New Books In Critical Theory

Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Kyle T. Mays, an Afro-Indigenous historian, argues that the foundations of the US are rooted in anti-blackness and settler colonialism, and that these parallel oppressions continue into the present.  In An Afro-Indigenous History of the United States (Beacon Press, 2021), he explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays shows how Black and Indigenous peoples’ calls for justice have consistently sought to uproot white supremacy. Using a wide array of key texts and pop culture touchstones, Mays also covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the appropriation of Black culture. John Cable is assi

How do we formulate alternative approaches to the world’s unresponsive or intractable dilemmas, from climate change, to inequality, to concentrations of authoritarian power? Keller Easterling argues that the search for singular solutions is a mistake. Instead, she offers the perspective of medium design, one that considers not only separate objects, ideas and events but also the space between them. This background matrix with all its latent potentials is profoundly underexploited in a culture that is good at naming things but not so good at seeing how they connect and interact. In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design: Knowing How to Work on the World (Verso, 2021) looks not to new technologies for innovation but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but rather put them together in productive combinations. And it offers forms of activi

The Presidential Elections of Trump and Bolsonaro, Whiteness, and the Nation (Lexington Books, 2021) is a sociological analysis of the similarities between the elections of Donald Trump and Jair Bolsonaro, based on biographies, academic sources, newspaper, television, and internet reports published in the United States and Brazil between 2014 and 2021. The author argues that the success of each candidate reflects the racially hierarchical structure of their societies and the strength of the ideology of White supremacy to maintain that structure despite efforts to dismantle it. Regardless of class and gender, Whites responded to Trump's nativist call to exclude undesirable immigrants, especially Mexicans and Muslims, both of whom are racialized as non-White.In Brazil, the country with the largest population of African descent outside of Africa and the largest miscegenation rates in the world, the votes for Bolsonaro pointed to the social wish to achieve Whiteness and thus eliminate (or at least abate) the inse

How should we understand identity? What sort of politics are needed to address various forms of oppression and marginalization? Are knowledge and practice untainted by ideological obfuscation possible? These questions and many more are what animate my guest today, Himani Bannerji, here to discuss her book The Ideological Condition: Selected Essays on History, Race and Gender (Brill, 2020). Clocking in at close to 800 pages and spanning several decades of research and writing, this volume brings a number of themes together. Following Marx, Bannerji argues that social inquiry and critique must start with everyday life as it is lived, with the various social formations and relations generating various forms of consciousness. From this rather humble starting point, Bannerji is poised to enter into a productive dialogue with various other thinkers, particularly Lukacs, Gramsci and Dorothy Smith. She is also able to tackle questions of education, economics, race, gender, narrative, history, colonialism and emancipa

Something is definitely up with men. From millions online who engage with the manosphere to the #metoo backlash, from Men's Rights activists and incels to spiralling suicide rates, it's easy to see that, while men still rule the world, masculinity is in crisis. Feminism has gone some way towards dismantling the patriarchy, but how can we hold on to the best aspects of our metaphorical Father? Nina Power, author of What Do Men Want?: Masculinity and Its Discontents (Penguin, 2022), speaks to Pierre d'Alancaisez about the challenge of accepting biological differences and the potential for men and women living well in a world where capitalism has replaced the values - family, religion, service, and honour - that used to give our lives meaning. Nina Power is a philosopher, critic, and cultural theorist. She is the author of One Dimensional Woman, a co-host of The Lack, and she publishes a newsletter on Substack. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist

In Island Futures: Caribbean Survival in the Anthropocene (Duke UP, 2020), Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region during a time of climate catastrophe. Drawing on fieldwork on postearthquake reconstruction in Haiti, flooding on the Haitian-Dominican border, and recent hurricanes, Sheller shows how ecological vulnerability and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics. Because foreigners are largely ignorant of Haiti's political, cultural, and economic contexts, especially the historical role of the United States, their efforts to help often exacerbate inequities. Caribbean survival under ever-worsening environmental and political conditions, Sheller contends, demands radical alternatives to the pervasive neocolonialism, racial capitalism, and US military domination that have perpetuated what she calls the "coloniality of climate." Sheller insists that

“This is America”: Race Gender and Politics in America’s Musical Landscape by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to Hamilton. The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium

In Green Unpleasant Land: Creative Responses to Rural England's Colonial Connections (PeePal Tree Press, 2021), Dr. Corinne Fowler explores the repressed history of rural England's links to transatlantic enslavement and the East India Company. “Historical and literary ideas about the countryside have shifted significantly in the last three decades. For a long time now, historians, social geographers and archaeologists have recognised that English rural landscapes are readable, showing up such things as Bronze Age forts and Roman roads. The countryside was not, until recently, considered to reveal much about the British empire. Nor was the empire seen as having much to do with enclosure, rural poverty or rural industry. All that has changed.” Combining essays, poems and stories, the book details the colonial links of country houses, moorlands, woodlands, village pubs and graveyards. Dr. Fowler, who herself comes from a family of slave-owners, argues that Britain's cultural and economic legacy is not simply exp

One in four American workers says their workplace is a "dictatorship." Yet that number almost certainly would be higher if we recognized employers for what they are-private governments with sweeping authoritarian power over our lives. Many employers minutely regulate workers' speech, clothing, and manners on the job, and employers often extend their authority to the off-duty lives of workers, who can be fired for their political speech, recreational activities, diet, and almost anything else employers care to govern. In Private Government: How Employers Rule Our Lives (and Why We Don't Talk about It) (Princeton UP, 2019), Elizabeth Anderson examines why, despite all this, we continue to talk as if free markets make workers free, and she proposes a better way to think about the workplace, opening up space for discovering how workers can enjoy real freedom. Elizabeth Anderson is Arthur F. Thurnau Professor and John Dewey Distinguished University Professor of Philosophy and Women's Studies at the University of M

Bald: 35 Philosophical Short Cuts (Yale UP, 2021) brings together thirty-five essays, originally published in the Times, on a wide range of topics, from the dimensions of Plato’s academy and the mysteries of Eleusis to Philip K. Dick, Mormonism, money, and the joy and pain of Liverpool Football Club fans. Simon Critchley has been a strong voice in popular philosophy for more than a decade. In an engaging and jargon‑free style, Critchley writes with honesty about the state of the world as he offers philosophically-informed and insightful considerations of happiness, violence, and faith. Stripped of inaccessible academic armatures, these short pieces bring philosophy out of the ivory tower and demonstrate an exciting new way to think in public. Simon Critchley is the Hans Jonas Professor of Philosophy at the New School for Social Research and the moderator of the New York Times’ Stone column. He is a board member of the Onassis Foundation, and his most recent book is Tragedy, the Greeks, and Us. He lives in Bro

Season three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton. The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae’s latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it’s often around a table) and about the specters of other, better worlds that haunt Chang-rae’

In The Rule of Law in the United States: An Unfinished Project of Black Liberation (Hart, 2021), Dr. Paul Gowder focuses on examining the ideals of the American rule of law by asking: how do we interpret its history and the goals of its constitutional framers to see the rule of law ambitions its foundational institutions express? The book considers those constitutional institutions as inextricable from the problem of race in the United States and the tensions between the rule of law as a protector of property rights and the rule of law as a restrictor on arbitrary power and a guarantor of legal equality. In that context, it explores the distinctive role of Black liberation movements in developing the American rule of law. Finally, it considers the extent to which the American rule of law is compromised at its frontiers, and the extent that those compromises undermine legal protections Americans enjoy in the interior. It asks how America reflects the legal contradictions of capitalism and empire outside its bo

How do gender and race interact to affect the election, behavior, and impact of all individuals – raced women and gendered minorities alike? According to our authors, “what we know depends mightily on how we go about obtaining that knowledge.” Political scientists have often assumed that there are no gender differences among minority representatives, and no racial differences among female representatives. Race, Gender, and Political Representation: Toward a More Intersectional Approach (Oxford UP, 2020)examines HOW and to what extent political representation is simultaneously gendered and raced in the context of late 20th and early 21st century US state legislatures. Haynie, Reingold, and Widner examine how gender and race interact to affect the election, behavior, and impact of individual state legislators. The analysis – and their substantive findings – demonstrate how intersectionality, as a critical epistemology, compels us to re-evaluate the study of gender, race, and representation. Without critically e

