Austin Art Talk Podcast

“We have literally been depicting animals since we could make artwork, since we could paint on the walls of caves. It’s pretty much across every culture and civilization in history, animals have been part of artwork that’s been created. I just found that so fascinating and when I was thinking about how to put what I was doing down on paper. That felt like the cornerstone idea of why I am doing this and why these animal portraits can be important and part of this, a part of humanities portrayal of animals in artwork.” Photographer Randal Ford (https://www.randalford.com/), who specializes in conceptual portraiture and advertising work, just released a gorgeous book of animal portraits. The Animal Kingdom is a project that he has been creating on along side his regular work for almost 10 years. It all started when DJ Stout of Pentagram Design (https://www.pentagram.com/about/dj-stout) approached Randal to make portraits of Dairy cows. It was a novel and fresh idea and soon he found himself getting more animal

"Being a parent I can relate. I know what it’s like now to not be able to work on projects that I want to work on. And those are like real life obstacles, whether it’s a day job, or a sick family member, or a young child that needs taken care of. There are a lot of obstacles in our life that keep us from being creative. Whether they’re just excuses we make up for ourselves or they are real. We still need to be creative. That’s the breakthrough that I made. It seemed harder to do my work as an artist and be a mom. It felt easier to maybe just stop being an artist. Even playing around with that I tired putting it down for a month or so seeing if that was easier, and it wasn’t. That was a real breakthrough to know where my creativity came from and why I needed to create. It made me more of myself and it made me a happier person and it was an expression that I needed to get out. That’s nice to know that it’s not for other weird egotistical reasons that people feel like maybe they are or might be creating for. It

"A single object can be these extremely different things depending on the context. When the lights are bright in the gallery a whole bunch of what that painting is becomes completely obscured, it’s not even present at all or barely visible or not even there. And when the lights cycle off it's the same thing, there’s a whole bunch of that painting that’s not there at all, but all those things that were hidden before are now visible. I like that back and forth and that feeling of transformation. And the painting itself being a static object but existing as a time based thing.“ The dualities of our existence are many, life and death being one of the most prominent. And we are often searching for rational patterns and order in our experience. Art can sometimes greatly change our subjective view and that can be very intentional on the part of the artist. Shawn Camp (http://www.shawncamp.net/) has pushed himself for decades to use painting, sound, video, and his teaching skills to explore these varied ideas and ma

"I had never been to a glacier. I had this vision of them being these giant massive things that were just there. I never really thought about how much of a living organism they are. Growing and retreating, melting, and expanding and changing. When we went on hikes on the glacier the pathway changes constantly because of the nature of the glacier and the route. With climate change these things that have been around for thousands of years are disappearing. This object I thought was a permanent structure has this really ephemeral, impermanent quality." How would you communicate the enormity of a glacier or the complexity of global warming, with a sculpture or drawing? Would you travel to Iceland to see for yourself the scale of the issue and personally trace the many miles of ice that have been lost? Dameon Lester did just that, motivated by a desire to go beyond just looking at images on the internet. He wanted to use all of his senses and see it for himself as he crafted a body of work with the goal of commun

"We are all connected. We need to be a village for each other and raise and support each other through everything. Being in the art community what I have found is that I've finally found my tribe. I found my tribe in the people that understand the emotional roller coaster ride of being an artist and the constant self questioning and pushing. It’s that hunger in us to constantly be better." After going to medical school and practicing as a pediatrician for many years, and at the same time growing a family, Vy Ngo (http://vyngostudio.com/) felt that there was still something missing from her life. As a child and in high school she pursued many artistic endeavors, but that took the back seat to her career as a physician for decades. Once she started creating art again three years ago, her drive to work hard and push herself to be the best kicked in, and it has greatly enhanced the rest of her life in the process. She found that creating art was a way that she could have freedom and time away from the demands o

"These images like murals are images that can speak to people and that people can identify with. You don’t have to be from a certain background or certain city or community or ethnicity or political belief or religious belief. These are my visual memorials to the epic and endless struggle of the human experience." From Vincent Valdez’s point of view we have a choice as to which way we want to go as a country. We can start again. It could be the beginning of a darker chapter in our history or a more enlightened and inclusive one. And art can sometimes be that guide to help tell us who we are, what we are made off, and where we can go from here. One of his biggest fears is that we are not learning from history, some of which is seemingly lost, and some of it ignored or manipulated to favor one group over another. Vincent has never wanted to be anything other than an artist and he vowed and pledged an oath to himself and his work right from the beginning. Never would he sway from what he felt in his heart that

“I don’t remember what artist said this but I’ve always liked this. She said ‘There are no dumb ideas.’ And I always keep that in my head. Maybe you are not going like it when you get to that point of is this done or isn’t or who cares. You have to try it. You have to see where it goes. That’s why we’re artists. Were allowed to do that. Nobody is telling us you can’t do that. There might be people saying that but they are wrong. You can do this. You can do whatever you want. That’s why you’re an artist.” Marjorie Moore’s (https://marjoriemoore.com/) art career has continued to evolve through many decades of work. Her core themes and ideas have maintained consistency and evolved but the way she communicates with and through different types of drawing, painting, and combined media have changed with the different phases of her life. From the isolation of a farm in western Maine to the big city, it has all shaped what she wants to say and how. She has a love of materials, the tactile experience of making things

"For me it only becomes an artwork if it has the potential to have a lot of layers of meaning. I have my themes that I always want to emphasize and I’m always looking for ways buoy those themes and so I’m on the look out. The aesthetics are never the thing that get me. It’s if there is something out there that I see that will speak to what I am already thinking about. Memory plays a big part when I come back to my studio in what I want to infuse back into my paintings. So I know that it was a beautiful waterfall but its not about just a beautiful waterfall. Its about family, and trust, and memory of that beautiful walk. I’m probably the only one that knows that. But while I’m painting I’m definitely thinking about that and hoping I can infuse that kind of depth into my paintings." Drawing and painting are a way for Valerie Fowler (https://valeriefowler.com/home.html) to be in the moment, to relax, and to get into the flow and journey of her art. She starts with an idea and then reacts to what happens next as

"You really need to define success for yourself, separately from the reactions of other people. If you are waiting to publish the book or get collected by museum X or all of those things that depend on other people, you need to reframe success for yourself. You can't control them nor should you really want to. You could hope that they would come along for the ride. Define success for yourself and then focus on making sure that happens. You can control that. You can get involved in that and make those things happen." Getting to interview John Paul was definitely at the top of my wish list while visiting Maine during the month of August 2018. As I say in the interview I've been following his work for years and have always been impressed with how generous he is with his teachings and processes and also the depth and beauty of his images. If you are looking for a technical discussion on Photoshop and cameras to choose this is not the one. We had a fairly philosophical conversation about many subjects including

"You have to cultivate your own ability to be inspired. As I become more mature as an artist its how do I create the circumstances to cultivate the mood and the mental state I need to be in to really connect with my vision as an artist." Four years ago when she hit a low point in her life, artist Caitlin McCollom (https://cgmccollom.com/) could not have imagined that today she would be a full time artist with a successful career. When you don’t have anything, you don’t have anything to lose someone once said. Then why not just create the work that fulfills your soul as opposed to what everyone else wants you to do she thought. Starting from the emptiness of nothing forces you to surrender and appreciate all of those meaningful physical and spiritual moments that you might have before taken for granted. It was a painful reset but it allowed her to start making the work she was meant to make. She had wanted to be an artist from a young age and always had a strong compulsion to create. As she rebuilt her life

“My advice would be to work as hard as you can on your work and get interested. Use anything you can, get hold of anything you can. Study that and work at it. You have to work at it a lot. Research, do your work, and get as much knowledge as you can from as many people as you can. That’s about it.” At the age of eighty seven Claude Van Lingen has had a long career as an artist and is still doing as much as he is able to create work everyday. He has since he was a child sought to learn about and practice art, and as an adult has additionally spent many years teaching young artists and giving back. Initially he was trained in a very academic style but then eventually got into more abstract and non conventional work and made breakthroughs after following his own advice that he gave his students in a class on creativity he created. After moving from South Africa to New York City in 1978 he gained an MFA from the Pratt Institute, and in 2006 moved to Austin. The Austin Critics Table awarded him Artist of the Ye

"It’s easy to get stagnant with what you are doing. I just want to keep staying motivated and keep getting better. But also just not being so hard on myself. It’s easy to be your own worst critic and just think everything you are doing is horrible and getting in those ruts. But to be able to just pick yourself right back up and just be like, OK why am I like this. Why do I feel like this? What's the next step?" Most of us have seen great live and behind the scenes images, or portraits and press photos of our favorite bands, but do you ever wonder who gets to take those? Pooneh Ghana (https://www.poonehghana.com/) is local but for the past 10 years she has been spending a lot of her time traveling all over the US and the world photographing at music festivals, touring, and doing portrait and video shoots. Many of the bands you have probably heard of but some maybe you haven’t. She is inspired to capture these musicians and events because of her love of music and to help share and support the community. What

“In one of our early meetings I expressed to Rebecca that I was having some confusion around how do I continue to present things and ideas that I have worked on in the past. Working with this material of coal but also introduce something new and explore new territory. She really didn’t hesitate and was like, go wild, don’t slow yourself down. Just keep creating and keep making and explore, you know keep exploring. And so I think that is something I will take away from this show is that idea of just like you said not pigeonholing yourself but allowing yourself to be constantly influenced by new things and influenced by new people and new interactions that you have.” - William T Carson SOURCE MATERIAL is a collaboration between artists William T. Carson and Rebecca Rothfus Harrel, conceived by Troy Campa, the owner and curator of CAMIBAart. Turns out each artist was a big fan of the others artwork and jumped at the chance to work together. But to what extent would they collaborate? Would their individual wor

"I just love learning from the work. Just leaving it open and learning. It’s part of my being in the world. I try to be patient with myself and my artwork. There were years where it felt like it didn’t connect to the larger art world. But I just had to keep working. And I think you never know what’s coming unless you keep working, unless you keep that thread going. I think developing as a person is a part of what goes into the work. Who you are and what you think about and what's important to you is what comes out in the work whether you want it to or not." Madeline Irvine uses a hyper saturated salt solution to draw and paint works on paper that reference the ocean and recently try to address issues around climate change and the importance of buffer zones. When the water evaporates from the paper it leaves behind crystalline salt structures that grow independent of any control or intentions imposed upon them. Beyond the climate change issues, these salt paintings and drawings are beautiful and fascinating s

"For me authenticity is being truthful, and just allowing yourself to be vulnerable." "I express myself through fashion by just letting it flow and just walking into my closet and kind of treating it like a palette and just wearing what I feel and grabbing pieces that I feel work for me instinctively at that moment." Dawn Okoro is a figurative painter who uses bright and bold saturated colors and as she has in her most recent exhibition, Punk Noir, captured the spirit and presence of creative people in her community who live with a kind of punk attitude. She started out at a young age being good at art but ended up studying psychology and law for many years and took a circuitous path to becoming the artist she always wanted to be. Realizing that life is short and that she had been repressing and muting an important part of her true self she began two years ago to paint more seriously, partly inspired by her life long love of fashion and fashion photography. Many of her previous series of work have addressed

"It’s not easy but for me it’s very enjoyable to put on these wigs and be these people. One mainly because I am an entertainer and I like to entertain people and I like what these characters do to people, and to me. But then in a deeper sense I’m very much exploring and reclaiming a lot things about myself that were taken from me as a kid. And that’s a slow, slow process." Paul Soileau simply considers himself an artist even though he does practice and inhabit many different forms of art, theatre, performance, music, dance, and ways of self expression. More than creating a singular piece of art he is utilizing his body, voice, creativity, and soul to craft a unique and inspiring experience for his audience, one that he would want to witness himself. Rebecca Havemeyer and Christeene Vale are his most well known and traveled characters. They couldn’t be more different but the motivation behind them both comes from a simliar place. In addition to being very entraining and well loved, each character is a way for

"I am generally not thinking about what it means because I don’t know that I am imbuing it with any particular sort of meaning. I’m more inclined to let the viewer take what they want from it. I’m not generally sending a message. Except, look at this amazing old stuff. That is the message. Look at this stuff that you walk by everyday and don’t care about." Laura Caffrey has spent the last 20 years creating artwork out of junk. Well maybe not always what you might consider straight-up junk but often things that most people would not stop to pick up off the ground or buy from a thrift store. Laura on the other hand is always looking for what she considers treasures and materials to create really beautiful and thoughtful assemblages of those strange and wonderful finds. She has had a life long passion for seeking out and sharing curiosities and she knows the story and origin of every little bit that goes into each piece she creates. Minimalism is not a lifestyle that she would entertain or subscribe to in the le

“This is what I want, this is what makes me fulfilled, is to make work. I need to do that. In order to go further, in order to grow, as an artist you have to do! You can’t ask why all the time. You can ask why later.” Visual artist Charles Heppner’s work spans many different mediums and has many themes but ultimately focuses on the sanctity of beauty, especially in nature, how its appreciation makes us human, communication, and the interconnectedness of everything. He is devoted to both being an artist and a great parent and has figured out how to be present in both as he has integrated his art practice into his life as a stay at home dad. As a parent he has figured out how to be responsible while keeping his projects moving forward which is not always easy. Years of making work along with daily creative discipline and a journaling practice have given him the confidence to ask better questions to explore through his art and at the same time not be attached to finding an answer. Give up control and follow you

"Who are the people in your life that inspire you, that support you, that you can connect with on a regular basis, to keep that creative spirit going, to inspire you to explore things that you maybe never have?" "If you have something that lights your fire, that really inspires you, find a way to do it and surround yourself with people who are doing it also." For the last thirty five years Jason Phelps has been studying and practicing a diversity of performing arts including acting, dance, music, and voice-over. Additionally he has been dedicated to and invested in education, tutoring, mentorship, voice training, and directing. He gets inspiration from his peers and other Austin artists as well as people working all over the world as he seeks to collaborate and continue the conversations that drive him. What can you create that is relevant to the place where you live and address issues in that community? How can we think more creatively to solve problems? Jason is also passionate about exploring the differe

"The way that I look at things, anything, even this big storm brewing outside, I feel like my eyes aren’t acknowledging it enough. I feel almost restless that I’m not able to look at it and be satisfied. I want to capture it again. I want to hold the moment again through my hand or a gesture of that big tree blowing in the wind. I want to recycle and feel it again but through my translation. Because I think this world is so gosh darn gorgeous and people are so interesting that it’s not enough just to look at them. I want to smell them and draw them and feel it again." America Martin (http://americamartin.com/) endeavors daily to capture this gorgeous and interesting world and the people in it with her art. She translates what she sees by holding and acknowledging the many moments and gestures of life through painting, drawing and sculpture. It’s not enough just to look. This translation then communicates to the viewer the world as she perceives it. Knowing at a young age that she wanted to be an artist she se