New Books In Critical Theory

As the fortification of Europe's borders and its hostile immigration terrain has taken shape, so too have the biometric and digital surveillance industries. And when US Immigration Customs Enforcement aggressively reinforced its program of raids, detention, and family separation, it was powered by Silicon Valley corporations. In cities of refuge, where communities on the move once lived in anonymity and proximity to familial and diaspora networks, the possibility for escape is diminishing. As cities rely increasingly on tech companies to develop digital urban infrastructures for accessing information, identification, services, and socioeconomic life at large, they also invite the border to encroach further on migrant communities, networks, and bodies. In Migrants in the Digital Periphery: New Urban Frontiers of Control (U California Press, 2025), Matt Mahmoudi unveils how the unsettling convergence of Silicon Valley logics, austere and xenophobic migration management practices, and racial capitalism has allo

The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin’s Little Man, Little Man, Mildred D. Taylor’s Roll of Thunder, Hear My Cry, Toni Morrison’s The Bluest Eye, Gene Luen Yang’s American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms. Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical tradi

From Cape Town to Bristol and Richmond, statues have become sites of resistance and contestation of our imperial past and postcolonial present. The Psychic Lives of Statues by Rahul Rao offers an insightful exploration of these global controversies, demonstrating that beneath their surface lie deeper struggles over race, caste, and the politics of decolonisation. Rao takes readers on a journey through South Africa, England, the US, Ghana, India, Australia, and Scotland, revealing how statue controversies have dramatically rearranged the canon of anticolonial political thought. By examining these debates through a personal and literary lens, Rao addresses the multifaceted issues of justice, cultural memory, and belonging. The Psychic Lives of Statues (Pluto Press, 2025) examines both the toppling of colonial statues and the raising of postcolonial ones, demonstrating that the statue form as a medium of representation and a bid for immortality is by no means obsolete. Engaging with artists, scholars, and activi

Glorious Bodies: Trans Theology and Renaissance Literature (U Chicago Press, 2024) offers a prehistory of transness that recovers early modern theological resources for trans lifeworlds.  In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology.  Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offer

Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana (University of North Carolina Press, 2023) is the first detailed account of Louisiana's unprecedented turn to mass incarceration from 1970 to 2020. Through extensive research, Dr. Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana's carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding "crime." However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confi

Today I talked to Mark Neocleous about his new book Pacification: Social War and the Power of Police (Verso, 2025). For more than two decades, Neocleous has been a pioneer in the radical critique of policing, security, and warfare. Today we will discuss his newest work on the theory and practice of pacification, which, he argues, is “social warfare carried out through the ideology of peace.” Pacification not only aims to counter resistance to capitalist exploitation, dispossession, and displacement, but it aims to prevent such resistance from emerging in the first place by constructing social institutions and the built environment. Pacification is a totalizing process by which states deploy social policies, symbolic practices, and coercive operations in order to produce cooperative – or at least acquiescent – subjects. However, pacification never succeeds in obscuring the antagonistic nature of capitalist social relations. Consequently, pacification becomes an endless social war for peace. Mark Neocleous is P

In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible? In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital. Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empire (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action wi

Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025) by Dr. Maggie Cao is the first book to offer a synthetic account of art and US imperialism around the globe in the nineteenth century. In this work, art historian Dr. Cao crafts a nuanced portrait of nineteenth-century US painters’ complicity with and resistance to ascendant US imperialism, offering eye-opening readings of canonical works, landscapes of polar expeditions and tropical tourism, still lifes of imported goods, genre paintings, and ethnographic portraiture. Revealing how the US empire was “hidden in plain sight” in the art of this period, Dr. Cao examines artists including Frederic Edwin Church and Winslow Homer who championed and expressed ambivalence toward the colonial project. She also tackles the legacy of US imperialism, examining Euro-American painters of the past alongside global artists of the present. Pairing each chapter with reflections on works by contemporary anticolonial artists including

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His re

Tahrir Hamdi is a Professor of Resistance Literature at the Arab Open University in Jordan. She is the author of the award-winning Imagining Palestine and serves as an assistant editor of Arab Studies Quarterly. National identities are inherently fluid, shaped as much by collective beliefs and cultural practices as by official borders and territory. For Palestinians, whose national status remains contested, the articulation and imagination of national identity take on particular urgency. Imagining Palestine: Cultures of Exile and National Identity (Bloomsbury, 2022) examines how Palestinian intellectuals, artists, activists, and ordinary citizens envision their homeland, engaging with the works of key figures such as Edward Said, Ghassan Kanafani, Naji al-Ali, Mahmoud Darwish, Mourid Barghouti, Radwa Ashour, Suheir Hammad, and Susan Abulhawa. Drawing on decolonial and resistance concepts—particularly Palestinian sumud—Hamdi argues that the imaginative construction of Palestine is central to the Palestinian st

What is the future of reading? In Reading Audio Readers: Book Consumption in the Digital Age (Bloombury, 2024), Karl Berglund, Assistant Professor in Literature at Department of Literature and Rhetoric at Upsala University, examines the rise of audiobooks as a new mode of reading books. The analysis draws on digital humanities methods and a detailed industry case study to show who are the readers of audiobooks, how those readers engage and consume books, what sort of genres are most popular, and crucially how all of this us impacting on the publishing industry. The research also picks up on important themes of continuity and change represented by audiobooks, from ongoing issues of inequalities through to the new forms of writing practice and AI generated narrators. A richly detailed but easily accessible text, the book is essential reading for scholars across academia, as well as anyone interested in reading! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium

Uncovers a powerful relationship between pathology and money: beginning in the nineteenth century, the severity of mental illness was measured against a patient’s economic productivity. Madness and Enterprise: Psychiatry, Economic Reason, and the Emergence of Pathological Value (U Chicago Press, 2024) reveals the economic norms embedded within psychiatric thinking about mental illness in the North Atlantic world. Over the course of the nineteenth century, various forms of madness were subjected to a style of psychiatric reasoning that was preoccupied with money. Psychiatrists across Western Europe and the United States attributed financial and even moral value to an array of pathological conditions, such that some mental disorders were seen as financial assets and others as economic liabilities. By turning to economic conduct and asking whether potential patients appeared capable of managing their financial affairs or even generating wealth, psychiatrists could often bypass diagnostic uncertainties about a pe

Why has the United Kingdom, historically one of the strongest democracies in the world, become so unstable? What changed? Late Soviet Britain: Why Materialist Utopias Fail (Cambridge UP, 2023) demonstrates that a major part of the answer lies in the transformation of its state. It shows how Britain championed radical economic liberalisation only to weaken and ultimately break its own governing institutions. The crisis of democracy in rich countries has brought forward many urgent analyses of neoliberal capitalism. This book explores for the first time how the 'governing science' in Leninist and neoliberal revolutions fails for many of the same reasons. These systems may have been utterly opposed in their political values, but Abby Innes argues that when we grasp the kinship in their closed-system forms of economic reasoning and their strategies for government, we may better understand the causes of state failure in what remains an inescapably open-system reality. Abby Innes is Associate Professor of Political

Class Meets Land: The Embodied History of Land Financialization (University of California Press, 2024) by Dr. Maria Kaika & Dr. Luca Ruggiero reveals something seemingly counterintuitive: that nineteenth-century class struggles over land are deeply implicated in the transition to twenty-first-century financial capitalism. Challenging our understanding of land financialization as a recent phenomenon propelled by high finance, Dr. Kaika and Dr. Ruggiero foreground 150 years of class struggle over land as a catalyst for assembling the global financial constellation. Narrating the close-knit histories of industrial land, industrial elites, and the working class, the authors offer a novel understanding of land financialization as a “lived” process: the outcome of a relentless, socially embodied historical unfolding, in which shifts in land’s material, economic, and symbolic roles impact both local everyday lives and global capital flows. This interview was conducted by Dr. Miranda Melcher whose new book focuses o

Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore? Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovere

My guest today Sam Srauy is an Associate Professor in the Department of Communication, Journalism, and Public Relations at Oakland University, Her research examines race, video games, and the political economy of the video game industry. Srauy’s work appears in various academic journals including Social Media + Society, First Mondays, Games and Culture, and Television and New Media. She teaches courses on identity, race/racism, digital media production, and video game studies/production. Prior to academia, Srauy worked for over a decade in the high-tech industry. Her experience in that field includes municipal wireless networks, open-source technology, and streaming media systems. About the book:  Race, Culture and the Video Game Industry: A Vicious Circuit (Routledge, 2024) offers a detailed and much needed examination of how systemic racism in the US shaped the culture, market logic, and production practices of video game developers from the 1970s until the 2010s. Offering historical analysis of the video g

White before Whiteness in the Late Middle Ages (Manchester University Press, 2024) by Dr. Wan-Chuan Kao analyses premodern whiteness as operations of fragility, precarity and racialicity across bodily and nonsomatic figurations. The book argues that while whiteness participates in the history of racialisation in the late medieval West, it does not denote skin tone alone. The 'before' of whiteness, presupposing essence and teleology, is less a retro-futuristic temporisation - one that simultaneously looks backward and faces forward - than a discursive figuration of how white becomes whiteness. Fragility delineates the limits of ruling ideologies in performances of mourning as self-defence against perceived threats to subjectivity and desire; precarity registers the ruptures within normative values by foregrounding the unmarked vulnerability of the body politic and the violence of cultural aestheticisation; and racialicity attends to the politics of recognition and the technologies of enfleshment at the systemi

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn’s analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a criti

A History of Capitalist Transformation: A Critique of Liberal-Capitalist Reforms highlights how, since the recent financial crises, the expression ‘liberal reform’ has entered common parlance as an evocative image of austerity and economic malaise, especially for the working classes and a segment of the middle class. But what exactly does ‘liberal reform’ refer to? The research analyzes the historical origins of liberal-capitalist reformism using a critical approach, starting with the origins of the Industrial Revolution. The book demonstrates that the chief purpose of such reforms was to integrate semi-peripheral states into the capitalist world-economy by imposing, both directly and indirectly, the adoption of rules, institutions, attitudes, and procedures amenable to economic and political interests of capitalist élites and hegemonic states – Britain first, the United States later – between the nineteenth and twenty-first centuries. As such, the reforms became an active tool used to promote social-economic

Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism. Literature is a mode of thinking, stories being one of the oldest thinking 'devices' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material ('language') and its subject matter ('reality'). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism (Oxford UP, 2024) argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive. Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and not just as