How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised 'elsewhere' and 'otherwise'. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland - and through conversations that expand these geographies and genealogies of contemporary exhibition making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial (Leuven UP, 2020) charts new ground by analysing the convergences of museums, curatorial practice, and Europe's reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies. Free ebook available at OAPEN Library, JSTOR and Project

Law and violence are thought to share an antithetical relationship in postcolonial modernity. Violence is considered the other of law, lawlessness is understood to produce violence, and law is invoked and deployed to undo the violence of lawlessness.  Oishik Sircar's book Violent Modernities: Cultural Lives of Law in the New India (Oxford UP, 2021) uses a critical legal perspective to show that law and violence in the New India share a deep intimacy, where one symbiotically feeds the other. Researched and written between 2008 and 2018, the chapters study the cultural sites of literature, cinema, people's movements, popular media and the university to illustrate how law's promises of emancipation and performances of violence live a life of entangled contradictions. The book foregrounds reparative and ethical accounts where law does not only inhabit courtrooms, legislations and judgments, but also lives in the quotidian and minor practices of disobediences, uncertainties, vulnerabilities, double binds and failu

When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world. Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved. But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve. The Aesthetics of Virtual Reality (Routledge, 2021) is the first book to present an aesthetics of virtual realit

If maximizing utility leads to the greatest happiness of the greatest number of people, as utilitarianism has always proposed, then why is it that as many of us currently maximize our utility--by working endlessly, undertaking further education and training, relentlessly marketing and selling ourselves--we are met with the steady worsening of collective social and economic conditions? In Futilitarianism: Neoliberalism and the Production of Uselessness (MIT Press, 2021), social and political theorist Neil Vallelly eloquently tells the story of how neoliberalism transformed the relationship between utility maximization and the common good. Drawing on a vast array of contemporary examples, from self-help literature and marketing jargon to political speeches and governmental responses to the COVID-19 pandemic, Vallelly coins several terms--including the futilitarian condition, homo futilitus, and semio-futility--to demonstrate that in the neoliberal decades, the practice of utility maximization traps us in useles

In Confidence Culture (Duke UP, 2022), Shani Orgad and Rosalind Gill argue that imperatives directed at women to “love your body” and “believe in yourself” imply that psychological blocks rather than entrenched social injustices hold women back. Interrogating the prominence of confidence in contemporary discourse about body image, workplace, relationships, motherhood, and international development, Orgad and Gill draw on Foucault’s notion of technologies of self to demonstrate how “confidence culture” demands of women near-constant introspection and vigilance in the service of self-improvement. They argue that while confidence messaging may feel good, it does not address structural and systemic oppression. Rather, confidence culture suggests that women—along with people of color, the disabled, and other marginalized groups—are responsible for their own conditions. Rejecting confidence culture’s remaking of feminism along individualistic and neoliberal lines, Orgad and Gill explore alternative articulations of

In Black Gathering: Art, Ecology, Ungiven Life (Duke UP, 2021), Dr. Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and

The Salton Sea is a kaleidoscope. To some people, it's a waste land, a place of death only suitable for a dumping ground. For others, it's a clarion call, a warning for what humanity faces in our anthropogenically climate changed future. For still others, it's simply home. In The Settler Sea: California's Salton Sea and the Consequences of Colonialism (U Nebraska Press, 2021) Dr. Traci Brynne Voyles, associate professor of women's and gender studies at the University of Oklahoma, argues that the this place has defied people's expectations and attempts at control for hundreds of years, and that the key to understanding the Salton Sea (and indeed, all environments) is to recognize that they never just mean one thing. Part environmental history, part work of environmental justice studies, The Settler Sea tackles topics as diverse as damming, geology, and the history of birding in southern California - it is a book as wide ranging and hard to pin down as contentious sea at its center. Dr. Stephen R. Hausmann is a