New Books In Critical Theory

I spoke with Prof Julie Froud and Prof Karel Williams about Foundational Economy: The Infrastructure of Everyday Life (Manchester University Press, 2022). This book originally published in English in 2018 synthesises the collective’s work of the previous five years in developing the foundational approach. It should now be read in conjunction with our The Foundational Approach (2020) guide to current thinking. But the book remains an important source for engaged citizens, active practitioners, and critical academics beyond who want to know more about the foundational economy concept and its relevance to the politics of progressive reform. The book is relevant to all of Europe and beyond and is available as an accessibly priced paperback in four languages. MUP publishes in English with German and Italian editions available from Suhrkamp and Einaudi. The Portuguese edition was published by Actual Editora and Dutch and Turkish translations are pending. Before you buy the book, do read our introductory chapter on

Cedric Robinson – political theorist, historian and activist – was one of the greatest black radical thinkers of the twentieth century, whose work resonates deeply with contemporary movements such as Black Lives Matter. In Cedric Robinson: The Time of the Black Radical Tradition (Polity Press, 2021), the first major book to tell the story of Cedric Robinson, Joshua Myers shows how Robinson's work interrogated the foundations of Western political thought, modern capitalism, and the changing meanings of race. Tracing the course of Robinson's journey from his early days as an agitator in the 60s against the US's reactionary foreign policy to his publication of such seminal works within Black Studies as Black Marxism, Myers frames Robinson's mission as one that aimed to understand and practice resistance to "the terms of order." In so doing, Robinson excavated the Black radical tradition as a form of resistance that imagined that life on wholly different terms was possible. As the USA enters the 20s, the need to

Increasingly fraught debates about sex, consent, feminism, justice, law, and gender relations have taken centre stage in academic, journalistic and social media circles in recent years. This has resulted in myriad new theories, debates and mediated movements including #MeToo and #TimesUp. In Sex, Consent, and Justice: A New Feminist Framework (Edinburgh UP), Tina Sikka explores many of the contradictions and tensions that make up these debates and movements. She looks at those that draw together contemporary understandings of justice, violence, consent, pleasure and desire. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.co

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas,

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography

How can we understand well-being? In Understanding Well-being Data: Improving Social and Cultural Policy, Practice and Research (Palgrave Macmillan, 2021), Susan Oman, a Lecturer in Data, AI and Society at the University of Sheffield, explores the history of well-being, the history of measurement, and cultural policy. The book covers a huge range of subjects but is written in a clear and accessible way, making longstanding debates over research methods, happiness, government decision making, and the meaning of culture (and life!). The book also has numerous practical case studies, and is available as an open access download here. It is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in the new science of well-being! Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.f

These are dark and darkening times, challenging us to look deeper to grasp the roots and dynamics of the looming civilizational crisis. Chronic illness of the planet calls for radically new thinking if there is to be any hope of renewal. When We Are Human: Notes from the Age of Pandemics (Feral House, 2021) offers thought at a necessary and primal level. All previous civilizations have failed, and now there's just one global civilization, which is starkly, grandly failing. To deny or avoid this fact is to remain in the sphere of the superficial, the irrelevant. The physical environment is reaching the catastrophe stage as the seas warm, rise, acidify, and fill with plastics. Icebergs ahead and floating past beachgoers idly watching the planet die. So much is failing, so much is interrelated in the technosphere of ever-greater dependence and estrangement. Social existence, now strangely isolated, is beset by mass shootings, rising suicide rates, slipping longevity, loneliness, anxiety, and the maddening stream

According to a broad consensus among philosophers across the ages, anger is regrettable, counterproductive, and bad. It is something to be overcome or suppressed, something that involves an immoral drive for revenge or a naïve commitment to cosmic justice. Anger is said to involve a corruption of the person – it “eats away” at them, or plunges them into madness. Maybe anger has been under-appreciated. Perhaps we have failed to make the right distinctions between different varieties of anger – thereby overlooking kinds that are productive and appropriate. In The Case for Rage: Why Anger is Essential to Anti-Racist Struggle (Oxford University Press 2021), Myisha Cherry argues that we need to give anger a chance. After identifying distinct forms of anger, she defends a kind of anger she calls Lordean Rage, which she argues is central to antiracist social progress. Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Carl Rhodes about his book Woke Capitalism: How Corporate Morality is Sabotaging Democracy (Policy Press, 2021). When Milton Friedman published Capitalism and Freedom in 1962, whose freedom was he referring to? When you know the answer is corporations, you can begin to understand both what neoliberalism was all about and why today Woke Capitalism may not be so much a harbinger of socialism as it is a way to distract the conversation from real economic reforms. That’s indeed the take of Carl Rhodes, whose book explores the plutocracy that America and otherwise democratic countries are at risk of becoming if they haven’t gotten there already. Abraham Lincoln’s Gettysburg Address famously included the pledge that government “of the people, by the people, and for the people” shall not perish. Rhodes is warning, in effect, that the world of George Orwell’s Animal Farm in which some pigs are more equal than others may be now dangerously closer to the truth. Carl Rhodes is Professor of Organization

Nicole M. Guidotti-Hernández once again engages in the fearless work of challenging structures of domination. In her most recent book, Archiving Mexican Masculinities in Diaspora (Duke University Press, 2021), Profesora Guidotti-Hernández theorizes through the idea of the masculinized Mexican subject and leads us to the possibilities of historicizing how masculinities are archived and to what degree their intimacies, desires, and emotions emerge in both private collections and public institutions. By taking a Latinx feminist and queer reading of two of the most well-known stories in Mexican History in the United States (the Flores Magón brothers and the Bracero Program), she provides us with an affective history of Mexican masculinities in diaspora. Guidotti-Hernández declares early on that “...migration and separation…altered gender relations and expressions of gender” (2). This critical understanding provides her with a foundation on which to unravel the rest of her manuscript. Dr. Nicole Guidotti-Hernández

Challenging persistent geopolitical asymmetries in feminist knowledge production, this collection depicts collisions between concepts and lived experiences, between academic feminism and political activism, between the West as generalizable and the East as the concrete Other. Borderlands in European Gender Studies (Routledge, 2020) narrows the gap between cultural analysis and social theory, addressing feminist theory’s epistemological foundations and its capacity to confront the legacies of colonialism and socialism. The contributions demonstrate the enduring worth of feminist concepts for critical analysis, conceptualize resistance to multiple forms of oppression, and identify the implications of the decoupling of cultural and social feminist critique for the analysis of gender relations in a post-socialist space. Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a

How did Steve Bannon come to believe the strange things he believes? The influential, former Trump aid, began as a Democrat-supporting Naval officer with an interest in Buddhism and transcendental meditation. He is now an anti-globalist, sympathizer of “Traditionalists” who look forward to a cataclysmic moment which will lead to a golden age of elitist, hierarchical, spiritual rule promoting long-lost essential truths. He uses the pseudonym "Alec Guinness." And Bannon believes in something akin to “the force” in Star Wars. How did Bannon undergo this transformation?  In this episode, Owen Bennett-Jones sits down with Benjamin Teitelbaum, author of War for Eternity: Inside Bannon's Far-Right Circle of Global Power Brokers (Dey Street Books, 2020) to find out how Bannon became Bannon.  Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of t

In A Mass Conspiracy to Feed People: Food Not Bombs and the World-Class Waste of Global Cities (Duke UP, 2021), David Boarder Giles explores the ways in which capitalism simultaneously manufactures waste and scarcity. Illustrating how communities of marginalized people and discarded things gather and cultivate political possibilities, Giles documents the work of Food Not Bombs (FNB), a global movement of grassroots soup kitchens that recover wasted grocery surpluses and redistribute them to those in need. He explores FNB's urban contexts: the global cities in which late-capitalist economies and unsustainable consumption precipitate excess, inequality, food waste, and hunger. Beginning in urban dumpsters, Giles traces the logic by which perfectly edible commodities are nonetheless thrown out—an act that manufactures food scarcity—to the social order of “world-class” cities, the pathways of discarded food as it circulates through the FNB kitchen, and the anticapitalist political movements the kitchen represents

Historically, discourses of racial, civilizational, and sexual difference have inevitably been entangled with, shaped by, and constitutive of institutions that divide up the land and allocate rights of access and use. Yet, traditionally, political theorists and social scientists have thought of property as an exclusively economic category, and of property rights as institutions that reflect a deeper ‘objective’ balance of power between class forces. This economistic understanding of property has not only served to erase the racialized, colonial, and gendered foundations of capitalism, but it has also led contemporary political and social theorists interested in identity and new social movements to abandon the critique of property. In his recent book Towards an Improper Politics (Edinburgh University Press, 2020), my guest Mark Devenney argues that “property belies any crude distinction between the economic and the political.” Instead, he emphasizes that political orders always link the ability to appropriate

