New Books In Critical Theory

Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events. Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria. Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your

The Hungarian Marxist philosopher George Lukács has long occupied a complicated place in the Marxist canon of thinkers, both his lived and theoretical practice subject to much critical commentary and debate. While History and Class Consciousness is considered to be a classic of critical sociology, it has also often been held at arms length by Marxists, many of whom find it’s use of Hegelian speculative philosophy unhelpful, while others find the overemphasis on praxis at the expense of other forms of life and inquiry reductive. In spite of these hesitations, the text has maintained a canonical status for a century now, leaving philosophers on the left with a difficult set of questions about how to read it and what to do with it. Stepping into this difficult terrain is Daniel Andres Lopez with his massive book Lukács: Praxis and the Absolute (Haymarket Books, 2020). Lopez’s work reconstructs Lukács’ thought of the 1920’s by putting it back into it’s tumultuous context, allowing us not only to get a close look

What is the future of care? In The Care Crisis: What Caused It and How Can We End It? (Verso, 2021),  Emma Dowling, an assistant professor at the Department of Sociology, University of Vienna, introduces the extent of the global crisis of care. Drawing on a feminist perspective, the book thinks through the multiple ways that care is rendered invisible in contemporary society, subject to a public storm of privatisation and austerity. The crisis is exacerbated by broader social trends, from the monitoring and exploitation of precarious workers to the individualisation of self-care. Most crucially, the book offers ways to properly value care, democratising and de-financialising this most important part of society. The book is essential reading. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form’s rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.”  With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship m

In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots: State Violence on Camera in Israel and Palestine (Stanford UP, 2021) studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against t

Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power. Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense. Matthew Fuller and Eyal Weizman speak to Pierre d'Al

How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

One of the fifty most influential living philosophers, a “self-promoting charlatan” (Brian Leiter), and the orchestrator of an “online orgy of stupidity” (Ray Brassier). In Skirmishes: With Friends, Enemies, and Neutrals (Punctum Books, 2020), Graham Harman responds with flair and wit to some of his best-known critics and fellow travelers. Pulling no punches, Harman gives a masterclass in philosophical argumentation by dissecting, analyzing, and countering their criticism, be it from the Husserlian, Heideggerian, or Derridean corner. At the same time, Skirmishes provides an excellent introduction to the hottest debates in Speculative Realism and Object-Oriented Ontology, a speculative style of philosophy long foreclosed by the biases of mainstream continental thought, but which has turned in recent years into one of the most encompassing philosophies of our time, with a major impact on the arts, humanities, and architecture. Part One considers four prominent books on speculative realism. In dialogue with Tom

With Imperial Nostalgia: How the British Conquered Themselves (Manchester UP, 2020) Peter Mitchell offers a “history of the present”. That is to say, it is not a narrative of how we got to where we are, but rather a sustained reflection on how history shapes and interacts with our current world. Mitchell also engages the uses history for contemporary political purposes. Mitchell argues that memories of empire are at the root almost every aspect of Britain’s culture wars. From battles over statues to skirmishes within hallowed Oxbridge halls he argues that imperial nostalgia infects British politics. Dr. Mitchell earned his doctorate at Queen Mary, University of London in 2014. His dissertation was on the India Office records and the historiography of the early modern British Empire. In addition to Imperial Nostalgia, he is the co-author of Ruling the World: Freedom, Civilization and Liberalism in the Nineteenth Century British Empire with Alan Lester and Kate Boehme also with Cambridge University Press, 2021.

Dr. Erica R. Edwards's The Other Side of Terror: Black Women and the Culture of US Empire (New York University, 2021) reveals the troubling intimacy between Black women and the making of US global power.  The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperia

In the 1960s, the radical youth of Western Europe’s New Left rebelled against the democratic welfare state and their parents’ antiquated politics of reform. It was not the first time an upstart leftist movement was built on the ruins of the old. New Lefts: The Making of a Radical Tradition (Princeton University Press, 2021) traces the history of neoleftism from its antifascist roots in the first half of the twentieth century, to its postwar reconstruction in the 1950s, to its explosive reinvention by the 1960s counterculture. Terence Renaud demonstrates why the left in Europe underwent a series of internal revolts against the organizational forms of established parties and unions. He describes how small groups of militant youth such as New Beginning in Germany tried to sustain grassroots movements without reproducing the bureaucratic, hierarchical, and supposedly obsolete structures of Social Democracy and Communism. Neoleftist militants experimented with alternative modes of organization such as councils, as

Some fields have an easier time describing themselves than others. "History is the study of past events." "Biology is the study of living organisms." But art? Is art a discipline? Is it a practice? Who gets to answer this most fundamental of questions, and why do we prefer not to try? Between Discipline and a Hard Place, written from the perspective of a practising artist, proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Between Discipline and a Hard Place is a passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world. Alana Jelinek speaks to Pierre d'Alancaisez about a disciplined and disciplinary approach to thinking about art and its value outside the current preoccupation with economic considerations and the great potential of interdisciplinary working. Alana Jeline

Today I talked to Michelle Caswell about her new book Urgent Archives: Enacting Liberatory Memory Work (Routledge, 2021). What is the place of archives in our society? In archival studies, an answer to this question often presents an idea of linear, progressive temporality. A common trope goes: We learn history to have a better future. That is why history, and archives as a site of historical evidence, is important. In her thoughtful, groundbreaking work, a feminist archival studies scholar Caswell challenges the white imaginary of linear, progressive time embedded in our conception of archives. Pointing out how community archives from different ethnic communities across the US present cyclical temporalities where oppressions repeat, Caswell emphasizes the importance of activating the archives for their liberatory potential in the present. Over a year has passed since the murder of George Floyd and the beginning of the global pandemic that has highlighted not only structural inequality, but also an ongoing ma

If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New Appraisals (Manchester University Press, 2021) sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle. I was joined for this interview by editors Christopher Phelps and Robin Vandome (both University of Nottingham), and contributors Mara Keire (Oxford University) and Andrew Hartman (Illinois State University).  We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you

Derek Hook and Sheldon George's Lacan and Race: Racism, Identity and Psychoanalysis (Routledge, 2021) is a path-breaking edited volume that draws upon Lacanian psychoanalytic theory to examine the conscious and unconscious forces underlying race as a social formation. In my conversation with Derek and Sheldon, touching on the main themes of the volume, we explore the problems with popular psychological conceptualisations of racism, the promises and pitfalls of bringing Lacanian concepts like jouissance to bear on historical phenomena, and the possibility of a Lacanian anti-racist politics.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Personally, I hate the This-Day-in-History genre. Far too often it is some Great-Man-History trope, representing a rather archaic way of thinking about history. However, I love the social media accounts of Working Class History. For the past few years, this anonymous collective have been using FaceBook, Twitter, and Instagram to tell the stories of strikes, anti-fascist resistance, and profiles of people who tried to create a better world. One of the things I love about the project is that it is not narrowly “class based”, in that World Class History engages feminism, LBGTQ+ liberation, and a range of liberation movements. If many of the vignettes are tragic as there are far too many martyrs for social justice, they are always inspirational. Working Class History reminds us that we are not alone in our diverse struggles against the hegemonic power of capital and the forces of reaction. Today I’m speaking with John of Working Class History, a member of this collective of activists. While none of the group are

With an estimated 250,000 people killed in 15 years, the Mexican drug war is the most violent conflict in the Western world. It shows no sign of abating. In Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty (2020), Dr Teun A. Voeten analyzes the dynamics of the violence. He argues it is a new type of war called hybrid warfare: multidimensional, elusive and unpredictable, fought at different levels, with different intensities with multiple goals. The war ISIS has declared against the West is another example of hybrid warfare. Voeten interprets drug cartels as ultra-capitalist predatory corporations thriving in a neoliberal, globalized economy. They use similar branding and marketing strategies as legitimate business. He also looks at the anthropological, individual level and explains how people can become killers. Voeten compares Mexican sicarios, West African child soldiers and Western jihadis and sees the same logic of cruelty that facilitates perpetrating 'inhumane' acts t

Marxism is having a moment; higher workloads, stagnating wages, rising costs of living, a new economic crisis every few years, a warming climate and now almost two years of a worldwide pandemic have all led to a number of people across the world, especially younger people, to self-identify with ideas once thought to be in the dustbin of history. But while people may find Marx’s theories helpful for understanding what’s happening, turning these interpretations into sustained commitments is another thing. What’s more, Marx’s works often turn out to be less definitive than is often imagined, giving us rigorous methods of inquiry that we then need to develop and adapt to other fields. Being a Marxist then is not simply about adopting a particular series of propositions, but a way of interpreting and engaging with the world. This is one of the animating ideas for my guest today, Ted Stolze, here to discuss his essay collection Becoming Marxist: Studies in Philosophy, Struggle, and Endurance (Haymarket Books, 2020)

At the turn of the nineteenth century, European philologists were engaged in the study of Semitic languages and Indology, breaking with the past in many ways. To understand this period, Henning Trüper argues for the importance of a broad-ranging investigation into the production of scholarly knowledge, focusing especially on Semitic Orientalism, as a way to understand the deep epistemological crisis facing the field.  In Orientalism, Philology, and the Illegibility of the Modern World (Bloomsbury Academic Press 2020), he argues that nineteenth century philologists, in their efforts to establish the explication of linguistic meanings as scientific, prioritized certain semantic language games over others, in particular referential ones. Exploring the tensions which arise between “philology of the real” (Realphilologie) and “philology of words” (Wortphilologie) Trüper uncovers the patchwork of methods which philologists employed in an attempt to construct a universal science—concluding that these practices have

The Nature of Space (Duke UP, 2021) is a translation (by Brenda Baletti) of pioneering geographer Milton Santos' A Natureza do Espaço, originally published in Brazil in 1996. The book offers a theory of human space based on relationships between time and ontology, producing a system of ideas that can catalyze a descriptive and interpretive system of geography. Santos argues that when geographers consider the inseparability of time and space, they can then transcend fragmented realities and partial truths without trying to philosophize or theorize their way around them. Based on these premises, The Nature of Space seeks to examine the role of space, defined as indissoluble systems of objects and systems of actions in social processes, and provide a geographic contribution to the production of a critical social theory Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory