Consequence Of Sound

The Regrettes join Senior Writer Tyler Clark backstage at Lollapalooza, where they discuss their spirited cover of "Ballroom Blitz", why they love '90s comedies like Wayne's World, and getting e-mails from Lin Manuel Miranda. The Los Angeles rockers also dream up their ideal bill, debate between Lollapalooza and Riot Fest, and explain what drew them together as bandmates in the first place.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

With an artist like Travis Scott, your mileage will vary depending on your own priorities. The music might take your breath away, if the worst of the lyrics don’t make you roll your eyes. An album review by Wren Graves.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

In this special report from Consequence of Sound, President/Editor-in-Chief Michael Roffman and Senior Writer Tyler Clark sit down with David "Dave 1" Macklovitch and Patrick "P-Thugg" Gemayel of Chromeo to discuss the past, present, and future of Lollapalooza. Together, they reflect on the evolution of Chicago's biggest musical festival, weigh in on the crowd disparity between genres, and the band's four storied Lolla performances over the years. Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

The fourth full-length studio album from The Internet and the band’s first release independent of the Odd Future imprint, Hive Mind is an almost seamless follow-up to their critically acclaimed 2015 album, Ego Death. They best the previous effort with full-bodied production and cleaner, more-focused writing.An audio review by Karas Lamb, read by Cap Blackard. Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Not all art demands a considered approach, and yet something about the tossed-off quality of Teatime Dub Encounters feels like a missed opportunity. An album review by Collin Brennan, read by Sara Murphy.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Six years after their slight-but-satisfying Hair, Bay Area rock demi-god Ty Segall and longtime collaborator Tim Presley (dba White Fence) return with Joy, another collaborative album of half-melted psych-rock intent on sending listeners on a high-speed swirl through a very cracked kaleidoscope.An album review by Tyler Clark.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

On the latest Track by Track, Dirty Projectors' Dave Longstreth describes his new record, Lamp Lit Prose, as a natural progression from the previous record’s surprisingly dark tone and electronic focus. Join Longstreth and Consequence of Sound's Randall Colburn for the stories behind each of the new tracks. Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Lamp Lit Prose hits as a reflexive beam of positivity, a bright journey into a new love that finds Dirty Projectors' David Longstreth brimming with light. Incorporating soul and funk gives him a pep in his step that’s been missing on the past couple of releases, a return to the joyous sounds of Bitte Orca that propelled them to stardom nearly a decade ago.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

The second studio album from Kim Gordon’s post-Sonic Youth project is a new creative peak with she and fellow guitarist Bill Nace playing around with variables of feedback, reverb, delay and pure noise to bring about a collective but controlled chaos. An album review by Robert Ham.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Northern Chaos Gods, the ninth studio album from black metal legends Immortal and first in nearly a decade, takes listeners through a frostbitten landscape of, well, chaos. The only source of warmth comes through Demonaz Doom Occulta’s vocals, which are so intense that it sounds like he’s breathing fire all over the studio.An album review by Brody Kenny.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Ordinary Corrupt Human Love has moving, emotional pieces and sharp performances bolstered by a band clearly stretching out of its comfort zone successfully. It's a refreshing new shade of Deafheaven's sound without abandoning any of the band’s core mechanics.An album review by TJ Kliebhan.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

In late 2016, Nine Inch Nails masterminds Trent Reznor and Atticus Ross staked a sudden pivot to short-form with Not the Actual Events: the unruly, first chapter in a planned EP trilogy -- a saga the band furthered last year with the even-terser Add Violence. The triptych’s final installment, a six-song, 31-minute mini-album titled Bad Witch, proves far more fleshed out than the preceding releases: a refreshingly grounded conclusion to an ephemeral thrill ride.An album review by Zoe Camp, read by Michael Roffman.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Gorillaz seem content to oscillate between extremes, a futuristic pop powerhouse that cannot decide what the future looks like.An album review by Collin Brennan, read by Cap Blackard.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

In contrast to his previous release, Uniform Distortion isn’t wrapped in a web of psychedelia, but rather in a blanket of solace. With lines like, “I guess I’ll leave it in a song,” this album, at its core, functions as a coping mechanism for James and a delightful extension of his songwriting skills for his fans. Through the strain of incessant information, James cuts through the bullshit to remind us to all take a pause … and that alone these days is remarkable.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Liberation really is a welcome return to form for one of this era’s greatest vocalists. Christina Aguilera’s voice is arguably at its very apex — stronger, deeper, and fuller than we remember -- and Liberation is a showcase of exactly what she can do with those pipes. All of it makes for her most interesting, diverse, unusual, and conceptually cohesive set since 2006’s Back to Basics or even 2002’s Stripped. She has our attention once again. Now, what will she really do with it?An album review by Taylor Dougherty, read by Clint Worthington.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Listening to Heaven & Earth will give you a better sense of Kamasi Washington, the man and the artist, as well as the moods and textures of the America in which he resides. It'll also give you the chance to say you heard him when he was still, it seems, on the ascent towards the heights of his considerable powers. What a lucky time to own a record player.An album review by Tyler Clark.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

There's no danger of Chromeo remaking their chosen genre in their own funky image, but there's also no danger of them releasing a bad record, either. The most dependable dance band of the 21st century continues its consistency streak on Head Over Heels, which contains enough radio-ready rump-shakers to earn a spot in your warm-weather playlist for this summer and a few more to come. If Chromeo can settle into their new California home and keep flipping through their ever-deepening Rolodex of potential collaborators, we'll be saying this again in a couple of years.An album review by Tyler Clark.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Testing is loud, frenetic, spastic, and about as vibrant as rap can be. The songs are busy, crowded with radiant instrumentation and stacked vocals, and rarely take time to breathe. It’s a welcome addition to a genre that has become so occupied with spacey, bare-bones operations and overly simplistic results.An album review by Banksy Gonzalez, read by Michael Roffman.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Lost & Found finds Jorja Smith making a name for herself with presence and poise. Throughout these 12 songs, she commands a mastery of various styles, with enough experiments to flesh out a varied, captivating album. An album review by David Sackllah, read by Cap Blackard.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Moby is selling his entire record collection in the name of charity. Ahead of the big purge, the legendary producer meditates on his time collecting vinyl and explains why he's relieved to let them all go. He also offers a sneak peek at the rare finds, choice gems, and embarrassing relics everyone will find when the collection goes online at Reverb.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy