New Books In Literature

Guest Kate Lebo discusses her newest book, The Book of Difficult Fruit: Arguments for the Tart, Tender, and Unruly with Recipes (Farrar, Straus, and Giroux, 2021). While Lebo has authored more traditional cookbooks with stories, this collection of essays with recipes has more in common with creative nonfiction, autobiography, or a quirky reference book for plant identification. Lebo offers a unique blending of the academic – historical and botanical – with the narrative – personal and often painful. The book is organized in 26 chapters, one for each letter of the alphabet, represented by one fruit. Though the essays do have the encapsulated feel of being whole on their own, there are some narrative threads and mysteries that have to be worked out as you get further into the book. Unlike a traditional cookbook that emphasizes pleasure and ease, Lebo’s essays touch on quite a bit of personal pain – illness, death of loved ones, family secrets, heartache and break ups, abortion – and provide recipes that are una

KC Trommer speaks to managing editor Emily Everett about her poem “The Couple,” which appears in The Common’s fall issue. In this conversation, Trommer discusses writing about artwork she finds compelling and sometimes disturbing, like the Louise Bourgeois sculpture explored in this poem. She also discusses her Queens-centered poetry project QUEENSBOUND, her work as a visual artist, and her experience living a block and a half from Elmhurst Hospital in Jackson Heights, the epicenter of the early pandemic. Poet and essayist KC Trommer is the author of We Call Them Beautiful (Diode Editions, 2019) as well as the chapbook The Hasp Tongue (dancing girl press, 2014). She is the founder of the online audio project QUEENSBOUND. She is 2021 poet in residence at Works on Water on Governors Island. With Spencer Reece, she co-curates the weekly Red Door Series at St. Mark’s Church in Jackson Heights. Read KC’s poems in The Common at thecommononline.org/tag/kc-trommer. Explore the QUEENSBOUND map and listen to those poem

The year is 1985. Durga is visiting her grandmother Mary in rural Malaysia. It’s not a particularly happy occasion: Mary is tough and sharp-tongued, and “home” sparks bad memories for Durga. But a fireworks accident that sends Mary to hospital begins to unravel family secrets that had been building over generations, built by both Mary and Durga. Fragile Monsters, the debut novel by Catherine Menon (Viking, 2021), jumps between the Malaysian Emergency and the Eighties to explore themes of gender, class, and ethnicity in telling a story about a dark family history.  In this interview, Catherine and I discuss the historical setting of Fragile Monsters: a time period that normally doesn’t feature in mainstream English-language fiction. We talk about how she explores memory and shame, gender and race.  Catherine Menon is Australian-British, has Malaysian heritage and lives in London. She is a University lecturer in robotics and has both a PhD in pure mathematics and an MA in Creative Writing. Her short story colle

Joanna Scott is the author of 12 works of fiction, including Arrogance, a PEN/Faulkner finalist; and The Manikin, a finalist for the Pulitzer Prize. Her awards include a MacArthur Fellowship, a Guggenheim fellowship, and the Rosenthal Award from the American Academy of Arts and Letters. The episode explores the line between fact and fantasy, between what’s known, forgotten, or less known than characters in these short stories may believe. The degree to which we’re all limited by our sense of perspective is a related theme here as Scott argues, aptly enough, that a story is always in the first-person at some level because it’s an act of make-belief in a world without certainty. Among other writers invoked in this session were Harold Pinter and his ability to bring characters from distinctively different backgrounds into conflict, Marcel Proust for his attention to detail (a writerly trait Scott shares), and finally Jorge Borges for the ability to show a mind at play with the kind of paradoxes that Scott likewi

In story after story in her diverse new collection, Rising and Other Stories, Gale Massey illustrates the moments that shape and alter destiny. Bringing each to life through interconnected themes of moving water and a sense of loss, Massey shares with us an unvarnished narrative of a world that objectifies women and the strength and resourcefulness required to attempt to overcome those limitations. From the panicked mother in Racine, who escapes to the ocean and a young girl's last fishing expedition with a dying father in Glass to the inevitable end in Marked and the gamble in Not so Fast, these stories show how simple twists of fate can change a person forever. Ivy Waters and Long Time Coming both explore the loss of a father in very different ways, and how the identities of the daughters are rooted in those losses. And Elise's life in Rising is told in contrasts as she develops the use of her volition to pull her toward the life she deserves. Massey’s protagonists are everyday folk depicted in stories that

Do you have a cookbook in you? Thinking about a memoir with recipes? How about a food blog? Have you ever yearned to be an Instagram Influencer or dreamt of joining the waning ranks of restaurant reviewers? If that’s the case, stop whatever you are doing and get ahold of Will Write for Food: Pursue Your Passion and Bring Home the Dough Writing Recipes, Cookbooks, Blogs and More by Dianne Jacob, out this month in its fourth edition by Hachette Books. It’s no exaggeration to say that Dianne Jacob is America’s foremost food writing guru, and Will Write For Food, first published in 2005, offers the most comprehensive, unvarnished look at the always developing and perennially competitive world of food writing on the market today. Will Write for Food has been translated into Korean, Chinese, and Spanish, and is used as a textbook in universities and culinary schools. Will Write for Food has received three international awards for excellence, including the Cordon D’Or International award for Best Literary Food Refer

Ann, Fran, & Mary Ann (53rd State Press, 2020) is a new play by Erin Courtney, one of the most exciting contemporary American playwrights. This is a play that engages with themes of science, religion, and trauma through a highly theatrical and character-driven storytelling style. Ann and Mary Ann were both witnesses of traumatic events in their childhoods and were drawn to neuroscience as a way to understand and perhaps heal from their trauma. When Mary Ann begins experimenting with inducing spiritual experience, Ann's skepticism regarding the supernatural drives a wedge between them. When Ann's patient Fran begins experiencing Capgras syndrome, which convinces her that her loved ones are imposters, Mary Ann's desire to heal Fran conflicts with Ann's desire to study her. The interactions of these three characters open questions of medical ethics, the meaning of faith, and the possibility of healing. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia Univ

This is the second episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies. This episode features two of the winners in Creative Writing: Poetry: Benjamín Naka-Hasebe Kingsley, whose poetry collection Colonize Me explores the lives of those communities and peoples on the intersections of indigeneity, migration, Asian, queerness, and lower class; and Jan-Henry Gray, whose collection Documents traces Gray’s upbringing as a queer undocumented Filipino American. Benjamín Naka-Hasebe Kingsley belongs to the Onondaga Nation of Indigenous Americans in New York and is an assistant professor of poetry and nonfiction in Old Dominion University’s MFA program. His poetry collection Colonize Me won the AAAS award in Creative Writing: Poetry. Jan-Henry Gray currently teaches at Adelphi University in New York. Born in the Philippines and raised in California where he worked as a chef, Jan lived undocumented in the U.S. for more than 32

The name of Dorothy Hale is not well known these days. In the 1920s, she enjoyed a career on Broadway as a dancer, including in a leading role with Fred Astaire. When an accidental injury ended that career, she auditioned, successfully, for the filmmaker Samuel Goldwyn and landed a part opposite Ronald Coleman, who would later star in Lost Horizon. But Dorothy’s film career did not take off, and she moved into art, writing, and museum work in support of her second husband, Gardner Hale, a well-known fresco painter and portraitist, until his tragic death in 1931. Dorothy survived the stock-market crash of 1929 with her wealth intact and remained a light of New York society into the 1930s. Her closest friend—Clare Boothe, who married Henry Luce in 1935—branched out from an active career in magazine publishing, including a stint as managing editor of Vanity Fair, to produce a Broadway play titled The Women. The play lampooned members of their social circle, evoking both amusement and outrage. Dorothy Hale then s

During the Cultural Revolution, many young Chinese in the cities were encouraged — if not ordered — to move to the countryside. Millions of young Chinese in high school and university moved to rural China ostensibly to “receive re-education from the poorest lower and middle peasants to understand what China really is” (to quote Mao Zedong, at the time). Many students remained in the countryside until the end of the Cultural Revolution almost a decade later. One of these young Chinese people was the mother of Emei Burell, who turned these stories into a graphic novel: We Served the People: My Mother's Storie (Archaia, 2020). The book is roughly split into two halves: her mother’s hard work on a rubber plantation in Yunnan, and her struggles a decade later to restart her education upon her return home. In this interview, Emei talks about her mother’s story, both during her time in the countryside and when she returned home. We talk about what it was like for her to turn these tales into a graphic novel, and wha

Not long ago, the only resource for uncovering our familial pasts was to consult libraries and archives, combing old newspapers for birth announcements and obituaries. These days, many people are turning to websites like Ancestry and 23andMe, taking DNA tests to learn more about their ancestors and where they came from—often discovering long buried secrets and long lost relatives in the process. But for some, the answers to these questions exist not in archives or in their DNA, but within a suitcase. When writer Danielle Geller’s estranged mother passed away, she left behind just eight suitcases of belongings, cataloging her wayward spirit, moving between boyfriends, states, and jobs, at times experiencing homelessness. In her debut memoir, Dog Flowers (One World, 2021), Geller, trained as an archivist, consolidates the most important artifacts from the collection—never before seen photographs, documents, letters, and diaries—piecing together a portrait of the mother she grew up without, and reconnecting with

Back in 1997, when Anthony Valerio’s Conversation with Johnny was first published, the world hadn’t yet seen The Godfather, The Sopranos, or Goodfellas. In this slim volume, Valerio explores two distinct Italian American stereotypes: the dashing man about town and the successful gangster. Nicholas, the descendant of parents who emigrated to America, goes back to the old Italian New York neighborhood where Johnny, the old but still powerful gangster resides, surrounded by acolytes and luxury. The source of Johnny’s power and wealth is assumed to be crime, but he is is a caring and nurturing godfather, listening closely as Nicholas cries about his married, lover calling it quits. He is also a ruthless don who can shower Nicholas with wealth, get him a job as a maître-d at a famous restaurant, or create a retirement home for Italian American Writers. But he can’t promise Nicholas an Italian-American culture that focuses on solely on art as if organized crime never happened. Anthony Valerio is the author of 12 bo

Today I talked to Vanessa Carlisle about her new book Take Me with You (Running Wild, 2021). Kindred Powell's youth is marked by a secret that her white mother and Black father kept from her. After her father Carl's unjust incarceration and her mother's death from illness, Kindred moves from Los Angeles to New York in a desperate search for peace. There, she finds her girlfriend Nautica, a career in sex work, and a kinky boy toy named Griffin. But when Carl goes missing from LA's Skid Row, Kindred must drop everything to find him. Keep an eye out for the special edition of the South Atlantic Quarterly edited by Heather Berg and Featuring more of Vanessa's work.  Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jennifer Jean speaks to managing editor Emily Everett about her poem “California,” which appears on The Common online, in a special portfolio of writing from the Lusosphere (Portugal and its colonial and linguistic diaspora). Jean talks about writing this poem to be in conversation with Joni Mitchell’s song of the same title, and how music works its way into much of her poetry, in both rhythm and language. She also discusses writing her new poetry collection Object Lesson which centers on trauma, and co-translating poems by Iraqi women poets with an Arabic translator. Jennifer Jean’s poetry collections include The Fool and Object Lesson, out this year from Lily Books. Her teaching resource, Object Lesson: A Guide To Writing Poetry, is also out this year. Jennifer’s awards include a Kenyon Review Writers Workshop Fellowship, a DISQUIET Fellowship to write and study poetry in Portugal, a “Her Story Is” Residency (where she worked with Iraqi women artists in Dubai), and an Ambassador for Peace Award for her acti

In this ground-breaking work, Michael Sells (the Barrows Professor Emeritus of the History and Literature of Islam and Professor emeritus of comparative literature at the University of Chicago) translates sixty-one poems that form the Tarjuman al-ashwaq or The Translator of Desires by Muhyiddin Ibn 'Arabi (Princeton University Press, 2021). The poems are presented here both in Arabic and English, and are accompanied by an introduction and commentary. The masterful and accessible translations are truly a thrilling literary experience. Ibn ‘Arabi’s poems evoke numerous themes, such as of flora and fauna, nature, sacred spaces, especially of the Kaaba, love, longing, and grief. For instance, the longing of a lost beloved, which Sufis would have read as the Divine, is a central thematic thread woven throughout the collection of poetry, and is gendered feminine. The collection of poems along with Sells critical introduction and notes provides stunning insights to both the tradition of Arabic love poetry and to the

In Adrian Tchaikovsky’s The Doors of Eden (Orbit, 2020) the multiverse is filled with parallel Earths where evolution takes different twists and turns. The forks in the road and the paths species take vary from Earth to Earth, seeding sentience in a wide variety of organisms. In one, giant mollusks “understand and communicate profound truths about the nature of existence.” In another, a creature twice the size of the average human with traits of fish, salamander and slug creates a permanent ice age and must upload its citizens to supercomputers to survive. Toddler-sized rats pave the planet with Industrial Age warrens in a different Earth. And in still another version of our planet, giant immortal spacefaring trilobites establish themselves at the top of the evolutionary heap for all eternity. Tchiakovsky’s characters learn about the existence of other Earths because the boundaries between them have sundered, necessitating urgent action. No single species has the smarts or technology to fix the problem by its

Set in rural England, award-winning writer Claire Fuller's new novel Unsettled Ground (Tin House Books, 2021) explores what happens to two middle-aged twins, Jeanie and Julius, when their mother Dot – with whom they have lived their whole lives – suddenly dies. It’s a story full of secrets in which nothing is quite as it seems, and despite its apparently idyllic setting the tale is full of dramatic turns, most of them rather dark.  Unsettled Ground has just been shortlisted for the 2021 Womens’ Prize of Fiction, and has been making quite a splash. In this engaging conversation, Claire tells Duncan McCargo why all her books are rather dark, why she is not romantic about rural life, why Unsettled Ground doesn't exactly have a happy ending, and why the novel contains a hidden social message. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode, we are talking to Mark Krotov, the publisher and co-editor of n + 1, a magazine of politics, essays and fiction described once: “like The Paris Review, but not dead” (Keith Gessen, co-founder). Mark was born in Moscow and left Russia for Atlanta at the age of six. He graduated from Columbia in 2008. Before joining n + 1, he used to work as an assistant editor at Farrar, Straus and Giroux. Agata Popeda is a Polish-American journalist. Interested in everything, with a particular weakness for literature and foreign relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Rebecca D’Harlingue about her novel The Lines Between Us (She Writes Press, 2020). A widow in 17th century Spain discovers that her beloved niece, Juliana, has suddenly disappeared. Juliana records her forced journey in the diary she received from Tia Ana. Years later, when she feels herself to be nearing the end of her life, she writes to Ana, explains why she fled, and tells her that she is a nun in the new world. Ana’s response provokes Juliana into sharing her life story and demanding that Mercedes, a nun who hasn’t yet taken her vows, leave the convent. The years pass, and Mercedes, near the end of her own life, passes Juliana’s packet to her granddaughter with a demand that the mothers among her descendants keep the secret of this packet from their own daughters, only passing it to one granddaughter in each generation. Three hundred years later and we’re in 20th century America, when a college Spanish professor finds the packet while cleaning out her mother’s closet after her mother’s

A brief, elegant memoir of the author's work as a Red Cross volunteer delivering emergency water to residents of Flint, Michigan, Standpipe sets the struggles of a city in crisis against the author's personal journey as his mother declines into dementia and eventual death. Written with a poet's eye for detail and quiet metaphor, Standpipe: Delivering Water in Flint (Belt, 2021) is an intimate look at one man's engagement with both civic and familial trauma. This gentle, observant book is for readers seeking to better understand the human experience of the Flint Water Crisis, and a vivid investigation into how we all heal. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature