New Books In Critical Theory

In Between Gaia and Ground: Four Axioms of Existence and the Ancestral Catastrophe of Late Liberalism (Duke UP, 2021),  Elizabeth A. Povinelli theorizes the climatic, environmental, viral, and social catastrophe present as an ancestral catastrophe through which that Indigenous and colonized peoples have been suffering for centuries. In this way, the violence and philosophies the West relies on now threaten the West itself. Engaging with the work of Glissant, Deleuze and Guattari, Césaire, and Arendt, Povinelli highlights four axioms of existence-the entanglement of existence, the unequal distribution of power, the collapse of the event as essential to political thought, and the legacies of racial and colonial histories. She traces these axioms' inspiration in anticolonial struggles against the dispossession and extraction that have ruined the lived conditions for many on the planet. By examining the dynamic and unfolding forms of late liberal violence, Povinelli attends to a vital set of questions about chang

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research sp

This week on Recall this Book, another delightful crossover episode from our sister podcast Novel Dialogue, which puts scholars and writers together to discuss the making of novels and what to make of them. (If you want to hear more, RtB 53 featured Nobel Orhan Pamuk, RtB 54 brought in Helen Garner, and in RtB 72 we haveCaryl Phillips). Who better to chat with John and Jennifer Egan--prolific and prize-winning American novelist--than Ivan Kreilkamp? The distinguished Indiana Victorianist showed his Egan expertise last year in his witty book, A Visit from the Goon Squad Reread. Jennifer Egan © Pieter M. van Hattem Their conversation ranges widely over Egan’s oeuvre–not to mention 18th and 19th century literature. Trollope, Richardson and Fielding are praised and compared to modern phenomena like TikTok and gamers streaming (including gamers streaming chess, a very special instance of getting inside someone else’s thought process). The PowerPoint chapter in Goon Squad gets special treatment, and tantalizing det

My conversation with Laurie Lambert, author of Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution (University of Virginia Press, 2020). This book asks us to rethink the Grenadan Revolution through the literature of authors including Merle Collins, Dionne Brand, Derek Walcott and others. Lambert's attention to gender offers new narratives through which to consider the relationships between violence, memory, trauma, and colonialism. We talk about her writing process and methods, and about the broader implications of her book to Caribbean historiography.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Ignacio M. Sánchez Prado is Professor of Spanish, Latin American Studies, and Film and Media Studies at Washington University in St. Louis. His areas of research include Latin American intellectual history, neoliberal culture, world literary theory, and Mexican cultural studies. He is the author and editor of several books, including Screening Neoliberalism: Mexican Cinema 1988-2012 and most recently Strategic Occidentalism: On Mexican Fiction, The Neoliberal Book Market, and the Question of World Literature (Northwestern UP, 2018). Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture. In the course of this analysis, engages with theories of world literature, proposing that “world

Mabel Moraña's book Philosophy and Criticism in Latin America: From Mariátegui to Sloterdijk (Cambria Press, 2020) explores the complex relationships between the fields of philosophy and criticism, focusing on methodological, ideological and cultural aspects in which European canonical reflection connects, in many cases conflictively, with Latin American thought. Philosophy and criticism analyzes aspects of the work of influential modern thinkers (Benjamin, Foucault, Bourdieu, Sloterdijk) vis a vis the proposals of representative authors of Latin American philosophy (Mariátegui, Dussel, Bartra, Echeverría), trying to discover convergences and challenges between both slopes. Likewise, this volume focuses on crucial issues of our time: the crisis of humanism, the strategies of biopolitics, the problems of scarcity, violence, the critique of modernity, the world of affections, and the challenges of globalization. The marked profile of Latin American thought is thus imprinting its brand in current debates, reveal

Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With Banksy: Completed (MIT Press, 2021), artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit Through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall. Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York “residency” or his notorious Dismaland of 2015, a full-s

Have you ever stopped to think about your local grocery cooperative and what makes it different than, say Safeway or Giant or Whole Foods? That is, if you have a grocery cooperative in your neighborhood – they are neither ubiquitous nor evenly distributed. They do, however, offer perhaps the most visible model of how economic practices can exist outside the central dogma of capitalism. In Practicing Cooperation: Mutual Aid Beyond Capitalism (U Minnesota Press, 2021), Andrew Zitcer uses the travails and triumphs of four non-traditional organizations to create a compelling argument for a better, more equitable way to organize social and economic practices. His portraits of two grocery co-ops and a dance collective in Philadelphia, as well as a national acupuncture multistakeholder cooperative, ground his theory in the real world where ordinary people sweat, argue, stock shelves, heal each other, and make art. But his interlocutors have an underlying passion – to create a place where cooperation, rather than com

Ian Almond is Professor of World Literature at Georgetown University in Qatar, and author of six books, including Two Faiths, One Banner: When Muslims Marched with Christians across Europe’s Battlegrounds, published in 2011 by Harvard University Press and The Thought of Nirad C. Chaudhuri: Islam, Empire and Loss published by Cambridge University Press in 2015. His work has been translated into thirteen languages.  His most recent work, World Literature Decentered: Beyond the West through Turkey, Mexico and Bengal, was published in 2021 by Routledge. World Literature Decentered offers a unique departure from world literature as it has been understood, theorized, and anthologized. It asks: what would world literature look like if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet,” World Literature Decentered is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizi

The Culture-Breast in Psychoanalysis: Cultural Experiences and the Clinic (Routledge, 2021) introduces "the culture-breast," a new clinical concept, to explore the central importance played by cultural objects in the psychical lives of patients and psychoanalytic clinical practitioners inside and outside the consulting room. Bringing together clinical writings from psychoanalysis and cultural objects from the applied fields of film, art, literature and music, the book also makes an argument for the usefulness of encounters with cultural objects as "non-clinical case studies" in the training and further professional development of psychoanalysts and psychotherapists. Through its engagement with psychosocial studies, the text, furthermore, interrogates, challenges and offers a way through a hierarchical split that has become established in psychoanalysis between "clinical psychoanalysis" and "applied psychoanalysis." Noreen Giffney is a psychoanalytic psychotherapist, a psychosocial theorist and the director of

Objects in object-oriented ontology (OOO) are mysterious and inexhaustible entities. But since OOO grants ontological priority to objects, it should have an easy time referring to objects. But this is not the case. In The Interfact: On Structure and Compatibility in Object-Oriented Ontology (Open Humanities Press, 2021), Yoran researches the question of how OOO refers to an object’s haecceity, its “thisness.” He starts with an investigation into OOO’s eponymous practice, object-oriented programming (OOP) and identifies not just a plethora of parallels, but finds OOP’s concept of interfaces (as structured ways of object confrontation in time) a promising tool to describe both the rift between all objects and their relative stability. Yoran then extends Harman’s fourfold diagrams to reflect the linkages between fourfolds, revealing that objects necessarily are parts of other objects. This phenomenon, which he calls out-of-phase objects, reveals links to Simondon’s notion of compatibilisation. Yoran argues that

Vertiginous Life: An Anthropology of Time and the Unforeseen (Berghahn Books, 2021) provides a theory of the intense temporal disorientation brought about by life in crisis. In the whirlpool of unforeseen social change, people experience confusion as to where and when they belong on timelines of previously unquestioned pasts and futures. Through individual stories from crisis Greece, this book explores the everyday affects of vertigo: nausea, dizziness, breathlessness, the sense of falling, and unknowingness of Self. Being lost in time, caught in the spin-cycle of crisis, people reflect on belonging to modern Europe, neoliberal promises of accumulation, defeated futures, and the existential dilemmas of life held captive in the uncanny elsewhen. Daniel M. Knight is Reader in the Department of Social Anthropology and Director of the Centre for Cosmopolitan Studies at the University of St Andrews, Scotland. He is author of History, Time, and Economic Crisis in Central Greece (Palgrave, 2015) and co-author of The

Intolerable: Writings from Michel Foucault and the Prisons Information Group (1970-1980) (University of Minnesota Press, 2021), edited by Kevin Thompson and Perry Zurn, is a groundbreaking collection of writings by Michel Foucault and the Prisons Information Group documenting their efforts to expose France's inhumane treatment of prisoners Founded by Michel Foucault and others in 1970-71, the Prisons Information Group (GIP) circulated information about the inhumane conditions within the French prison system. Intolerable makes available for the first time in English a fully annotated compilation of materials produced by the GIP during its brief but influential existence, including an exclusive new interview with GIP member Hélène Cixous and writings by Gilles Deleuze and Jean Genet. These archival documents--public announcements, manifestos, reports, pamphlets, interventions, press conference statements, interviews, and round table discussions--trace the GIP's establishment in post-1968 political turmoil, the

Gender and Food: A Critical Look at the Food System (Rowman and Littlefield, 2019) synthesizes existing theoretical and empirical research on food, gender, and intersectionality to offer students and scholars a framework from which to understand how gender is central to the production, distribution, and consumption of food. Shelley L. Koch is professor of sociology at Emory & Henry College. She is the author of A Theory of Grocery Shopping: Food, Choice, and Conflict and co-editor of Food, Masculinities and Home: Interdisciplinary Perspectives. Her areas of specialization include gender, food studies, the environment, and consumer society. She also teaches in courses in the Women and Gender Studies and Food Studies programs. She received the HOPE Award in 2018 for her work on sustainable local food systems, and tends a garden and raises chickens in Washington County. Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its inter

Bogdan Popa’s De-Centering Queer Theory: Communist Sexuality in the Flow During and After the Cold War (Manchester University Press, 2021) seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings. Louisa Hann recently att

Viet Thanh Nguyen, author of the Pulitzer Prize winning The Sympathizer and its sequel The Committed, joins esteemed scholar Colleen Lye of UC-Berkeley for a candid discussion about the Asian-American novel and the role of literature and theory in radical social movements. Colleen is drawn to the mix of philosophy and suspense in Viet's work and wonders if he considers himself a member of the theory generation (those writers for whom literary theory is not just a way of reading texts but an impetus to create new literary forms for grappling with ideas). Viet, schooled in deconstruction and postcolonial theory, accepts the designation with a caveat: If he is a novelist of ideas, then he is a novelist of revolutionary ideas. Inspired by Fanon's anticolonialism and Gayatri Spivak's concept of the double bind, Viet's defiantly politicizing aesthetic looks to place the colonial subject, particularly the Vietnamese refugee, at the center of multiple stories of American and French imperialism. Colleen and Viet refle

In Indirect Subjects: Nollywood's Local Address (Duke UP, 2021), Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries li

Should we love work? In The Trouble with Passion: How Searching for Fulfillment at Work Fosters Inequality (U California Press, 2021), Erin Cech, an Associate Professor of Sociology at the University of Michigan, demonstrates how having passion for work fosters and reinforces a wide range of social inequalities. Drawing on extensive fieldwork and data analysis, the book combines qualitative and quantitative data to elaborate and theorise ‘the passion principle’ that underpins how the more advantaged justify the inequalities associated with education and the labour market. Alongside revealing who benefits, and who suffers, from the ideology that people must be passionate about work, the book gives strategies and ideas on how to challenge and change the passion principle. The book will be essential reading across academia and for anyone interested in contemporary working life. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about

The earliest environmental criticism took its inspiration from the Romantic poets and their immersion in the natural world. Today the “romanticising” of nature has come to be viewed with suspicion. Written by one of the leading ecocritics writing today, Kate Rigby's book Reclaiming Romanticism: Towards an Ecopoetics of Decolonisation (Bloomsbury, 2020) rediscovers the importance of the European Romantic tradition to the ways that writers and critics engage with the environment in the Anthropocene era. Exploring the work of such poets as Wordsworth, Shelley and Clare, the book discovers a rich vein of Romantic ecomaterialism and brings these canonical poets into dialogue with contemporary American and Australian poets and artists. Kate Rigby demonstrates the ways in which Romantic ecopoetics responds to postcolonial challenges and environmental peril to offer a collaborative artistic practice for an era of human-non-human cohabitation and kinship. Eyad Houssami makes theatre and has participated in the revital

What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant’s book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book’s broad relevance for anyone inte