE LITTLE PRINCE.Our John Williams album of the week comes from Williams' 1996 TRUMPET CONCERTO commissioned by the Cleveland Symphony Orchestra. Our re-recording of the week is Intrada Records' brilliant TWELVE CHORUSES featuring music from BEN-HUR and KING OF KINGS composed by Miklos Rozsa. Our video game score of the week is Michael Land's brilliant score to the mid-90's sci-fi adventure, THE DIG. You'll also hear selections from Guy Van Neuten's score to MILO from the album MUSIC FOR SMALL ORCHESTRA.And we'll end the program with our Easter themed end title suite featuring music from Alfred Newman's THE GREATEST STORY EVER TOLD and John Debney's THE PASSION OF THE CHRIST.Cinematic Sound Radiohttp://www.cinematicsound.

Episode four of CINEMATIC SOUND RADIO ON WROCK is a Batman/Superman themed program. The show opens up with new music by Hans Zimmer and Tom Holkenborg (Junkie XL) from BATMAN v SUPERMAN: DAWN OF THE JUSTICE. Our John Williams album of the week comes from 1978’s SUPERMAN: THE MOVIE. Our re-recording of the week is Danny Elfman’s BATMAN from the album FANTASTIC JOURNEY featuring conductor Erich Kunzel and the Cincinnati Pops Orchestra. Our video game score of the week is BATMAN: ARKHAM ORIGINS with music by Christopher Drake. And we’ll end the program with three end title pieces from SUPERMAN: THE ANIMATED SERIES by Shirley Walker, BATMAN: THE ANIMATED SERIES by Shirley Walker & Danny Elfman and SON OF BATMAN by Frederik Wiedmann.We’ll also be playing new music from non-Batman/Superman themed films including Bear McCreary’s brilliant score to 10 CLOVERFIELD LANE and Clint Mansell’s impressive score to HIGH-RISE.

Episode four of CINEMATIC SOUND RADIO ON WROCK is a Batman/Superman themed program. The show opens up with new music by Hans Zimmer and Tom Holkenborg (Junkie XL) from BATMAN v SUPERMAN: DAWN OF THE JUSTICE. Our John Williams album of the week comes from 1978’s SUPERMAN: THE MOVIE. Our re-recording of the week is Danny Elfman’s BATMAN from the album FANTASTIC JOURNEY featuring conductor Erich Kunzel and the Cincinnati Pops Orchestra. Our video game score of the week is BATMAN: ARKHAM ORIGINS with music by Christopher Drake. And we’ll end the program with three end title pieces from SUPERMAN: THE ANIMATED SERIES by Shirley Walker, BATMAN: THE ANIMATED SERIES by Shirley Walker & Danny Elfman and SON OF BATMAN by Frederik Wiedmann.We’ll also be playing new music from non-Batman/Superman themed films including Bear McCreary’s brilliant score to 10 CLOVERFIELD LANE and Clint Mansell’s impressive score to HIGH-RISE.

On episode three of CINEMATIC SOUND RADIO ON WROCK we will be playing music from three brand new film scores. You’ll hear music from Marco Beltrami’s brilliant action adventure score to GODS OF EGYPT, Matthew Margeson’s love letter to the 80’s with EDDIE THE EAGLE and John Debney’s spiritual score THE YOUNG MESSIAH.Our John Williams album of the week is 1990’s STANLEY AND IRIS. La La Land Records’ new presentation of Jerry Goldsmith’s TAKE A HARD RIDE is our film music vault feature. The third movement of Nobuo Uematsu’s FINAL FANTASY VII symphony is our video game selection of the week. BSX Records’ outstanding reconstruction and re-recording of Vangelis’ classic score to 1982’s BLADE RUNNER is our re-recording of the week. And we’ll end the program with two end credit pieces; John Barry’s ROBIN AND MARIAN and Richard Robbins’ A ROOM WITH A VIEW.

On episode three of CINEMATIC SOUND RADIO ON WROCK we will be playing music from three brand new film scores. You’ll hear music from Marco Beltrami’s brilliant action adventure score to GODS OF EGYPT, Matthew Margeson’s love letter to the 80’s with EDDIE THE EAGLE and John Debney’s spiritual score THE YOUNG MESSIAH.Our John Williams album of the week is 1990’s STANLEY AND IRIS. La La Land Records’ new presentation of Jerry Goldsmith’s TAKE A HARD RIDE is our film music vault feature. The third movement of Nobuo Uematsu’s FINAL FANTASY VII symphony is our video game selection of the week. BSX Records’ outstanding reconstruction and re-recording of Vangelis’ classic score to 1982’s BLADE RUNNER is our re-recording of the week. And we’ll end the program with two end credit pieces; John Barry’s ROBIN AND MARIAN and Richard Robbins’ A ROOM WITH A VIEW.

On episode two of CINEMATIC SOUND RADIO ON WROCK we will be playing music from three brand new film scores. You'll here music from Michael Giacchino's ZOOTOPIA, Tom Holkenborg's (Junkie XL) DEADPOOL and Federico Jusid's MISCONDUCT. Our John Williams album of the week is 1995's NIXON. We pull out Johnny Green's RAINTREE COUNTRY from the film music vault. Grant Kirkhope's KINGDOMS OF AMALUR: RECKONING is our video game score of the week. Tadlow Music's sublime new recording of Jerry Goldsmith's 1966 classic THE BLUE MAX is our re-recording of the week. And we'll end the program with selections from all five 2016 Academy Award nominated scores; BRIDGE OF SPIES by Thomas Newman, Carter Burwell's CAROL, SCARIO by Jóhann Jóhannsson, Ennio Morricone's THE HATEFUL EIGHT and John Williams' STAR WARS: THE FORCE AWAKENS

On episode two of CINEMATIC SOUND RADIO ON WROCK we will be playing music from three brand new film scores. You'll here music from Michael Giacchino's ZOOTOPIA, Tom Holkenborg's (Junkie XL) DEADPOOL and Federico Jusid's MISCONDUCT. Our John Williams album of the week is 1995's NIXON. We pull out Johnny Green's RAINTREE COUNTRY from the film music vault. Grant Kirkhope's KINGDOMS OF AMALUR: RECKONING is our video game score of the week. Tadlow Music's lime new recording of Jerry Goldsmith's 1966 classic THE BLUE MAX is our re-recording of the week. And we'll end the program with selections from all five 2016 Academy Award nominated scores; BRIDGE OF SPIES by Thomas Newman, Carter Burwell's CAROL, SCARIO by Jóhann Jóhannsson, Ennio Morricone's THE HATEFUL EIGHT and John Williams' STAR WARS: THE FORCE AWAKENS