The Folklore Podcast

Compared to the amount of folklore surrounding death customs and beliefs, there is little discussion about the beginning of our timelines - the traditions relating to pregnancy and birth. Redressing the balance, on this episode of The Folklore Podcast host Mark Norman is joined by Jemma Nicholls, a doula who has recently begun developing workshops looking specifically at these traditions and customs. Jemma has been researching these areas for some time, leading to the putting together of her new workshop entitled Charms and Childbirth. Website: www.thefolklorepodcast.com Support us on Patreon: www.patreon.com/thefolklorepodcast Twitter: www.twitter.com/folklorepod

The rugged coastlines of the county of Cornwall, on the south-western tip of the UK, are etched with stories. Here you’ll find tales of powerful mermaids, spiteful witches, crafty smugglers and woeful ghosts. Up on the moors are mischievous creatures, huge giants and elusive beasts. Joining the creator of The Folklore Podcast Mark Norman on this episode of the podcast is Cornish folklore writer Anna Chorlton. Through her new book, Cornish Folk Tales of Place, Anna retells collected tales of North and East Cornwall. These stories were recorded through a community project called Mazed Tales, which can be found on the internet at www.mazedtales.org. Anna discusses the project, her writing and folklore collecting in Cornwall historically, and more.  

Russian hereditary witch,occultist and witchcraft scholar Natasha Helvin joins podcast host Mark Norman to discuss the beliefs, traditions and practices associated with witchcraft in the Slavic tradition. In what ways is this similar to other traditional witchcraft practices and how does it differ? To support the Folklore Podcast on Patreon, please visit www.patreon.com/thefolklorepodcast

The Girl Who Speaks Bear is Sophie Anderson's second book based around traditional Russian folk tales. Despite having only been published for a short time, she has already been shortlisted for a whole raft of awards - the Carnegie Medal, Children's Fiction Book of the Year, the Waterstones prize and many more. On this episode of the podcast, host Mark Norman talks to Sophie about Russian folklore, why it is important to her and how she uses it in her writing as a storytelling mechanism. To support the Folklore Podcast on Patreon to keep the show ad-free, and enjoy extra content, please visit www.patreon.com/thefolklorepodcast

In 1977, a set of three childrens books were published which would go on to become a cult classic. Among the most borrowed (and probably most stolen) from school libraries across the country, these three titles made up the Usborne Mysteries of the Unknown series. Individually, they were the Worlds of the Unknown that looked at Ghosts, Monsters and UFOs. Recently, an internet petition and campaign ran to bring back the most loved of these three titles, Ghosts. In this episode of the podcast, host Mark Norman discusses the importance of this book with Usborne staff member Anna Howorth (who launched the campaign to bring the book back) and director of the animated film 'Borley Rectory', Ashley Thorpe.   To support the Folklore Podcast on Patreon and help keep all episodes ad-free, please visit www.patreon.com/thefolklorepodcast

Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture; people created and concealed many objects to protect themselves from harmful magic. Brian Hoggard's book, Magical House Protection examines the principal forms of protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft.In this episode of The Folklore Podcast, Brian discusses at length both the contents of the book and his extensive research project which has accumulated over 2,000 examples since it started in 1999.

1686, Iceland. A wild, isolated landscape that can swallow a man without so much as a volcanic gasp, where superstitious Icelanders are haunted by all-too-recent memories of witch trials. Such is the setting for the novel "The Glass Woman", written by the special guest on this episode of The Folklore Podcast, Caroline Lea. The book is variously described as 'rich in superstition and mystery' and 'both chilling and beguiling'. Caroline joins podcast creator and host Mark Norman to discuss her research into the folklore and superstition of historic Iceland, how she came to weave it into her novel, and more general thoughts on landscape and tradition. Help to keep The Folklore Podcast freely available by supporting us on Patreon with a small monthly donation at www.patreon.com/thefolklorepodcast

The country of Iceland is both bleak and beautiful in equal measure, and is also home to some of the darker aspects of folklore and belief. In this first of two episodes of the podcast looking at Icelandic Lore through the lens of popular authors, host Mark Norman is joined by bestselling Icelandic crime novelist Yrsa Sigurdardottir. Yrsa has lived in Iceland her whole life and has woven many aspects of its folklore into her award-winning crime novels. She discusses her memories of folklore as a child and those stories which resonate today. To support The Folklore Podcast and access extra content, please visit www.patreon.com/thefolklorepodcast

In this episode of the podcast, host Mark Norman is joined by comedian and author Jem Roberts to discuss his new book, 'Tales of Britain'. A number of years in the compiling and producing, Tales of Britain takes 77 well known and more obscure folk tales from around the country and retells them for the 21st century, along with a unique travel guide which allows the reader to visit the locations in which they were set. To support the Folklore Podcast and access extra content, please visit www.patreon.com/thefolklorepodcast

The second of two interviews examining themes of witchcraft. Following on from the last episode of Cunning Folk, in this episode of the podcast Mark Norman is joined by Marion Gibson, Professor of Renaissance and Magical Literatures at the University of Exeter. Marion discusses her latest book, 'Rediscovering Renaissance Witchcraft' and the unique degree course on magic and witchcraft that she teaches at the University. To support the Folklore Podcast on Patreon, please visit www.patreon.com/thefolklorepodcast

PhD researcher Tabitha Stanmore joins the Folklore Podcast creator and host Mark Norman, and historian Tracey Norman, to discuss her research into the role of the service magician in history. Spanning the years from c. 1350 to c. 1650, Tabitha researches how magic was practiced and by whom, whether this changed over the period, and how magical practice was affected by perspectives on gender. She also explores the extent to which magic was tolerated at different social strata, from the employment of village cunning folk to magic's use at the English royal court. To support the Folklore Podcast on Patreon, please visit www.patreon.com/thefolklorepodcast

The landscape that surrounds us is rich in folklore connected with the plants and flowers that dwell within it. Some of these are old and connect with the world of fairy. Some are more modern and relate to invasive species. All are fascinating. In this episode of the Folklore Podcast, storyteller and environmentalist Lisa Schneidau discusses the research which went into her book "Botanical Folk Tales of Britain and Ireland" and tells some of the stories related to our plant-based beliefs. To support the Folklore Podcast please visit www.patreon.com/thefolklorepodcast

In this episode, Folklore Podcast creator and host Mark Norman takes a look at some of the old (and a few of the modern) customs and traditions associated with Valentine's Day. From the medieval period, by way of early house visiting traditions and love divination, the episode explores many of the UK practices before travelling around the world to look at a selection of other ways that Valentine's is celebrated

Folklore Podcast creator and host Mark Norman is joined in this episode by folklore blogger and film academic Icy Sedgwick to discuss the genre of horror and supernatural in film. The discussion explores the research being undertaken by Icy as part of her PhD on the representation of hauntings on the movie screen and particularly looks at the tropes we find in folkloric accounts of ghosts. Do these translate to the portrayal of the ghost in film, and do the films themselves create their own folklore and mythos which works its way back into our own cultures? To keep the Folklore Podcast running and providing free content each month, please consider a small monthly donation at www.patreon.com/thefolklorepodcast

To kick off Season 4 of The Folklore Podcast, host Mark Norman examines traditional New Year customs and celebrations around the world, noting the many similarities in different cultures as well as the unique aspects found from place to place. To support the Folklore Podcast on Patreon, and keep the show running, please visit www.patreon.com/thefolklorepodcast

The Krampus has become a big folkloric figure at Christmas time in recent years. But less discussed and of equal interest are the female figures of the Perchten from the alpine regions. On this, the final episode of Season 3 of the Folklore Podcast, host Mark Norman redresses the balance in an interview with alpine folklore expert Al Ridenour, the creator of the Bone and Sickle podcast. To support the Folklore Podcast, please visit www.patreon.com/thefolklorepodcast

In the first of two episodes of the podcast examining festive folklore for December, Folklore Podcast creator and host Mark Norman looks at the history and origins of the Mummers Play and other Yuletide folk plays and traditions. Contesting the broad opinion that they plays 'are just pagan' the episode traces similarities and differences through other performances such as the pantomime and the Commedia Dell'arte before examining other similar practices such as the Mummering house visits of Newfoundland and the Irish Wrenboys. This episode also contains recordings of performances made in the field. Support the continuing free episodes of the podcast on Patreon at www.patreon.com/thefolklorepodcast

Prejudices against people because of the colour of their skin are unacceptable. And yet, it is often socially accepted to make fun of people because of the colour of their hair. Why should this be any different? And is there any evidence to back up the beliefs? In this episode Mark Norman, the creator of The Folklore Podcast, discusses the beliefs, superstitions and folklore attached to those sporting red hair. To support the continued ad-free production of the podcast, please visit www.patreon.com/thefolklorepodcast

As beautifully performed and presented as it was, there is far more to the concept of the 'genie' than Disney's manic blue singing version in Aladdin. The genie is the Westernised version of the Jinn, the supernatural being from Islamic and Arabian mythology and lore. On this episode of the Folklore Podcast, host Mark Norman and researcher Tracey Norman are joined by Dedra Stevenson, an author from the UAE who draws on a lot of this folklore in her fiction writing. Dedra explains exactly what the Jinn are, and how they are a very real part of Muslim beliefs. Support the Folklore Podcast on Patreon for extra content and rewards at www.patreon.com/thefolklorepodcast

The lullaby as a song type is found in cultures all over the world. Whilst the familiar interpretation is as a gentle song to lull a child to a restful sleep, in this episode podcast creator and host Mark Norman offers some alternative readings where the lyrics and back-story are somewhat darker and more likely to induce nightmares. The episode also features a guest talk from Armenian folklore researcher and lecturer Hasmik Matikyan on the lullaby as a form of work song, drawn from her own cultural experiences and interviews.