New Books In Critical Theory

How do gender and race interact to affect the election, behavior, and impact of all individuals – raced women and gendered minorities alike? According to our authors, “what we know depends mightily on how we go about obtaining that knowledge.” Political scientists have often assumed that there are no gender differences among minority representatives, and no racial differences among female representatives. Race, Gender, and Political Representation: Toward a More Intersectional Approach (Oxford UP, 2020)examines HOW and to what extent political representation is simultaneously gendered and raced in the context of late 20th and early 21st century US state legislatures. Haynie, Reingold, and Widner examine how gender and race interact to affect the election, behavior, and impact of individual state legislators. The analysis – and their substantive findings – demonstrate how intersectionality, as a critical epistemology, compels us to re-evaluate the study of gender, race, and representation. Without critically e

How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised 'elsewhere' and 'otherwise'. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland - and through conversations that expand these geographies and genealogies of contemporary exhibition making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial (Leuven UP, 2020) charts new ground by analysing the convergences of museums, curatorial practice, and Europe's reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies. Free ebook available at OAPEN Library, JSTOR and Project

Law and violence are thought to share an antithetical relationship in postcolonial modernity. Violence is considered the other of law, lawlessness is understood to produce violence, and law is invoked and deployed to undo the violence of lawlessness.  Oishik Sircar's book Violent Modernities: Cultural Lives of Law in the New India (Oxford UP, 2021) uses a critical legal perspective to show that law and violence in the New India share a deep intimacy, where one symbiotically feeds the other. Researched and written between 2008 and 2018, the chapters study the cultural sites of literature, cinema, people's movements, popular media and the university to illustrate how law's promises of emancipation and performances of violence live a life of entangled contradictions. The book foregrounds reparative and ethical accounts where law does not only inhabit courtrooms, legislations and judgments, but also lives in the quotidian and minor practices of disobediences, uncertainties, vulnerabilities, double binds and failu

When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world. Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved. But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve. The Aesthetics of Virtual Reality (Routledge, 2021) is the first book to present an aesthetics of virtual realit

If maximizing utility leads to the greatest happiness of the greatest number of people, as utilitarianism has always proposed, then why is it that as many of us currently maximize our utility--by working endlessly, undertaking further education and training, relentlessly marketing and selling ourselves--we are met with the steady worsening of collective social and economic conditions? In Futilitarianism: Neoliberalism and the Production of Uselessness (MIT Press, 2021), social and political theorist Neil Vallelly eloquently tells the story of how neoliberalism transformed the relationship between utility maximization and the common good. Drawing on a vast array of contemporary examples, from self-help literature and marketing jargon to political speeches and governmental responses to the COVID-19 pandemic, Vallelly coins several terms--including the futilitarian condition, homo futilitus, and semio-futility--to demonstrate that in the neoliberal decades, the practice of utility maximization traps us in useles

In Confidence Culture (Duke UP, 2022), Shani Orgad and Rosalind Gill argue that imperatives directed at women to “love your body” and “believe in yourself” imply that psychological blocks rather than entrenched social injustices hold women back. Interrogating the prominence of confidence in contemporary discourse about body image, workplace, relationships, motherhood, and international development, Orgad and Gill draw on Foucault’s notion of technologies of self to demonstrate how “confidence culture” demands of women near-constant introspection and vigilance in the service of self-improvement. They argue that while confidence messaging may feel good, it does not address structural and systemic oppression. Rather, confidence culture suggests that women—along with people of color, the disabled, and other marginalized groups—are responsible for their own conditions. Rejecting confidence culture’s remaking of feminism along individualistic and neoliberal lines, Orgad and Gill explore alternative articulations of

In Black Gathering: Art, Ecology, Ungiven Life (Duke UP, 2021), Dr. Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and

The Salton Sea is a kaleidoscope. To some people, it's a waste land, a place of death only suitable for a dumping ground. For others, it's a clarion call, a warning for what humanity faces in our anthropogenically climate changed future. For still others, it's simply home. In The Settler Sea: California's Salton Sea and the Consequences of Colonialism (U Nebraska Press, 2021) Dr. Traci Brynne Voyles, associate professor of women's and gender studies at the University of Oklahoma, argues that the this place has defied people's expectations and attempts at control for hundreds of years, and that the key to understanding the Salton Sea (and indeed, all environments) is to recognize that they never just mean one thing. Part environmental history, part work of environmental justice studies, The Settler Sea tackles topics as diverse as damming, geology, and the history of birding in southern California - it is a book as wide ranging and hard to pin down as contentious sea at its center. Dr. Stephen R. Hausmann is a

Structural racism has impacted the lives of African Americans in the United States since before the country’s founding. Although the country has made some progress towards a more equal society, political developments in the 21st century have shown that deep divides remain. The persistence of inequality is an indicator of the stubborn resilience of the institutions that maintain white supremacy. To bridge our divides, renowned political scientist Terri Givens calls for ‘radical empathy’ - moving beyond an understanding of others’ lives and pain to understand the origins of our biases, including internalized oppression. In Radical Empathy: Finding a Path to Bridging Racial Divides (Policy Press, 2021), she offers practical steps to call out racism and bring about radical social change. Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooks

How should we understand the role of television in everyday life? In On Living with Television (Duke UP, 2021), Amy Holdsworth, a Senior Lecturer in Theatre, Film & Television Studies at the University of Glasgow uses an autobiographical and autoethnographic approach to understand an object that has ‘always been there’ in many people’s lives. The book combines analysis of programmes, including In the night garden, Man vs food and Last Tango in Halifax, with rich theoretical reflections from television studies, cultural studies, and beyond. Exploring ideas of time, home, and care, the book will be essential reading across the humanities, as well as for anyone watching television! Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Partisan Aesthetics: Modern Art and India's Long Decolonization (Stanford UP, 2020), Sanjukta Sunderason explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, she argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. Holiday Po

Timothy Brennan is Professor of Comparative Literature, Cultural Studies, and English at the University of Minnesota. He is the author of several seminal books in literary studies, including Borrowed Light: Vico, Hegel, and the Colonies, published by Stanford University Press in 2014, Secular Devotion: Afro-Latin Music and Imperial Jazz published by Verso in 2008, and Wars of Position: The Cultural Politics of Left and Right published by Columbia University Press in 2006, among others. In this episode we talk to him about his recent book Places of Mind: A Life of Edward Said published by Farrar, Straus, and Giroux in March 2021. Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan's Places of Mind is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan's masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as

In Becoming Palestine: Toward an Archival Imagination of the Future (Duke UP, 2021), Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential. Gil Hochberg is Ransford Professor of Hebrew and Comparative Literature, and Middle East Studies at Columbia University and Chair o

How can we make creative industries fair and inclusive? In Reimagining the Creative Industries: Youth Creative Work, Communities of Care (Routledge, 2021), Miranda Campbell, an associate professor in the School of Creative Industries at Ryerson University, explores this question theoretically and empirically to present a new vision for both young creative workers and creative production itself. Drawing on ideas of ordinariness and the everyday, along with the need for care and inclusivity, the book is critical of current creative industry practice at corporate level, whilst offering new models and new methods for making culture. With examples from a range of art and cultural forms, the book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for creative practitioners everywhere. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adcho

In Nature′s Evil: A Cultural History of Natural Resources (Polity Press, 2021), Alexander Etkind views the history of humankind through the prism of natural resources – how we acquire them, use them, value them, trade them, exploit them. History needs a cast of characters, and in this story the leading actors are peat and hemp, grain and iron, fur and oil, each with its own tale to tell. The uneven spread of available resources was the prime mover for trade, which in turn led to the accumulation of wealth, the growth of inequality and the proliferation of evil. Different sorts of raw material have different political implications and give rise to different social institutions. When a country switches its reliance from one commodity to another, this often leads to wars and revolutions. But none of these crises goes to waste – they all lead to dramatic changes in the relations between matter, labour and the state. Our world is the result of a fragile pact between people and nature. As we stand on the verge of c

Can the concept of the nation be a resource for liberatory political struggle? Are the dangers of nationalism simply too great? In Creolizing the Nation (Northwestern UP, 2020), Kris F. Sealey argues that creolization offers theoretical resources for imagining the possibilities of decolonial nations. Such new imaginings are made possible by the ways creolization allows us to think subjectivity, community, and history inventively. Sealey draws our focus to everyday practices of sabotage and jostling that deserve our attention. She creates conversations between the work of Édouard Glissant, Frantz Fanon, Gloria Anzaldúa, María Lugones, and Mariana Ortega to theorize identity and community in terms of difference, flux, and ambiguity. Sealey gives us errant possibilities. Creolizing the Nation was just awarded the Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more

In Between Gaia and Ground: Four Axioms of Existence and the Ancestral Catastrophe of Late Liberalism (Duke UP, 2021),  Elizabeth A. Povinelli theorizes the climatic, environmental, viral, and social catastrophe present as an ancestral catastrophe through which that Indigenous and colonized peoples have been suffering for centuries. In this way, the violence and philosophies the West relies on now threaten the West itself. Engaging with the work of Glissant, Deleuze and Guattari, Césaire, and Arendt, Povinelli highlights four axioms of existence-the entanglement of existence, the unequal distribution of power, the collapse of the event as essential to political thought, and the legacies of racial and colonial histories. She traces these axioms' inspiration in anticolonial struggles against the dispossession and extraction that have ruined the lived conditions for many on the planet. By examining the dynamic and unfolding forms of late liberal violence, Povinelli attends to a vital set of questions about chang

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research sp

This week on Recall this Book, another delightful crossover episode from our sister podcast Novel Dialogue, which puts scholars and writers together to discuss the making of novels and what to make of them. (If you want to hear more, RtB 53 featured Nobel Orhan Pamuk, RtB 54 brought in Helen Garner, and in RtB 72 we haveCaryl Phillips). Who better to chat with John and Jennifer Egan--prolific and prize-winning American novelist--than Ivan Kreilkamp? The distinguished Indiana Victorianist showed his Egan expertise last year in his witty book, A Visit from the Goon Squad Reread. Jennifer Egan © Pieter M. van Hattem Their conversation ranges widely over Egan’s oeuvre–not to mention 18th and 19th century literature. Trollope, Richardson and Fielding are praised and compared to modern phenomena like TikTok and gamers streaming (including gamers streaming chess, a very special instance of getting inside someone else’s thought process). The PowerPoint chapter in Goon Squad gets special treatment, and tantalizing det

My conversation with Laurie Lambert, author of Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution (University of Virginia Press, 2020). This book asks us to rethink the Grenadan Revolution through the literature of authors including Merle Collins, Dionne Brand, Derek Walcott and others. Lambert's attention to gender offers new narratives through which to consider the relationships between violence, memory, trauma, and colonialism. We talk about her writing process and methods, and about the broader implications of her book to Caribbean historiography.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory