New Books In Literature

Catherine Segurson is the founding editor of Catamaran. She’s a painter, videographer and creative writer who graduated from the Master of Fine Arts program at California College of the Arts in San Francisco. Prior to founding Catamaran 12 years ago, she worked at both Zeotrope and ZYZZYVA literary magazines. California-based Catamaran focuses often on the life of the artist, and even more frequently on nature and the environment. The first of the essays discussed in this episode is “What Would Odysseus Do?” by Melanie Faranello. Her psychiatrist father, a Greek man, was always urging his patients to be bold and take on risks. His daughter, the author, does likewise by daring to write her dad imaginative letters as a girl, supposedly seeking his clinical advice. In “Ten Charms Against the Future” by Steve Wing, the first five vignettes offer examples of what each of the five senses offer in appreciating nature. Sight and sound remain vital as this sensual essay ends with the author’s whispering the word “shel

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. "Forget about daily life," chides her grandmother on the phone. "We named you for a whole continent and you're filming a park." Back in their home countries parents age, grandparents get sick, nieces and nephews grow up-all just slightly out of reach. But Asya and Manu's new world is growing, too, they hope. As they open the horizons of their lives, what and whom will they hold onto, and what will they need to release? Unfolding over a series of apartment viewings, late-night conversations, last rounds of drinks and lazy breakfasts, The Anthropologists (Bloomsbury, 2024) is a soulful examination of homebuilding and modern love, written with

In Ruchama Feuerman's novel In the Courtyard of the Kabbalist (Open Road Media 2024), Isaac, a lonely, heartbroken New York haberdasher, moves to Jerusalem after he’s jilted by his bride-to-be and his mother dies. He stumbles into a job as the assistant to a famous kabbalist and spends his days helping the elderly man and his wife dispense wisdom and soup to the troubled souls who come into their courtyard. Isaac crosses paths with Tamar, a newly religious young American woman desperate to find a spiritually connected husband, and Mustafa, a physically deformed Arab janitor who works on the Temple Mount. Isaac doesn’t realize that simply being kind to the janitor will change both their lives. Because of that kindness, Mustafa gifts Isaac with an ancient, discarded piece of pottery that he found in the garbage pile on the Temple Mount. His gift lands Isaac in jail and puts Mustafa in danger. Tamar is the only person Isaac knows who can help avert a disaster. First published in 2014, In the Courtyard of the Kab

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common’s most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he’s always writing toward not just a specific character’s experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon’s MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT’s Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander’s Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in 

Playwright Naomi Westerman was an anthropology graduate student studying death rituals around the world when her whole family died, turning the end of lives from an academic pursuit into something deeply personal. She became fascinated by the concept of loss and grief, the multiple ways we experience it across cultures, history, and art. Happy Death Club: Essays on Death, Grief, and Bereavement Across Cultures (404 Inklings, 2024) is part memoir, part meditation on the many faces of death – from sprinkling ashes across the globe, to the power of horror movies, the complexities of engaging in true crime entertainment, and the vital communities of peer support groups – Happy Death Club is a frank, curious and darkly humorous look at one person’s journey through grief, and what lies beyond.  This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the A

Ronald Spatz is the editor-in-chief and co-founding editor of Alaska Quarterly Review. A formal National Endowment for the Arts Fellow, Mr. Spatz has been recognized with Alaska State Governor’s Awards in Humanities and the Arts. He is currently a full professor of English and Creative Writing at the University of Alaska, Anchorage, where he also served as the founding Dean of the University Honors College and Undergraduate Research & Scholarship and as the Director of the Master of Fine Arts Program in Creative Writing. Ronald Spatz’s abiding goal for Alaska Quarterly Review is to be innovative, risk-taking, and truth-seeking, all virtues born out during this interview and by the four essays discussed here. In “Hungry Ghost” by May-lee Chaie, a cascading series of misogynistic and racist acts within the family have contributed to a devastating degree of low self-esteem. The essay confronts the emotional abyss that plagues all concerned. In “Once” by Michael Bogan, the fairy-tale like qualities of a teenage r

In Christian Collier's debut poetry collection, Greater Ghost (Four Way Books, 2024), this extraordinary Black Southern poet precisely stitches the sutures of grief and gratitude together over our wounds. These pages move between elegies for private hauntings and public ones, the visceral bereavement of a miscarriage alongside the murder of a family member, and the specter of police brutality. With a profound awareness of literary tradition, Collier enters into the American canon and dialogues with Black Southern noir--a poem like "Beloved," whose title expresses not only a genuine tenderness in its term of endearment but invokes Morrison, contextualizes this book within the legacy of racial injustice in the U.S., presenting again the prolific losses and disproportionate Black mortality across time, and yet remembers the resilience of love and transformative possibility of self-actualization from inside tragedy. Christian J. Collier is a Black, Southern writer, arts organizer, and teaching artist who resides

Kendra Sullivan's latest book of poetry, Reps (Ugly Duckling Presse, 2024), cycles through a series of operational exercises that gradually enable her to narrate an attempted escape from the trappings of narrativity—plot, character, chronology, and the promise of a probable future issuing forth from a stable past. From deep within a narrowly constrained relational data set sometimes defined as memory, sometimes identity, and sometimes collectivity, Sullivan explores, by turns, the open sea as a mode of knowing and means of conveying knowledge; the fluidity of beings, nonbeings, and the forces animating both; maps, countermaps, and the restructuring of shared worlds. Kendra Sullivan is a poet, public artist, and activist scholar. She is the Director of the Center for the Humanities at the CUNY Graduate Center, where she leads the Andrew W. Mellon Seminar on Public Engagement and Collaborative Research and coleads the NYC Climate Justice Hub. She is the publisher of Lost & Found: The CUNY Poetics Document Initi

John Kuligowski is a Nonfiction Assistant Editor at Prairie Schooner and also currently a PhD student in English at the University of Nebraska-Lincoln. He worked as an assistant editor for volumes 392 and 394 of the Dictionary of Literary Biography and has published in a number of venues both online and in print. Zainab Omaki is likewise a Nonfiction Assistant Editor at the magazine and has writings in Callaloo, The Rumpus, LA Review and elsewhere. Her novel-in-progress has funding both abroad and from the Nebraska Arts Council. Like John, she’s a PhD candidate at the University of Nebraska-Lincoln. Prairie Schooner has a long legacy, stretching back to 1928, making it arguably the country’s longest continuous literary magazine. In this episode, the focus is on essays from two recent issues, beginning with “Summer Blues” by Hantian Zhang. For anyone who ever read William Gass’s medication, On Being Blue, this will serve as an interesting sequel. The theme or mood is signaled by the Portuguese word “saudale,”

Anthony Di Renzo's Pasquinades: Essays from Rome's Famous Talking Statue (Cayuga Lake Books, 2023) is the most audacious guide to Rome you will ever read. Pasquino, the city’s witty talking statue, will introduce you to the gallant heroes and grotesque villains, humble peddlers and flamboyant nobles, whores and saints and movie stars who have reigned throughout its turbulent history. Life in Rome is a carnival! Let its joy melt in your heart like gelato. Anthony’s previous books include Trinacria: A Tale of Bourbon Sicily, Dead Reckoning: Transatlantic Passages on Europe and America, and Bitter Greens: Essays on Food, Politics, and Ethnicity. He teaches writing at Ithaca College. Recommended Books: John Keahey, Following Caesar  Chris Holmes writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming

Jim Hicks is the Executive Editor of the Massachusetts Review, a Senior Lecturer in Comparative Literature at UMass Amherst, and a translator of literature from Italian, French, Spanish, and Bosnian/Croatian/Serbian. His latest book is Lessons from Sarajevo: A War Stories Primer. Shailja Patel is the Public Affairs Editor of the Massachusetts Review, a poet, essayist, and theatre and visual artist. She is the author of Migritude. The Massachusetts Review generally focuses on the world at large, versus personal essays. Indeed, as Shailja Patel says in this episode, the magazine is about “freedom writing” that necessarily creates some discomfort in readers as tough topics get tackled. In this case, that billing fits well “An Introduction to Exile” by Oz Johnson, where religious conversion means we’re hearing from a Filipina Jew teaching herself about the Arab-Israeli conflict in ways her rabbi wishes she wouldn’t. In turn, in “Roe: Telling the Tale” by Joyce Avrech Berkman, we encounter a historical framing tha

Daughters of Shandong (Berkley Books, 2024), the author’s first and based on the life of her grandmother, follows the fortunes of a mother and three daughters abandoned by their wealthy family in soon-to-be Communist China. It is 1948, and Chairman Mao’s forces have moved into Shandong Province, driving the Nationalist Army into retreat. Although the town of Zhucheng is small and rural, the Ang family owns a palatial estate, built by generations of government officials and scholars. Even before the war turns against them, the family has little use for its eldest daughter-in-law, Chiang-Yue, who has produced three daughters but no sons. The family lives by the ancient Chinese proverb “Value men and belittle women,” so even though its second son does have a male heir, that child’s existence cannot redeem Chiang-Yue in her in-laws’ eyes. When the Communists approach, the other family members, including the girls’ father, flee. The narrator, Li-Hai, stays behind with her mother and sisters—ostensibly to keep eith

Einstein’s Dreams (Vintage, 1992) by Alan Lightman, set in Albert Einstein’s “miracle year” of 1905, is a novel about the cultural interconnection of time, relativity and life. As the young genius creates his theory of relativity, in a series of dreams, he imagines other worlds, each with a different conceptualization of time. In one, time is circular, and people are destined to repeat triumphs and failures over and over. In another, time stands still. In yet another, time is a nightingale, trapped by a bell jar. Translated into over thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians and artists around the world. In poetic vignettes, Alan Lightman explores the connections between science and art, creativity and the rhythms of life, and ultimately the fragility of human existence. This conversation includes Alan Lightman (MIT), Jeffrey Herlihy-Mera and Annette Martínez-Iñesta, of the Departamento de Humanidades at the Universidad de Puerto Rico-Mayagüez (UPRM), and Joshua Chaparro

1893. Henry Nettleblack has to act fast or she’ll be married off by her elder sister. But leaving the safety of her wealthy life isn’t as simple as she thought. Ambushed, robbed, and then saved by a mysterious organisation – part detective agency, part neighbourhood watch – a desperate Henry disguises herself and enlists. Sent out to investigate a string of crimes, she soon realises that she is living in a small rural town with surprisingly big problems. When the net starts to close around Henry, and sinister forces threaten to expose her as the missing Nettleblack sister, the new people in her life seem to offer her a way out, and a way forward. Is the world she’s lost in also a place she can find herself? Told through journal entries and letters, Nettleblack (Cipher Press, 2022) by Dr. Nat Reeve is a subversive and playful ride through the perils and joys of finding your place in the world, challenging myths about queerness – particularly transness – as a modern phenomenon, while exploring the practicalitie

A missing boy. A corrupt system. A case that could change everything... When young queer dancer Wilbess "Bessy" Mulenga is arrested by corrupt police, fresh-from-the-village rookie lawyer Grace Zulu takes up his cause in her first pro bono case. Presented with a freshly beaten client, Grace protests to the police and gets barred from accessing Bessy, who then disappears from the system--and the world--without a trace. As she fights for justice for Bessy, Grace must navigate a dangerous world of corrupt politicians, traditional beliefs, and deep-seated homophobia. With the help of a former freedom fighter and the head of her law firm, who's rallying for one last fight as AIDS takes its toll on him, Grace brings together a coalition of unions, students, and political opposition to take on the corrupt administration of President Kaunda. But will justice prevail in the face of such overwhelming odds? The Lions' Den (Graydon House, 2024) is a gripping and enduring novel that will keep you on the edge of your seat

