New Books In Journalism

When Russian President Vladimir Putin launched his unprovoked, full-scale invasion of Ukraine just before dawn on 24 February 2022, it marked his latest and most overt attempt to brutally conquer the country, and reshaped the world order. Christopher Miller, the Ukraine correspondent for the Financial Times and the foremost journalist covering the country, was there on the ground when the first Russian missiles struck and troops stormed over the border. But the seeds of Russia's war against Ukraine and the West were sown more than a decade earlier. This is the definitive, inside story of its long fight for freedom. Told through Miller's personal experiences, vivid front-line dispatches and illuminating interviews with unforgettable characters, The War Came To Us: Life and Death in Ukraine (Bloomsbury, 2023) takes readers on a riveting journey through the key locales and pivotal events of Ukraine's modern history. From the coal-dusted, sunflower-covered steppe of the Donbas in the far east to the heart of the

As television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics: Cable Television and the Fragmenting of America from Watergate to Fox News (Princeton UP, 2023) tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits and divided and distracted Americans by feeding their appetite for entertainment--frequently at the expense of fostering responsible citizenship. In this timely and provocative book, Kathryn Cramer Brownell argues that cable television itself is not to blame for today's rampant polarization and scandal politics--the intentional restructuring of television as a political institution is. She describes how cable innovations--from C-SPAN coverage of congressional debates i

Photography matters, writes Jerry Thompson, because of how it works--not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. In Why Photography Matters, he constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way. Jerry L. Thompson is a working photographer who also writes about photography. He worked as Walker Evans’s principal assistant from 1973 to Evans’

British Hong Kong was a historical anomaly in the Cold War. It experienced no "hot war" or organized movement for independence, and yet it was a key battlefield of Asia's cultural Cold War thanks largely to its unique location right next to Mao's China. The large influx of filmmakers, writers, and intellectuals from the mainland after 1948-1949 made the colony a hub of mass entertainment and popular publications in the region.  Po-Shek Fu’s book Hong Kong Media and Asia’s Cold War (Oxford University Press, 2023) is the first systematic study of Hong Kong's cultural Cold War. Based on untapped archival materials, contemporary sources, and numerous interviews with filmmakers, magazine editors and student activists, this book sheds lights on the contest between Communist China, Nationalist Taiwan, and the US to mobilize the colony's cinema and print media to win the hearts and minds of ethnic Chinese in Southeast Asia and around the world. At the front and centre of this propaganda and psychological warfare was

In Imperiled Whiteness: How Hollywood and Media Make Race in "Postracial" America (University Press of Mississippi, 2023), Penelope Ingram examines the role played by media in the resurgence of white nationalism and neo-Nazi movements in the Obama-to-Trump era. As politicians on the right stoked anxieties about whites “losing ground” and “being left behind,” media platforms turned whiteness into a commodity that was packaged and disseminated to a white populace. Reading popular film and television franchises (Planet of the Apes, Star Trek, and The Walking Dead) through political flashpoints, such as debates over immigration reform, gun control, and Black Lives Matter protests, Ingram reveals how media cultivated feelings of white vulnerability and loss among white consumers. By exploring the convergence of entertainment, news, and social media in a digital networked environment, Ingram demonstrates how media’s renewed attention to “imperiled whiteness” enabled and sanctioned the return of overt white supremac

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut publication offers a remarkable record of this historic moment. August in Kabul: America's Last Days in Afghanistan (Bloomsbury, 2023) is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbors dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days. Andrew Quilty’s photography career began in Sydney, in the year 2000, on the day his application to a university photo elective was rejected. He quit, and set off around Australi

The emergence of Turkish nationalism prior to World War I opened the way for various ethnic, religious, and cultural stereotypes to link the notion of the “Other” to the concept of national identity. The founding elite took up a massive project of social engineering that now required the amplification of Turkishness as an essential concept of the new nation-state. The construction of Others served as a backdrop to the articulation of Turkishness –and for Turkey in many ways, the Arab in his keffiyeh and traditional garb constituted the ultimate Other. In Arabs in Turkish Political Cartoons, 1876-1950: National Self and Non-National Other (Syracuse University Press, 2023), Ilkim Büke Okyar brings the everyday production of nationalist discourse into the mainstream political and historical narrative of modern Turkey. Okyar shifts the focus of inquiry from the abstract discourses of elite intellectuals to the visual rhetoric of popular culture, where Arabs as the non-national Others hold a front seat. Drawing up

When Ed Goodwin moved with his parents to Greenwood, Tulsa, in 1914, his family joined a growing community on the cusp of becoming a national center of black life. But, just seven years later, on May 31, 1921, the teenaged Ed hid in a bathtub as a white mob descended on his neighborhood, laying waste to thirty-five blocks and murdering as many as three hundred people. The Tulsa Race Massacre was one of the most brutal acts of racist violence in U.S. history, a ruthless attempt to smother a spark of black independence. But that was never the whole story of Greenwood. The Goodwins and their neighbors soon rebuilt it into “a Mecca,” in Ed’s words, where nightlife thrived, small businesses flourished, and an underworld economy lived comfortably alongside public storefronts. Prosperity and poverty intermixed, and icons from W.E.B. Du Bois to Muhammad Ali ambled down Greenwood Avenue, alongside maids, doctors, and every occupation in between. Ed grew into a prominent businessman and bought a newspaper called the Ok

How should we understand contemporary migration policy? In Radical Hospitality: American Policy, Media, and Immigration (Rutgers UP, 2022), Nour Halabi, an Interdisciplinary Fellow at the University of Aberdeen, explores this question by blending history, media studies, and a range of critical theory to introduce the idea of radical hospitality. Using detailed historical and contemporary case studies- from the 1880s and the Chinese Exclusion Act, through the 1920s and the National Origins Act, up to the 2000s and the Muslim travel ban- the book offers both a rethink of the history of immigration as well as a radical call for a new approach. Rich in detail and broad in scope, the book is essential reading for anyone wishing to see a better world for migrants everywhere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In 2018, Emily Flitter received a tip that Morgan Stanley had fired a Black employee without cause. Flitter had been searching for a way to investigate the deep-rooted racism in the American financial industry, and that one tip lit the sparkplug for a three-year journey through the shocking yet normalized corruption in our financial institutions. Examining local insurance agencies and corporate titans like JPMorgan Chase, BlackRock, and Wells Fargo and reveals the practices that have kept the racial wealth gap practically as wide as it was during the Jim Crow era. Flitter exposes hiring and layoff policies designed to keep Black employees from advancing to high levels; racial profiling of customers in internal emails between bank tellers; major insurers refusing to pay Black policyholders’ claims; and the systematic denial of funding to Black entrepreneurs. She also gives a voice to victims, from single mothers to professional athletes to employees themselves: people who were scammed, lied to, and defrauded b

From 2-13 March 2022 - only a week into Russia's full-scale invasion of Ukraine - Russian forces tried and failed to take and hold Voznesensk, a small but strategically important town 80 kilometres northwest of Mykolaiv. Looking back, the commander of the 300 professional troops that repulsed the attacks with the help of civilian volunteers concluded that this "one small, decisive and improbable victory … almost certainly saved Ukraine from a larger encirclement and most likely from the prospect of defeat". In A Small, Stubborn Town: Life, Death and Defiance in Ukraine (Ithaka, 2023), Andrew Harding tells the story of the battle for Voznesensk through the eyes of its participants - from commander "Formosa" to 32-year-old mayor Yevhenii to the "archipelago of stranded, pensionless pensioners" like Svetlana eking out a living and redefining their identities through war. Although he has been reporting from the front line for the BBC since March 2022, Andrew Harding is the BBC’s Africa correspondent and has lived

Who is believed in our mediated world? In Believability: Sexual Violence, Media and the Politics of Doubt (Polity Press, 2023),  Sarah Banet-Weiser, Distinguished Professor at the University of Pennsylvania’s Annenberg School for Communication and Professor of Communication at the University of Southern California’s Annenberg School for Communication and Journalism, and Kathryn Claire Higgins, Postdoctoral Fellow at the University of Pennsylvania’s Annenberg Center for Collaborative Communication, examine this question by introducing the conception of an economy of believability governing who is, and who is not, believed or doubted. Written in the wake of #MeToo, the book engages directly with key contexts such as post-truth and the commodification of sexual violence. Thinking through questions of race and class, the analysis ranges widely, covering representations of sexual violence in fiction and non-fiction media, contemporary controversies and court cases, and the backlash from men in positions of power.

The Big Break: The Gamblers, Party Animals, and True Believers Trying to Win in Washington While America Loses Its Mind (Twelve, 2023) investigates how Washington works, and how different kinds of people try to make it work for them. Ben Terris presents an inside history of this crucial moment in Washington, reporting from exclusive parties, poker nights, fundraisers, secluded farms outside town, and the halls of Congress; among the oddballs and opportunists and true believers. This book is about the people who see the current interlude as an opportunity to build something -- for their country, for themselves -- amid the wreckage. Ben Terris is a writer in The Washington Post's Style section with a focus on national politics. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, unassuming figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers.  Get the Damn Story: Homer Bigart and the Great Age of American Newspapers (Georgetown UP, 2023) is the first comprehensive biography to encompass all of Bigart’s journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era—the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. Bigart’s career demonstrates the value to a democratic society of a relentless, inquiring m

Not merely the act of representing events with words or images, a "news event" is the reciprocal relationship between the events being reported in the news and the event of the news coverage itself.  In The News Event: Popular Sovereignty in the Age of Deep Mediatization (U Chicago Press, 2023), Francis Cody focuses on how imaginaries of popular sovereignty have been remade through the production and experience of such events. Political sovereignty is thoroughly mediated by the production of news, and subjects invested in the idea of democracy are remarkably reflexive about the role of publicly circulating images and texts in the very constitution of their subjectivity. The law comes to stand as both a limit and positive condition in this process of event making, where acts of legal and extralegal repression of publication can also become the stuff of news about news makers. When the subjects of news inhabit multiple participant roles in the unfolding of public events, when the very technologies of recording

The word "narrative" is now so frequently heard that some think it over used. Perhaps its ubiquity results from it being so relevant – what used to be thought of as the mundane area of misinformation has become one of the most powerful elements of political practice. Andreas Krieg discusses the latest trends in the world of story-telling with Owen Bennett-Jones. Krieg is the author of Subversion: The Strategic Weaponization of Narratives (Georgetown UP, 2023). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In this episode, the journal’s Features Editor Liberty Vittert and Editor in Chief Xiao-Li Meng discuss fake news, disinformation, and misinformation with Scott Tranter, CEO and founder of Optimus Analytics, and Hany Farid, a professor from UC Berkeley who specializes in the analysis of digital images and is the author of two MIT Press books: Fake Photos and Photo Forensics. This episode is syndicated from the new Harvard Data Science Review Podcast. Published by the MIT Press, Harvard Data Science Review is an open access multidisciplinary journal that defines and shapes data science as a scientifically rigorous field based on the principled and purposed production, processing, parsing and analysis of data. If you enjoy this preview of the Harvard Data Science Review podcast, find the journal on twitter at @TheHDSR and remember to subscribe to their podcast on your favorite platform.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbook

Anthony Wilks discusses his career heading up audio-visual projects for the London Review of Books. He tells the story of his winding career, in addition to some great musings about the future of the greater book world. Anthony Wilks is head of audio and video at the London Review of Books. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The history of reportage has often depended on outsiders--Ryszard Kapuściński witnessing the fall of the shah in Iran, Frances FitzGerald observing the aftermath of the American war in Vietnam. What would happen if a native son was so estranged from his city by war that he could, in essence, view it as an outsider? What kind of portrait of a war-wracked place and people might he present? A Stranger in Your Own City: Travels in the Middle East's Long War (Knopf, 2023) is award-winning writer Ghaith Abdul-Ahad's vivid, shattering response. This is not a book about Iraq's history or an inventory of the many Middle Eastern wars that have consumed the nation over the past several decades. This is the tale of a people who once lived under the rule of a megalomaniacal leader who shaped the state in his own image; a people who watched a foreign army invade, topple that leader, demolish the state, and then invent a new country; who experienced the horror of having their home fragmented into a hundred different cities.

Kathryn McGarr’s City of Newsmen: Public Lies and Professional Secrets in Cold War Washington (U Chicago Press, 2022) explores foreign policy journalism in Washington during and after World War II—a time supposedly defined by the press’s blind patriotism and groupthink. McGarr reveals, though, that D.C. reporters then were deeply cynical about government sources and their motives, but kept their doubts to themselves for professional, social, and ideological reasons. The alliance and rivalries among these reporters constituted a world of debts and loyalties: shared memories of wartime experiences, shared frustrations with government censorship and information programs, shared antagonisms, and shared mentors.  McGarr shows how this small, tight-knit elite of white male reporters suppressed their skepticism to help the United States build a permanent national security apparatus and a shared, constructed reality on the meaning of the Cold War. Utilizing archival sources, she demonstrates how self-aware these repo