New Books In Critical Theory

Why is the artist’s voice missing from cultural policy? In Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification (Palgrave Macmillan, 2018), Dr. Simone Wesner, a lecturer in arts management at Birkbeck, University of London, explores this question in the context of post-war and post-unification Germany. The book offers a wealth of detail on the German context, comparing two cultural policy regimes across Saxony, through a longitudinal study of a cohort of artists. Published as part of Palgrave’s New Directions In Cultural Policy Research series, the book offers new theoretical insights to cultural policy, particularly working with the idea of memory to help understand artistic careers as well as national and regional cultural policy. A fascinating read, the book will be of interest across media and cultural studies, as well as for historians, along with anyone interested in understanding the artist’s career and the artists’ role in soci

How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not!Learn more about your ad choices

Ari Larissa Heinrich’s new book, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Duke University Press, 2018), is a fascinating study of representations of the Chinese body in the context of biotechnology.  How are bodies reproduced, broken apart, and circulated?  And how do the representations of these processes help us understand transnational biopolitics? Heinrich takes up these questions and others in this pathbreaking work, one that will change how readers think about the body in contemporary art and media. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu.Learn more about your ad choices. Visit megaphone.fm/adchoices

Psychoanalysis is a queer theory. That’s what Tim Dean said, according to Eve Watson in the afterword to Clinical Encounters in Sexuality: Psychoanalytic Practice and Queer Theory (Punctum Books, 2017), a new book that she co-edited with Noreen Giffney. In her interview for this podcast, Watson qualifies that declaration by saying that psychoanalysis isn’t always a queer theory, but it should be. “There are many psychoanalyses.” Queer theory challenges the conventional approach to sexuality that many clinicians absorbed from their training. These clinicians run the risk of imposing outdated and oppressive sexual norms upon their clients. Until the mid-70’s, homosexuality was officially a mental illness and many psychoanalysts continued to try to cure homosexuals of their sexual pathology long after the DSM corrected its culturally determined diagnostic judgment in 1973. Queer theorists argue that this error was not an isolated incident but rather a trend within institutionalized psychoanalysis that continues

How do emotions affect participation in protests, and in politics more generally? In The Emotions of Protests (University of Chicago Press, 2018), James M. Jasper develops a solid critique to approaches that present political action as strictly rational and emotions as something outside the realm of strategy. Instead, Jasper speaks about feeling-thinking processes to highlight the interaction between strategic thinking and emotions, and the impact they have on participation in politics. Jasper divides emotions in five categories: reflex emotions (what we normally thinking of when we refer to emotions), urges, moods, affective commitments, and moral commitments. Through an extensive elaboration of these five concepts and the different emotions associated with each of them, Jasper builds a solid ground for the development of what he terms a ‘theory of action’. This book will stimulate sociologists and political scientists interested in social movements and protests, as well as anyone attracted by debates about

How can art change the world? In Performance Action: The Politics of Art Activism (Routledge, 2018), Paula Serafini, a Research Associate at the University of Leicester’s CAMEo Research Institute for Cultural and Media Economies, explores art activism, looking at the power, potential, and problematics of art for political and social change. The book draws on a wealth of ethnographic material, including the author’s own art activism, to show the complexity as well as the importance of art activism. Moreover, the book offers a major theoretical contribution, fusing work on the public sphere, theories of aesthetics and politics, social movements theory, and theories of emotions and the body, with case studies including the high profile Art Not Oil coalition. The book will be essential reading for anyone interested in art, politics, and the potential to challenge and change our institutions and our politics.Learn more about your ad choices. Visit megaphone.fm/adchoices

Hongwei Bao’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base, Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies.Learn more about your ad choices. Visit megaphone.fm/adchoic

How to theorize what goes without saying? In The Geography of the Everyday: Toward an Understanding of the Given (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive, starting point for social and spatial theorists across disciplines. Proceeding in stepwise fashion, Sullivan builds an account of this concept that scopes over space, place, history, time itself, social and biological reproduction, embodiment, the object world, and the neural and perceptual dimensions of experience, folding high-level theorizing together with an eclectic range of empirical engagements. The book generously synthesizes insights from Erving Goffman, Michel Foucault, Michel de Certeau, Henri Lefebvre, Maurice Merleau-Ponty, Karl Marx, Torsten Hägerstrand, Jane Bennett, and other thinkers on or just off the map of critical geography today. It is an ambitious but conversational text, a committed work of exposition that might dovetail with many a seminar in geographic

In The Darkening Nation: Race, Neoliberalism, and Crisis in Argentina (University of Wales Press, 2018), Ignacio Aguiló studies the sociocultural impact caused by the failure of the IMF economic measures in Argentina of 2001-2002. Through the lens of cultural production (films, novels, short stories, artwork and music), the author explores two of the country’s so-called exceptionalisms: whiteness and economic success. These myths, heavily endorsed by the military dictatorship during the 1970s and early 1980s, created a sense of homogeneity and uniqueness that came into question at the time of the crisis. All of the cultural products studied by the author show different aspects of what was actually a crisis in the exceptionality myths that linked race with progress. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus.Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I speak with Aaron M. Kuntz about his book, The Responsible Methodologist: Inquiry, Truth-Telling, and Social Justice (Left Coast Press, 2015). This book offers a thorough and much-needed interrogation of the role of research methodologist in today’s neo-liberalist era. Kuntz reflects upon the social and cultural structure that gave rise to the conventional role of a methodologist, a technocrat and middle-manager of knowledge production. He urges social and educational researchers in general, and research methodologists in particular, to move away from such a morally indifferent position and to encompass a social justice oriented approach to research. In his book, Kuntz also mobilizes the latest social theories from post-structuralism to new materialism to reconceptualize the meaning of truth and the responsibility of researchers. This thought-provoking and beautifully executed book will bring the readers to the central issues and debates with which contemporary researchers and research metho

“Is Theory Good for the Jews?” asks author Bruno Chaouat, professor of French at the University of Minnesota, in Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism (Liverpool University Press, 2017) . The title carries a measure of Chaouat’s characteristically ironic, self-deprecatory, yet polemical tone. So, Chaouat wonders, in both winking reference to the anti-Semitic trope of Jewish tribalism and self-involvement, and at the same time in all sincerity, whether “Theory” – in particular the canon of philosophy, literature, and social thought that grew largely out of Heideggerian roots and which continues to find contemporary purchase – is able to use its own tools to deal with today’s resurgent strains of anti-Semitism. In this episode, Chaouat discusses several recent events in French letters, including the 2010 publication of writer, diplomat and French Resistance fighter Stéphane Hessel’s manifesto Time for Outrage and novelist Salim Bachi’s literary op-ed, “Moi, Moham

Beginning with a discussion about Black Lives Matter may seem like an unlikely place to start a book about nineteenth century science and culture. However, by contrasting Black lives with White feelings, Kyla Schuller sets up the central conflict of her book. The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century (Duke University Press, 2017) interrogates the role of sexual difference in the management of racialized populations, making this book a necessary read for understanding the history of such current social movements as Black Lives Matter and the trans* exclusionary “Pussy hat” feminism. From the very beginning of the book, our conceptions of nineteenth-century science are challenged. For much of the century,  many US scientists championed Jean-Baptiste Lamarck over Charles Darwin as their most prominent influence. In their quest to refute determinist theories of heredity, the neo-Lamarckians of the American School of Evolution advocated for a self-directed version of evolution. T

What sort of inequalities characterize classical music today? In Gender, Subjectivity, and Cultural Work: The Classical Music Profession (Routledge, 2018), Christina Scharff, a senior lecturer in culture, media and creative industries in the department of Culture, Media and Creative Industries at King’s College London, offers a detailed analysis of the way the classical music profession is marked by race, class, and gender inequalities. Drawing on contemporary debates in feminism, the work of Michel Foucault, and a critique of the entrepreneurial self, the book offers a comparative study of London and Berlin. In doing so it positions classical music as a crucial site for understanding not only cultural and creative industries, but the entirety of our unequal, post-feminist economy and society. It will be required reading and citation for all creative industries scholars, as well as an important text for cultural and media studies, sociology, music, and anyone interested in the relationship between cultu

How is class inequality intertwined with the body? In Distinctions in the Flesh: Social Class and the Embodiment of Inequality (Routledge, 2017),  Dieter Vandebroeck, an assistant professor in sociology at the Free University of Brussels, explores this question by a deep engagement with contemporary theory and detailed empirical evidence. The book takes on sociology’s turn to the body in the context of Pierre Bourdieu’s work, in particular the sense of bodies in (unequal) social relations with each other and the distinctions flowing from those relations. Using a huge range of examples, including food and eating practices, sport, and body image, the book moves to position the body as a most crucial site for understanding contemporary inequality. Although the book speaks primarily to sociological debates, the engagement with theory and the empirical analysis is an essential read for anyone interested in how bodies are social, as well as individual.Learn more about your ad choices. Visit megaphone.fm

Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives of settler sovereignty” (ix). Exploring a range of sources including film, government documents, fiction, histories, and autobiography, Rifkin considers how time is defined by non-native ideologies.Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of communit

What is the impact of austerity on minority women? How has this impacted on already long standing forms of social inequality across England, France and Scotland? These questions are the subject of Minority Women and Austerity: Survival and Resistance in France and Britain (Policy Press, 2017), the new book from Dr. Leah Bassel, an associate professor of sociology at the University of Leicester, and Professor Akwugo Emejulu, a professor of sociology at the University of Warwick. The book foregrounds the narratives and understandings of minority women activists with regard to the current political moment. It challenges contemporary social policy analysis by using an intersectional approach to the impact of both state and third sector actions, as well as the political mobilizations associated with resistance. Drawing on a wealth of interview fieldwork, detailed policy analysis, and a deep but accessible theoretical framework, the book offers an important intervention on the failures of both right and left wing p

The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers

“What is needed now is not liberal reform or withdrawal, but a radical attack, a strategy of opposition. Scientific workers must develop ways to put their skills at the service of the people and against the oppressors.” (Zimmerman, et al. 1972). Following the 2014 conference, “Science for the People: The 1970s and Today,” Sigrid Schmalzer, Daniel Chard, and Alyssa Botelho, edited a volume of the Science for the People (SftP) movement, curating numerous documents from the group that are as relevant today as when they were published several decades ago. Science for the People: Documents from America’s Movement of Radical Scientists (University of Massachusetts Press, 2018) encapsulates the diverse themes, research, and actions of the movement, which included chapters across the US at one time. Emerging from the radical political culture of the 1960s, and predecessor group, Scientists for Social and Political Action, SftP challenged the value-neutrality of science and technology, and instead sought to democratiz

How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture.Learn more about your ad choices. Visit megaphone.fm/adchoices