Somota is society divided by change, and by memories. When A. arrives in the protectorate shortly after the first world war, he is unsure of what to expect. Employed by the government as a linguistic anthropologist, he is tasked with documenting the benefits of the new order and reporting them to the Reverend G. But what are these benefits? In his travels throughout the region, A. finds only the physical and emotional scars of conquest, and of routine colonial administration. Yet, even as the indigenous culture is being reduced to mere fragments, he also learns of a sublime literature responding to those historical traumas. One storyteller in particular, Kehinta, begins to reveal to A. just how much has been lost. A People Without Shame (Blackwater Press, 2024) is a profoundly beautiful novel commenting on the horrors of colonial oppression, trauma, love, and the power of story. Patrick Colm Hogan is the author of The Death of the Goddess: A Poem in Twelve Cantos (2014), a book-length, narrative poem based on

Today’s book is: We Take Our Cities With Us (Ohio State UP, 2022), by Sorayya Khan. After her mother’s death, Sorayya Khan confronts her grief by revisiting their relationship, her parents’ lives, and her own Pakistani-Dutch heritage in a multicultural memoir that unfolds over seven cities and three continents. We Take Our Cities with Us ushers us from Khan’s childhood independence forged at her grandparents’ home in Lahore; to her adolescence in Pakistan’s new capital, Islamabad; to Syracuse and Ithaca, New York, where she finds her footing as the mother of young, brown sons in post-9/11 America; to her birthplace, Vienna, where her parents die; and finally to Amsterdam and Maastricht, the cities of her mother’s conflicted youth. In Khan’s gripping telling of her immigrant experience, she shows us what it is to raise children and lose parents in worlds other than your own. Drawing on family history, geopolitics, and art in this stunning story of loss, identity, and rediscovery, Khan illuminates the complexit

Molly Giles remembers when her father came back after WWII in 1945. Her memoir, Life Span (WTAW Press, 2024) opens when she is three years old, sitting in the front seat of a moving van as her father drives from San Francisco to their new home in Sausalito. Well-known editor and author of four story-collections and two novels, Giles referenced the journals she began writing at age nine to create a memoir filled with moments and thoughts from her eight decades so far. The Bay area is the backdrop for much of her life, although she spent fourteen years teaching in Arkansas. She delves into family relationships, husbands and lovers, siblings and children, teaching and editing, and the struggles of a being a single mother before women were accepted into the work force. In brutally honest prose, Molly dissects her life with a critical eye, never sugar-coating her failures or glorifying her successes, of which there were many. Molly Giles’s first collection of short stories, ROUGH TRANSLATIONS won the Flannery O’Co

For years, fans have been clamoring for novels about the Horus Heresy - the bloody civil war that set Space Marine against Space Marine and nearly spelled the end of mankind at the hands of the traitor Horus. False Gods takes the epic story onwards as Horus struggles to keep his armies in line and the seeds of his downfall are sown. Join us as we speak with Graham McNeill about one of his several contributions to the Horus Heresy series, False Gods! Graham McNeill, currently a freelance writer, has written for Games Workshop and for Riot Games in Los Angeles. His Horus Heresy novel, A Thousand Sons, was a New York Times bestseller, and Empire, the second novel in the Sigmar trilogy, won the 2010 David Gemmell Legend Award for best fantasy novel. You can visit Graham’s website here: https://graham-mcneill.com/ Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus, and Who Sha

Dana Elmendorf’s novel In The Hour of Crows (Mira Books, 2024) takes place in small town Appalachia and follows Weatherly Opal Wilder, a young woman with the ability to talk death out of the dying. Our story begins shortly after the death of her cousin, Adaire, as Weatherly struggles to find justice for her cousin and to navigate small town politics in a place where her family is treated with increasing distrust. In this interview, Elmendorf describes the evolution of her novel from a romance to a murder mystery and the role that death and grief play in the story. She discusses Appalachian folk magic, abusive family structures, and shapeshifting crows. We also talk about poverty and rural healthcare systems, and the intermingling of the interpersonal and supernatural in contemporary fantasy. In the Hour of Crows is an empathetic, dream-like book and it was so much fun discussing it with the author. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! ht