New Books In Critical Theory

The election of Donald Trump in 2016 shocked and appalled a number of people, forcing a critical reevaluation of what was possible, and what we ought to be vigilant about. A debate soon emerged about whether Trump represented the possibility of fascism in the United States. This debate centered around the ways in which fascism has often presented itself; the rhetoric and aesthetics in particular, often at the expense of examining the underlying economic form. Against this tendency, Michael Joseph Roberto has emerged with a corrective, The Coming of the American Behemoth: The Origins of Fascism in the United States, 1920-1940 (Monthly Review Press, 2018), arguing that fascism is not composed of moral relics of the past but is a distinctly modern movement, tied inherently to the nature of capitalism. Turning to the United States in the roaring 20’s and depressed 30’s, Roberto has several interlinked tasks. Primary to the book is reframing our understanding of fascism as a reaction against revolutionary working