Toxic Loves, Impossible Futures: Feminist Living as Resistance (Vanderbilt UP, 2022) is an homage to a constellation of women writers, feminists, and creators whose voices draw a map of our current global political-environmental crisis and the interlinked massive violence, enabled by the denigration of life and human relationships. In a world in which "a woman's voice" exists in bodies called on to occupy important positions in corporations, government, and cultural and academic institutions, to work in factories, and to join the army—but whose bodies are systematically rendered vulnerable by gender violence and by the double burden imposed on them to perform both productive and reproductive labor—Emmelhainz asks: What is the task of thought and form in contemporary feminist-situated knowledge?  Toxic Loves, Impossible Futures is a collection of essays rethinking feminist issues in the current context of the production of redundant populations, the omnipresence of the technosphere and environmental devastatio

Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Kyle T. Mays, an Afro-Indigenous historian, argues that the foundations of the US are rooted in anti-blackness and settler colonialism, and that these parallel oppressions continue into the present.  In An Afro-Indigenous History of the United States (Beacon Press, 2021), he explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays shows how Black and Indigenous peoples’ calls for justice have consistently sought to uproot white supremacy. Using a wide array of key texts and pop culture touchstones, Mays also covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the appropriation of Black culture. John Cable is assi

How do we formulate alternative approaches to the world’s unresponsive or intractable dilemmas, from climate change, to inequality, to concentrations of authoritarian power? Keller Easterling argues that the search for singular solutions is a mistake. Instead, she offers the perspective of medium design, one that considers not only separate objects, ideas and events but also the space between them. This background matrix with all its latent potentials is profoundly underexploited in a culture that is good at naming things but not so good at seeing how they connect and interact. In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design: Knowing How to Work on the World (Verso, 2021) looks not to new technologies for innovation but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but rather put them together in productive combinations. And it offers forms of activi

The Presidential Elections of Trump and Bolsonaro, Whiteness, and the Nation (Lexington Books, 2021) is a sociological analysis of the similarities between the elections of Donald Trump and Jair Bolsonaro, based on biographies, academic sources, newspaper, television, and internet reports published in the United States and Brazil between 2014 and 2021. The author argues that the success of each candidate reflects the racially hierarchical structure of their societies and the strength of the ideology of White supremacy to maintain that structure despite efforts to dismantle it. Regardless of class and gender, Whites responded to Trump's nativist call to exclude undesirable immigrants, especially Mexicans and Muslims, both of whom are racialized as non-White.In Brazil, the country with the largest population of African descent outside of Africa and the largest miscegenation rates in the world, the votes for Bolsonaro pointed to the social wish to achieve Whiteness and thus eliminate (or at least abate) the inse

How should we understand identity? What sort of politics are needed to address various forms of oppression and marginalization? Are knowledge and practice untainted by ideological obfuscation possible? These questions and many more are what animate my guest today, Himani Bannerji, here to discuss her book The Ideological Condition: Selected Essays on History, Race and Gender (Brill, 2020). Clocking in at close to 800 pages and spanning several decades of research and writing, this volume brings a number of themes together. Following Marx, Bannerji argues that social inquiry and critique must start with everyday life as it is lived, with the various social formations and relations generating various forms of consciousness. From this rather humble starting point, Bannerji is poised to enter into a productive dialogue with various other thinkers, particularly Lukacs, Gramsci and Dorothy Smith. She is also able to tackle questions of education, economics, race, gender, narrative, history, colonialism and emancipa

Something is definitely up with men. From millions online who engage with the manosphere to the #metoo backlash, from Men's Rights activists and incels to spiralling suicide rates, it's easy to see that, while men still rule the world, masculinity is in crisis. Feminism has gone some way towards dismantling the patriarchy, but how can we hold on to the best aspects of our metaphorical Father? Nina Power, author of What Do Men Want?: Masculinity and Its Discontents (Penguin, 2022), speaks to Pierre d'Alancaisez about the challenge of accepting biological differences and the potential for men and women living well in a world where capitalism has replaced the values - family, religion, service, and honour - that used to give our lives meaning. Nina Power is a philosopher, critic, and cultural theorist. She is the author of One Dimensional Woman, a co-host of The Lack, and she publishes a newsletter on Substack. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist