Indiewire's Filmmaker Toolkit

What Does a Childhood Memory Look and Sound Like? That's a question we explore with the "Minari" director, who revisited his memories of growing up on an Arkansas family farm in the 1980s to make this film. And for the second half of the podcast Isaac and I welcome his composer Emile Mosseri into the conversation to discuss their collaboration. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it feel like when your relationship to the world around you suddenly changes? Riz and Darius talk about the unique subjective experience they crafted for the audience as Ruben (Ahmed) looses his hearing, and the immersive way they shot ‘Sound of Metal.’ From putting mics down Riz’s throat, to learning drums, to the fascinating way sound design dictated editing and camera, we jump inside one of the more interesting production and craft stories of this awards season. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zhao and Richards talk about how their process and filmmaking has evolved over 3 films, their spiritual connection to Terrence Malick, why Zhao decided to edit herself and Richards wanted to build Fern's van himself (and ended up with a production design credit), and marvels of Frances McDormand. Learn more about your ad choices. Visit megaphone.fm/adchoices

The only way Shaka King was going to get a film made about the Chicago leader of the Black Panthers, Chairman Fred Hampton (Daniel Kaluuya), was to mask it as ‘Donnie Brasco’ genre film, and on this podcast we break down the incredible structure and ingenuity of this remarkable script. Shaka also talks about collaborating with DP Sean Bobbitt (after Bradford Young had to step away form the project), how the 'Judas' team turned modern day Cleveland into the westside of Chicago of the late 60s, the music track the director played at every pitch meeting (much to Exec Prod Ryan Coogler's dismay), and actress Dominique Fishback's vital role in shaping the film's third act and the role of Deborah Johnson (now known as Akua Njeri). 'Judas and the Black Messiah' is streaming now on HBO Max. Learn more about your ad choices. Visit megaphone.fm/adchoices

The “Euphoria” creator talks about writing his new Netflix film around Zendaya’s persona and talents, throwing away the first two days of shooting, lacking confidence on set, finding the right needle drops, making the special “Euphoria” episodes, being aware of the audience’s (and his own) attention span, and severely restricting the number shots, angles, and lenses he uses. We also address (at the beginning and end of the podcast) Malcolm’s (John David Washington) attacks on film critics in the film, which Sam believes is being misconstrued and I believe is problematic. Learn more about your ad choices. Visit megaphone.fm/adchoices

'Gunda' Director Victor Kossakovsky by Chris O'Falt Learn more about your ad choices. Visit megaphone.fm/adchoices

When “Bloody Nose, Empty Pockets” premiered at Sundance last January it sparked a predictable conversation about what qualifies as a documentary. Bill and Turner Ross’ nonfiction story about the last night of a bar on the outskirts of the Las Vegas Strip was actually shot in a New Orleans bar, its patrons were bar flies the co-directors had met in an extensive casting process of visiting late night watering holes throughout the city. What got lost in the focus on the behind-the-scenes elements of making “Bloody Nose” was the craft that went into it and art that unfolded on screen. Bill and Turner are masters of direct cinema, and on the podcast we give them an opportunity to dig into their craft and process. Learn more about your ad choices. Visit megaphone.fm/adchoices

A fascinating filmmaking discussion about how echoes Truffaut, Scorsese, Peckinpah, and Bergman found their way into this intimate nonfiction drama. Ree and “the Painter” (Kysilkova) talk about their unique collaboration and what happened off-screen before filming, while the director also opens up about how he was mentally drained and ready to give up on the film before getting an important call from Sundance. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most cinematically exciting, joyous, and sad films of the year, the director behind "Cameraperson" talks about her process of making a Netflix film with her father about his dementia and inevitable death. Learn more about your ad choices. Visit megaphone.fm/adchoices

How ‘Son of Saul,' 'Lincoln' and other scripted narrative films Influenced this Documentary’s Up-Close and Widescreen Subjectivity. From casting to editing, a deep dive into the Grand Jury Prize winner for Best Documentary at Sundance 2020, and the frontrunner for the 2021 Oscar. Learn more about your ad choices. Visit megaphone.fm/adchoices

Possibly the film of the year, Garrett Bradley takes us inside the creation of her poetic cinematic process in making a film about love, family, and incarceration. Learn more about your ad choices. Visit megaphone.fm/adchoices

'Succession' Deep Dive: Creator Jeremy Armstrong and His Craft Team Break Down the Season 2 Finale – "The Is Not for Tears." Learn more about your ad choices. Visit megaphone.fm/adchoices

Damon Lindelof and the ‘Watchmen’ nominated crafts team analyze Episode 6 “The Extraordinary Being" and the filmmaking behind Hooded Justice's origin story. Learn more about your ad choices. Visit megaphone.fm/adchoices

IndieWire is launching a new Craft podcast called Deep Dive on Monday with Watchmen creator Damon Lindelof and his creative team of artisans breaking down episode 6 "This Extraordinary Being." To learn more listen to this trailer. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Hulu series' star and co-creator talks about stepping into the showrunner role and directing four episodes for Season 2. Also discussed: Editing during the pandemic, short films vs. formulaic TV structuring, and the letter he shared from "Ramy" parking coordinator Jon Johnson Sr. that went viral throughout the production world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gould on how he is approaching the end of “Better Call Saul” and his writers room tackles character on the series that is a prequel to "Breaking Bad.” We also discuss how the visual and aural language of the show has evolved from co-creator Vince Gilligan's original series. Learn more about your ad choices. Visit megaphone.fm/adchoices

The executive producer and director of episodes 1, 2, and 8 breaks down how she translated the graphic novel's cynical tone and visual style for creator Damon Lindelof. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Good Fight" Creators Michelle And Robert King by Chris O'Falt Learn more about your ad choices. Visit megaphone.fm/adchoices

The reporter who got inside Fox News talks about adapting his definitive book on Roger Ailes into the limited series starring Russell Crowe and how Ailes was a real life Citizen Kane, who mixed the talents of Leni Riefenstahl and Louis B. Mayer. Learn more about your ad choices. Visit megaphone.fm/adchoices

The "Ex Machina" and "Annihilation" director on his move to TV and his limited series "Devs." Learn more about your ad choices. Visit megaphone.fm/adchoices