New Books In Literature

Alan Bradley’s first mystery, The Sweetness at the Bottom of the Pie, came out in 2009, and received the Crime Writers’ Association Debut Dagger Award, the Agatha Award, the Barry Award, the Dilys Award, the Arthur Ellis Award, the Macavity Award and the Spotted Owl Award. This book introduced the intrepid 11-year-old protagonist, Flavia de Luce, who lives in an enormous manor house in England, with her widowed father and two sisters. It’s 1950, and England is still rebuilding itself after WWII. Another book has followed each year. Golden Tresses of the Dead, the 10th novel in the series, was released in early 2019, and continues the escapades of now orphaned Flavia, who is being cared for, along with her annoying little cousin Undine, by a staff of servants. Flavia collaborates with the estate gardener, Dogger, who was her father's previous army companion and has a surprising repertoire of talents. Together, they solve whatever crimes pop up in the seemingly peaceful little English town of Bishop’s Lacey. In

Award-winning and New York Times bestselling author Wiley Cash discusses his novel, The Last Ballad (William Morrow, 2017) writing fiction inspired by the South, and exploring the complexities of southern class, race, and gender relations against the backdrop of the 1929 Loray Mill strike. Intertwining myriad voices, Wiley Cash brings to life the heartbreak and bravery of the now forgotten struggle of the labor movement in early twentieth-century America—and pays tribute to the thousands of heroic women and men who risked their lives to win basic rights for all workers. Lyrical, heartbreaking, and haunting, this eloquent novel confirms Wiley Cash’s place among our nation’s finest writers. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

After writing more than 30 books, including memoirs, military science fiction, alternate histories, and a book of writing advice, John Birmingham was ready to try his hand at the sweeping and dramatic science fiction subgenre known as space opera. But you’d never know The Cruel Stars(Del Rey, 2019) is his first attempt at epic, interstellar, battle-of-the-ages storytelling. His deft hand has produced a tightly paced, suspenseful, and bitingly funny adventure full of wild military tech, high-stakes conflict, and five eloquent characters. “I'm a huge fan of the [space opera] genre, but it took me a while to get the confidence to write my own,” Birmingham says. The conflict at the core of The Cruel Stars pits the Sturm—who believe with Nazi-like conviction in keeping humans “pure,” i.e. free of genetic or technological enhancements—against the rest of humanity. “I very much based [the Sturm] on the ultra-right, which was coming to scary prominence as I was first putting this book together. But in a way, the syst

A man turns himself into the police for kidnapping an underage girl. The police chief tell him to go home but Walter insists on being arrested and charged. Back to the beginning of the story in 1999, Walter is an eighteen-year-old math prodigy who has already earned two doctorates but is told to get some work experience before going to law school. An investment banker on Wall Street, by nineteen he’s married, and by twenty, the father of a daughter, Olivia. Then 9/11 happens, Walter loses his best friend, he becomes disillusioned with the banking world, and he focuses on fatherhood. Then he includes the little next-door neighbor in all of Olivia’s activities. Later, as his marriage crumbles and his wife takes Olivia with her to Maine, Walter finds himself more and more drawn to the neighbor. This is a novel about family dynamics, growing older, struggling with loneliness, and forbidden love. K. C. Maher always knew that she wanted to write. She learned grammar in parochial school and did a BA at St Johns Coll

Francie Meeker and her best friend, Vi Carothers, bought into the promise offered to middle-class, especially white, women in the mid-twentieth-century United States: find a man with a good career, marry young, stay at home, raise the children, keep house, and all will be well. By 1952, despite some successes, reality has killed this dream. So at the beginning of Lies in White Dresses (William Morrow, 2019)—the sparkling new novel by Sofia Grant, who is also the author of The Dress in the Window and The Daisy Children—Francie and Vi are boarding a train to Reno, Nevada. There, after six weeks residency, they can file for divorce. On the train they meet a young woman, June Samples, traveling with a small child. Unlike Francie and Vi, June has almost no means of support. Vi takes a liking to the younger woman and, when they reach Reno, she invites June to share her hotel suite. The first night, a babysitting job brings the threesome to the attention of Virgie, the hotel keeper’s daughter and a self-styled detec

Nicholas Walton’s Singapore Singapura: From Miracle to Complacency (Hurst, 2019) is far more than a portrait of the rise of a resource-poor nation that has become a model of economic development, governance and management of inter-communal relations. Part travelogue, part history, Walton charts the opportunities and pitfalls confronting small states that have become particularly acute in an era of identity politics and civilizational leadership. Potential threats include not only the Singapore’s struggle to insulate itself from global trends as well the impact of the rise of ultra-conservative attitudes in its majority Muslim neighbours, Malaysia and Indonesia, but also increased difficulty in balancing rival powers China and the United States. If that were not enough, Singapore is juggling multiple issues at a time that it is transiting to a new generational leadership faced with the challenge of ensuring that Singapore remains relevant to its neighbours as well as the international community at large.To do

The stories and fables in A Girl Goes into the Forest (Dzanc Books, 2019) twist and turn with the sorrows and challenges of family, lovers, growing up, and aging. Sometimes wry, sometimes charming, occasionally a story will make you gasp, especially the one-pagers. In 78 pieces of fiction, flash fiction and micro-fiction, Alford’s writing is soothing, sparkling, opaque or mysterious, but it always packs a punch.Peg Alford Pursell, author of Show her a Flower, A Bird, A Shadow,the 2017 Indies Book of the Year for Literary Fiction, has had work published in many journals and anthologies. Her micro-fiction, flash fiction, and hybrid prose have been nominated for Best Small Micro-fictions and Pushcart Prizes. She is the founder and director of WTAW Press, a nonprofit publisher of literary books, and of Why There are Words, the national literary reading series. Also, she enjoys walking through her neighborhood with its redwoods and Little Free Libraries. One of the most fascinating dreams she's had was creating a

Amid a wave of time travel books published this year, Annalee Newitz’s The Future of Another Timeline(Tor, 2019)stands out for its focus on a woman’s right to obtain a safe abortion.The book opens in an alternate America in which women gained the right to vote in the 1870s (rather than 1920), but abortion never became legal.“I was imagining that if women had gotten the vote earlier, there might have been a backlash, which would have prevented a reproductive rights movement from really taking hold,” Newitz says.In the novel, time travel has gone mainstream. Anyone with the proper training can do it, although technically it’s only supposed to be used for research. That doesn’t stop Tess, under the guise of studying cultural history, from trying to “edit” the timeline to thwart men’s rights activists from trying to subjugate women through their own illicit edits.And hidden within Tess’s agenda is another secret, which she hides even from her trusted friends. That secret is revealed slowly to the reader, through

Inari Sámi Folklore: Stories from Aanaar (University of Wisconsin Press, 2019) is rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is the most comprehensive collection of Sámi oral tradition available in English to date. Collected by August V. Koskimies and Toivo I. Itkonen in the 1880s from nearly two dozen storytellers from the arctic Aanaar (Inari) region of northeast Finland, the material reveals a complex web of social relations that existed both inside and far beyond the community.First published in 1918 only in the Aanaar Sámi language and in Finnish, this anthology is now available in a centennial English-language edition for a global readership. Translator Tim Frandy has added biographies of the storytellers, maps and period photos, annotations, and a glossary. In headnotes that contextualize the stories, he explains such underlying themes as Aanaar conflicts with neighboring Sámi and Finnish communities, the collapse of the wild reindeer pop

Drawing on the author’s deep knowledge of classical literature, Deborah L. Davitt’s book of poetry The Gates of Never (Finishing Line Press, 2018) explores the intersections of myth, science, and humanity through her beautifully accessible poems, reflecting a variety of forms and linguistic styles. These poems morph between being moving, irreverent, unsettling, and erotic — offering up a richly textured collection of work.“He writes me upside downand backwards, so thatI hardly know myself yet,but my hundred newly-open mouthswhisper secret meanings,and offer atramentum kisses;he soothes my wounds withcopper vitriol, making the wordsholy and incorruptible,incapable of fading into sepia;yet as he kisses me, our tongues meeting,the words spark white-fireunder my skin, the runes writhinginto new configurations”– from “Testament”Deborah L. Davitt was raised in Nevada, but currently lives in Houston, Texas with her husband and son. She has worked as a technical writer on contracts involving nuclear submarines, NASA,

It’s 1991, and recent college graduate Mim wants to be a writer, but for now she is folding clothes at Benetton. She notices the trash-filled streets and befriends exotic Kyra, who joins Mim’s disparate group of roommates, all squeezed together in a crumbling NYC apartment. Their relationship gets closer, and Mim meets Roy, the man Kyra plans to marry. Then, the anguish of another of the roommates, a veteran of the Gulf war, becomes unbearable, and Mim returns home to Boston. She loses track of Kyra for twenty years. Now it’s 2012, Mim is married, a successful writer and raising an adopted child when she learns that Kyra has disappeared in Afghanistan. Mim’s journey to find her old friend forces her to confront her choices, herself, and her understanding of America’s ability to change the world.Join me today as I talk to Daphne Kalotay about her new novel Blue Hours (Triquarterly, 2019). Kalotay is the author of the critically acclaimed collection Calamity and Other Stories, which was shortlisted for the 2005

Grand Duchess Maria Romanova arrives in Ekaterinburg in 1918 with her parents, the former Tsar Nicholas II and his wife, Alexandra. After months of house arrest in the deep interior of Russia, the family is beginning to despair of ever being rescued. As conditions worsen, Maria and her family are increasingly at the mercy of the men set to guard them. As the pro-monarchist White Army approaches Ekaterinburg, the fate of the Romanovs hangs in the balance.Thousands of miles away and six decades later, Australian Val Doyle has her hands full with an abusive husband, a small daughter, and a mystery surrounding her recently deceased father, who died claiming, “I didn’t want to kill her!” The only clues to what may have happened are a vintage camera with a roll of film still in it and an exquisite jeweled box that refuses to open.Veteran novelist Gill Paul unravels the stories of Maria and Val in The Lost Daughter(William Morrow, 2019), a meticulously researched, engrossing novel set in Russia, China, and Australi

In Cadwell Turnbull’s The Lesson (Blackstone Publishing, 2019), the U.S. Virgin Islands serve as Earth’s entry point for the Ynaa, beings from a far corner of the universe whose intentions and desires are as complex as the humans who come to loathe them.The Ynaa (pronounced EE-nah) claim to come in peace, but there are echoes of colonization in the way they manipulate humans with fear and violence. And just as attitudes toward European colonization are reflected in the use of words like “discover” versus “invade,” so too do Virgin Islanders debate whether the Ynaa violently “invaded” or more neutrally “arrived.”Humans are no match—either physically or technologically—for the Ynaa, yet that doesn’t stop some angry (and one might argue foolish) homo sapiens from trying to thwart them. Turnbull treats human and Ynaa with an even hand, offering cultural and psychological insights into the nature of toxic masculinity and the Ynaa’s bursts of extreme violence.Even though Turnbull is from the U.S. Virgin Islands, he

Today, I’m talking with Chelene Knight. She’s written a new memoir called Dear Current Occupant (Book*hug, 2018). And as her title suggests, it’s a letter of sorts, one written to those people who might now be occupying one of many places she and her family lived back when she was growing up in downtown Vancouver’s eastside, and in this sense, her memoir is a map of the city, allowing us to see into lives and loves and struggles we might otherwise never see. But Dear Current Occupant is also a letter to Knight’s younger selves, to the girl and eventually young woman who lived in these places and who struggled to discover who she was and who she could be. The result of this correspondence is a rich and multifaceted account of what it means to become a strong writer and, in Knight’s words, “a strong black woman.” Knight’s book combines poetry, prose, maps, photographs, and other media to tell a singular story that could be told in no other way, to make visible what she calls “the cracks in the narrative,” which

Shmuel Yosef Agnon (1888-1970) was born in Buczacz, Eastern Galicia (now part of Ukraine). Yiddish was the language of his home, and Hebrew the language of the Bible and the Talmud which he studied formally until the age of nine. His knowledge of German literature came from his mother, and his love of the teachings of Maimonides and the Hassidim came from his father. In 1908 he left for Palestine, where, except for an extended stay in Germany from 1912 to 1924, he lived until his death.Agnon began writing stories when he was quite young. His first major publication, Hakhnasat Kalah (The Bridal Canopy), 1922, re-creates the golden age of Hassidism, and his apocalyptic novel, Oreach Nata Lalun (A Guest for the Night), 1939, depicts the ruin of Galicia after WWI. Much of Agnon’s other writing is set in Palestine. Israel’s early pioneers are portrayed in his epic Temol Shilshom (Only Yesterday), 1945, considered his greatest work, and in the surreal stories of Sefer Hamaasim (The Book of Deeds), 1932. Agnon also

Melissa Albert's novel The Hazel Wood(Flatiron Books, 2018) is a shivery delight, like a dazzling vintage ball gown of paisley silk, slithering over your head. Reading it is like drowning in musk rose petals and damson wine.It begins in an almost conventional manner, with a missing person mystery. Alice and her mother, Ella, live a peripatetic existence, which takes them from Nacogdoches, Texas to Brooklyn, New York. Alice copes with the frequent moves by becoming a loner, though she feels a fierce loyalty to her mother, and curiosity about her grandmother, a mysterious reclusive writer of fairy tales. When Ella meets and marries Harold, Alice and she stay still long enough for her past to catch up with them. One day Ella disappears, abducted in front of Harold. This is no ordinary kidnapping though, as Alice and her friend Finch soon find out. Their search for Ella takes them deeper and deeper into another reality, and the secrets of Alice’s origin, and things start to get really weird.Gabrielle Mathieu is t

Two sisters are struggling to save their land when a gas well explodes on a neighboring ranch in western Colorado, setting off a disturbing chain of events. Their father has died, the older sister has become unraveled and the younger sister is mauled by an angry cow. Her ex-boyfriend is buying up oil and gas rights and downplays a spate of cancer-related deaths near his wells. The company offers the sisters bottled water when the river starts bubbling. There’s also an Iraqi war veteran who helps the sisters while he’s on probation from his job as a police officer, putting his own marriage at risk. This is a moving debut novel about family, land, and the preservation of both in rural America.Award-winning journalist Rebecca Clarren has been writing about the rural West for twenty years. Her journalism, for which she has won the Hillman Prize, an Alicia Patterson Foundation Fellowship, and nine grants from the Fund for Investigative Journalism, has appeared in such publications as MotherJones, High Country News

C.A. Fletcher’s new novel,  A Boy and His Dog at the End of the World(Orbit, 2019), takes place several generations after a pandemic has turned humans into an endangered species.For Griz, the adolescent narrator, life is bounded by his family, two dogs, and the Outer Hebrides island where they hunt, fish, and farm.When Brand, a lone sailor, shows up, Griz is mesmerized by his stories of adventure. But when Brand steals one of the family’s dogs, Griz gives chase.As Griz and their other dog journey through the ruins of our world, they explore the limits of loyalty while learning a lesson in human cruelty.“If you're not true to the things you love, what are you?” Fletcher says, quoting Griz. “That's when you stop being human.”In his interview, Fletcher discusses the research that informs the novel’s “soft apocalypse,” the difference between writing screenplays and novels, his father’s wise words about dogs, and the real-life terrier behind Griz’s canine companion.Rob Wolf is the author of The Alternate Univ

When I spoke with Linnea Hartsuyker back in 2017, her epic saga was just beginning. The first novel opens with her hero, Ragnvald, seeing a vision of a golden wolf who will unite the feuding kingdoms of Norway under one rule. The vision sets the course of Ragnvald’s life, bringing him into the service of Harald Fair-Hair, a young and confident warrior whose counselor and friend Ragnvald becomes. Meanwhile, Ragnvald’s sister, Svanhild, sets off on a different course, one that offers her a life of adventure not often available to women but pits her against her beloved brother.Twenty years later, Harald has come close to achieving his goal. One more wedding stands between him and a unified Norway. Svanhild and Ragnvald have returned to fighting on the same side, but two decades of wounds and battles, as well as old patterns, are catching up with the older generation. And the three of them have produced a large and varied group of children, most of them sons at or near adulthood, ready to challenge their parents’

Planted in her mind while the author was working as a professional gardener, The Forgetting Flower (Magnolia Press, 2019) tells the story of Renia, a working- class young woman who left Crakow to live in Paris. She manages a flower shop for the obnoxious, oblivious owner, who is tone-deaf regarding business, money, and people. Renia has built a secret nook to store an unusual plant whose blossoms make people forget just about everything. The plant belonged to her twin sister, still in Crakow, and it turns out that there are lots of people interested in getting their hands on it - questionable people with guns, and drugs to sell.Karen Hugg loves plants and is thrilled when new cultivars or varieties are discovered. She is often reminded that “if she didn’t exist, they would live on just fine anyway.” Karen is a Seattle-based certified ornamental horticulturalist and Master Pruner and is also a graduate of the Goddard MFA program. When she is not actually digging in the dirt, Karen likes to write mysteries and