New Books In Critical Theory

Karl Gerth’s new book, Unending Capitalism: How Consumerism Negated China's Communist Revolution (Cambridge University Press, 2020) details how the state created brands, promoted and advertised particular products, set up department stores, and facilitated the promotion of certain luxury consumer products (notably wristwatches, bicycles, and sewing machines)—all in the Mao era. Though not typically considered to be a period of Chinese history driven by consumerism, Gerth’s beautifully researched book shows how, in the early People’s Republic, the Communist Party expanded consumerism and built ‘state capitalism’, and the ferocity of consumer impulses and behaviors that followed. Challenging, provocative, and precisely written, Unending Capitalism is sure to appeal to anyone interested in modern Chinese history and histories of capitalism, as well as any readers looking for a book that uses some really fascinating sources to complicate the dominant narrative of China’s ‘socialist’ history. Sarah Bramao-Ramos is

In Climate Crisis and the Global Green New Deal: The Political Economy of Saving the Planet (Verso Books, 2020), Noam Chomsky, the world’s leading public intellectual, and Robert Pollin, the renowned progressive economist, map out the catastrophic consequences of unchecked climate change—and present a realistic blueprint for change: the Green New Deal. Together, Chomsky and Pollin show how the forecasts for a hotter planet strain the imagination: vast stretches of the Earth will become uninhabitable, plagued by extreme weather, drought, rising seas, and crop failure. Arguing against the misplaced fear of economic disaster and unemployment arising from the transition to a green economy, they show how this bogus concern encourages climate denialism. Humanity must stop burning fossil fuels within the next thirty years and do so in a way that improves living standards and opportunities for working people. This is the goal of the Green New Deal and, as the authors make clear, it is entirely feasible. Climate chang

How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury) is a book by Patrick Ffrench, Professor of French at Kings College. It is a comprehensively researched and finely argued book that traces Barthes engagement with questions of cinema from early research pre-dating the publication of Mythologies to his last work, Camera Lucida, along the way responding in depth to those who have explicitly commented on Barthes musings on film and those who have been inspired by them in their own work. It demonstrates how certain critical and theoretical themes regarding the cinema emerge and develop through the course of Barthes’ career and argues for the singular importance of the famous critic’s writing on film, despite, perhaps even precisely because of the deep ambivalence that he sustained towards that object from beginning to end. For me, Ffrench’s book reads as a celebration of the critical virtue of ambivalence as it is played out in Barthes’ writing, showing how his apparent inability to adopt an unequiv

In World Literature, Non-Synchronism, and the Politics of Time (Palgrave Macmillan) Filippo Menozzi offers to look at literature and literary processes through the prism of non-synchronism. The book details the notion that Menozzi finds accurate and relevant not only for the analysis of current cultural and political developments, but also for the consideration of the past. Non-synchronism is suggested to subvert the boundaries of time and space that are united and organized through chronologies, imposing and supporting canonical structures. Menozzi asserts that a non-synchronism approach to how we read has political repercussions that can shape the way we navigate the network of political and economic systems. To demonstrate how the non-synchronism approach helps re-arrange different times, Menozzi draws attention to fiction from Africa and South Asia and focuses on how the change of the temporal perspective can activate textual layers, providing space for the intersection of the local and the global. Filipp

In her latest book, The Hidden Face of Rights: Toward a Politics of Responsibilities (Yale University Press), Kathryn Sikkink puts forward a framework of rights and responsibilities; moving beyond the language of rights that has come to dominate scholarship and activism, she makes the case that human rights cannot be truly implemented unless we also recognise that there are corresponding obligations to implement those rights. Recognising that talk of responsibility, obligation and duty are often unpopular - because people do not like to be told what they ‘should’ do - Sikkink advocates that we rethink how we conceive of responsibility – it should not be limited to backward-looking blame attribution, but should be expanded to become one of forward-looking responsibility; instead of just asking who is to blame, responsibility should be expanded to ‘what together can we do?’ In making this argument, she focuses on five key areas – climate change, voting, digital privacy, freedom of speech, and sexual assault - t

Logic, the study of how certain arguments either succeed or fail to support their conclusions, is one of the most important topics in philosophy, its importance illustrated by the common assumption that if one is being logical, they are probably right. However, the importance of logic has led to a certain amount of misuse and abuse over the years, with questionable arguments being given a veneer of reasonableness to cover up some questionable philosophical mechanics. In a way this is nothing new; since the beginning of philosophy there has been an ongoing tension between true philosophers and sophists. The form this sophistry takes is often a reflection of the particular political and cultural questions that are being debated, and so any attempt to make sense of one’s times and build any sort of popular consensus will require diving into the pseudologic and deconstructing it, hopefully with a better argument in its place. This is the project of Ben Burgis in his book ​Give Them an Argument: Logic for the Left

How are algorithms changing journalism? In Metrics at Work: Journalism and the Contested Meaning of Algorithms (Princeton University Press), Angèle Christin, an assistant professor in the Department of Communication at Stanford University, explores the impact of metrics and analytics on the newsrooms of New York and Paris. Using an ethnography of two organisations, the book demonstrates the complexity, ambivalence, and difference in the use of metrics to make editorial and journalistic judgements. Covering a vast range of issues, from the history of journalism, through methods of managing organisations, to careers and pay, the book gives important insights into the current, and future, practices of our news organisations. As a result, the book is essential reading for social science and humanities scholars, as well as for anyone interested in how we get the news we have today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Capitalism seems to many to be in a sort of constant crisis, leaving many struggling to make ends meet. This desperation was intensified in 2008, and for many never went away in spite of claims of a general economic ‘recovery.’ More recently, the tensions and shortcomings of our current socioeconomic system have been exacerbated by the COVID-crisis, with poorly compensated frontline workers struggling to stay safe in workplaces that have failed to take adequate care of their health and safety. The feeling that we’ve stuck riding along the precipice of disaster for years now is an animating idea for my guest today, Albena Azmanova, here to discuss her recent book Capitalism on Edge: How Fighting Precarity Can Achieve Radical Change Without Utopia or Crisis (Columbia University Press). The book argues that the animating element of contemporary life under capitalism is precarity, and the driving force behind this precarity is the insatiable drive for profits which leaves workers desperately trying to keep up wit

Drawing on detailed archival research on the parallel histories of human rights and neoliberalism, in Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso), Jessica Whyte uncovers the place of human rights in neoliberal attempts to develop a moral framework for a market society. In the wake of the Second World War, neoliberals saw demands for new rights to social welfare and self-determination as threats to “civilisation”. Yet, rather than rejecting rights, they developed a distinctive account of human rights as tools to depoliticise civil society, protect private investments and shape liberal subjects. Jessica Whyte is Scientia Associate Professor of Philosophy at the University of New South Wales. She has published widely on human rights, humanitarianism, sovereignty and war. She is author of Catastrophe and Redemption: The Political Thought of Giorgio Agamben, (SUNY 2013) and The Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso, 2019) and an editor of Humanity: An

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain

An incisive new look at the black diaspora, examining the true roots of antiblackness and its destructive effects on all of society. Thanks to movements like Black Lives Matter, Western society's chronic discrimination against black individuals has become front-page news. Yet, there is little awareness of the systemic factors that make such a distinct form of dehumanization possible. In both the United States and Brazil--two leading nations of the black diaspora--a very necessary acknowledgment of black suffering is nonetheless undercut by denial of the pervasive antiblackness that still exists throughout these societies. In The Denial of Antiblackness. Multiracial Redemption and Black Suffering (University of Minnesota Press), João H. Costa Vargas examines how antiblackness affects society as a whole through analyses of recent protests against police killings of black individuals in both the United States and Brazil, as well as the everyday dynamics of incarceration, residential segregation, and poverty. Wit

Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged. By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives. In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab s

In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been prod

Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In Inventing Latinos: A New Story of American Racism (The New Press, 2020), Laura Gómez, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today. Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos mig

The sexual landscape has changed dramatically in the past few decades, with the meaning of gender and sexuality now being parsed within the realms of gender fluidity, nonheteronormative sexuality, BDSM, and polyamory. The sea change in sexual attitudes has also made room for the mainstreaming of internet pornography and the use of virtual reality for sexual pleasure – and the tech gurus have not even scratched the surface when it comes to mining the possibilities of alternative realities. In The New Sexual Landscape and Contemporary Psychoanalysis (Confer Books, 2020), Danielle Knafo and Rocco Lo Bosco survey modern sex culture and suggests ways psychoanalysis can update its theories and practice to meet the novel needs of today’s generations; at the same time, paying special attention to technology, which is augmenting and expanding sexual and gender possibilities. The authors consider how sexuality and bonding in this brave new world are best suited to meet our psychoanalytic needs. Learn more about your ad

In What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (Duke University Press, 2018), Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thou

In this current moment it has become increasingly clear that US society is deeply entangled in racist policies and logics of white supremacy. While this affects numerous communities, anti-Muslim racism has continued to grow over the years. In With Stones in Our Hands: Reflections on Racism, Muslims and US Empire (University of Minnesota Press, 2018), Sohail Daulatzai, Associate Professor at the University of California, Irvine, and Junaid Rana, Associate Professor at the University of Illinois, Urbana-Champaign, turn their attention to the intersection of racecraft around Muslims and imperial projects of domination by gathering committed scholars and activists to reflect on how we’ve gotten here and how we can move forward. The collection of over 20 essays contend with political dissent and the promise of activism, migration and assimilation, suspicion and surveillance, and the intellectual and cultural archives that provide imaginative strategies for possible futures. In our conversation we discuss the patte

How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers. The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices