New Books In Journalism

Lee Gutkind is the founder of the literary magazine, Creative Nonfiction. He’s edited or authored over 30 books during his time on the faculty of, first, the University of Pittsburgh and, more recently, Arizona State University. His latest book is The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Ne’er-do-wells Concocted Creative Nonfiction (Yale UP, 2024). This episode encapsulates the journey that Lee Gutkind has made, as a self-confessed former hippie motorcyclist who not only “fought” his way into academia but helped revitalize the essay genre along the way. When Gutkind began his Creative Nonfiction magazine in 1994, maybe two dozen creative writing programs existed. Today, there are over 200 such programs around the world, and essays have become well-accepted. As Gutkind recounts, back in the day the non-beige nature of New Journalism was the driving force in style and get-out-into-the-world subject matter. Today, a previous all but all-male preserve is driven more by

Going for Broke, edited by Alissa Quart, Executive Director of the Economic Hardship Reporting Project, and David Wallis, former Managing Director of EHRP, gives voice to a range of gifted writers for whom "economic precarity" is more than just another assignment. All illustrate what the late Barbara Ehrenreich, who conceived of EHRP, once described as "the real face of journalism today: not million dollar-a-year anchorpersons, but low-wage workers and downwardly spiraling professionals."One essayist and grocery store worker describes what it is like to be an "essential worker" during the pandemic; another reporter and military veteran details his experience with homelessness and what would have actually helped him at the time. These dozens of fierce and sometimes darkly funny pieces reflect the larger systems that have made writers' bodily experiences, family and home lives, and work far harder than they ought to be.Featuring introductions by luminaries including Michelle Tea, Keeanga-Yamahtta Taylor, and As

From talking heads on cable news to hot takes online, there seems to be more opinion than ever in journalism these days. There’s an entire body of research about how this shift toward opinionated news impacts the people who consume news, but far less on how these changes impact the people who create it. Kimberly Meltzer tackles some of these questions in her book From News to Talk: The Expansion of Opinion and Commentary in U.S. Journalism (SUNY Press, 2019). The book features interviews with journalists like Maria Bartiromo and Brian Stelter about why the media landscape is changing, what role (if any) journalists play in the decline of civility in public discourse, and how they work together as communities of practice in an ever-changing profession. As Meltzer says, today’s news landscape is complex. It recalls a past era of partisan newspapers, with the added wrinkle of 21st-century technology and a desire by some outlets to hold true to the standard of objectivity that became ubiquitous after World War II

Listen to this interview of Christopher Reddy, environmental chemist and Senior Scientist at the Woods Hole Oceanographic Institution in Massachusetts. We talk about his book Science Communication in a Crisis: An Insider's Guide (Routledge Earthscan 2023). Christopher Reddy : "Communication definitely teaches us scientists things that we hadn't knows or appreciated, even in our own research. I mean, when you have to rethink about how and why you're doing something and what the outcomes mean, that is a series of mental gymnastics. And when we do gymnastics, we become fitter. We increase our longevity and have a richer and fuller quality of life. And that goes for science too: When you are challenged in the communication, you are putting yourself on a treadmill and you become fitter." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

An indispensable guide for telling fact from fiction on the internet—often in less than 30 seconds. The internet brings information to our fingertips almost instantly. The result is that we often jump to thinking too fast, without taking a few moments to verify the source before engaging with a claim or viral piece of media. Information literacy expert Mike Caulfield and educational researcher Sam Wineburg are here to enable us to take a moment for due diligence with this informative, approachable guide to the internet.  In Verified: How to Think Straight, Get Duped Less, and Make Better Decisions about What to Believe Online (U Chicago Press, 2023), you will learn to identify red flags, get quick context, and make better use of common websites like Google and Wikipedia that can help and hinder in equal measure. This how-to guide will teach you how to use the web to verify the web, quickly and efficiently, including how to • Verify news stories and other events in as little as thirty seconds (seriously) • Det

Undercover investigators have been celebrated as critical conduits of political speech and essential protectors of transparency. They have also been derided as intrusive and spy-like, inconsistent with private property rights, and morally or ethically questionable. In Truth and Transparency: Undercover Investigations in the Twenty-First Century (Cambridge University Press, 2023), Dr. Alan K. Chen and Dr. Justin Marceau rigorously examine this duality and seek to provide a socio-legal context for understanding these varying views. The book concretely defines undercover investigations, distinguishes the practice from investigative journalism and whistleblowing, and provides a comprehensive legal history. Chapters explore the public need for investigations and the rights of investigators, paying close attention to the types of investigations that fall beyond the scope of constitutional protection. The book also provides concrete empirical evidence of the broad, bipartisan support for undercover investigations and

The effort to destroy facts and make America ungovernable didn't come out of nowhere. It is the culmination of seventy years of strategic denialism. In On Disinformation: How to Fight for Truth and Protect Democracy (MIT Press, 2023), Lee McIntyre shows how the war on facts began, and how ordinary citizens can fight back against the scourge of disinformation that is now threatening the very fabric of our society. Drawing on his twenty years of experience as a scholar of science denial, McIntyre explains how autocrats wield disinformation to manipulate a populace and deny obvious realities, why the best way to combat disinformation is to disrupt its spread, and most importantly, how we can win the war on truth. McIntyre takes readers through the history of strategic denialism to show how we arrived at this precarious political moment and identifies the creators, amplifiers, and believers of disinformation. Along the way, he also demonstrates how today's "reality denial" follows the same flawed blueprint of the

Why games are still niche and not mainstream, and how journalism can help them gain cultural credibility. Mainstreaming and Game Journalism (MIT Press, 2023) addresses both the history and current practice of game journalism, along with the roles writers and industry play in conveying that the medium is a “mainstream” form of entertainment. Through interviews with reporters, David B. Nieborg and Maxwell Foxman retrace how the game industry and journalists started a subcultural spiral in the 1980s that continues to this day. Digital play became increasingly exclusionary by appealing to niche audiences, relying on hardcore fans and favoring the male gamer stereotype. At the same time, this culture pushed journalists to the margins, leaving them toiling to find freelance gigs and deeply ambivalent about their profession. Mainstreaming and Game Journalism also examines the bumpy process of what we think of as “mainstreaming.” The authors argue that it encompasses three overlapping factors. First, for games to bec

Once upon a time, if you wanted to know if a movie was worth seeing, you didn’t check out Rotten Tomatoes or IMDB. You asked whether Siskel & Ebert had given it “two thumbs up.” On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever exchanged a word) met for lunch in a Chicago pub. Gene Siskel was the film critic for the Chicago Tribune. Roger Ebert had recently won the Pulitzer Prize—the first ever awarded to a film critic—for his work at the Chicago Sun-Times. To say they despised each other was an understatement. When they reluctantly agreed to collaborate on a new movie review show with PBS, there was at least as much sparring off-camera as on. No decision—from which films to cover to who would read the lead review to how to pronounce foreign titles—was made without conflict, but their often-antagonistic partnership (which later transformed into genuine friendship) made for great television. In the years that followed, their signature “Two thumbs up!” wo

This episode’s host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans. The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

A Revolution in Type: Gender and the Making of the American Yiddish Press (NYU Press, 2023) by Dr. Ayelet Brinn offers a fascinating glimpse into the complex and often unexpected ways that women and ideas about women shaped widely read Jewish newspapers. Between the 1880s and 1920s, Yiddish-language newspapers rose from obscurity to become successful institutions integral to American Jewish life. During this period, Yiddish-speaking immigrants came to view newspapers as indispensable parts of their daily lives. For many Jewish immigrants from Eastern Europe, acclimating to America became inextricably intertwined with becoming a devoted reader of the Yiddish periodical press, as the newspapers and their staffs became a fusion of friends, religious and political authorities, tour guides, matchmakers, and social welfare agencies. In A Revolution in Type, Dr. Brinn argues that women were central to the emergence of the Yiddish press as a powerful, influential force in American Jewish culture. Through rhetorical d

Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so. The damning indictment of the mainstream media that flows through No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class (Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In No Longer Newsworthy, Martin co

Despite its extraordinary diversity, life in the People’s Republic of China is all too often viewed mainly through the lens of politics, with dynamics of top-down coercion and bottom-up resistance seen to predominate. Such a binary framing is particularly often applied to analyses of the country’s media which is understood in terms of mouthpieces of the party-state or vanishingly rare dissident voices. Yet as Maria Repnikova lucidly shows in her book Media Politics in China: Improvising Power under Authoritarianism (Cambridge University Press, 2017) there may be much more at play here than a straightforward cleavage between collaboration and resistance. Through discussion of the work of ‘critical journalists’ and their interactions with officialdom, Repnikova paints a rich and provocative picture of the flexible, creative, if nevertheless precarious, nature of state-media interactions whose implications go far beyond the media sphere. Repnikova suggests that journalistic ‘change-makers within the system’ (to

In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let's Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens' expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched. Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee. Amanda Je

My Life in Propaganda: A Memoir about Language and Totalitarian Regimes (Durvile, 2023) is Magda Stroińska’s personal account of growing up with communist propaganda in Eastern Europe. She looks at the influence of her family history that contradicted what she was taught at school; the cognitive and emotional effects of compulsory school readings; socialist realist art and film; and Radio Free Europe and Voice of America and their role in shaping her generation’s collective view of the world. Through her chosen field of linguistics, she analyzes ways in which propagandistic language, such as ‘doubletalk,’ Orwellian ‘Newspeak,’ ‘weasel words,’ and, more colloquially, ‘bullshit,’ is used to distort reality. The book demonstrates that democracy can never be taken for granted. AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a p

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant pro

It wasn’t easy writing a biography the mysterious, shape-shifting Thomas King Forçade, but after nine years of research and extensive interviews, Sean Howe did it. His new book, Agents of Chaos: Thomas King Forçade, High Times, and the Paranoid End of the 1970s (Hachette Books), chronicles the life and times of Forçade, an enigmatic figure of the center of America’s counterculture, who crafted several iconic lives for himself before his tragic death in 1978. Linking the history of the underground press, marijuana smuggling, and political conspiracies, Agents of Chaos distills a complicated period in American history through the biography of one of the decade’s most complicated men. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm

For close to half a century after World War II, Marty Glickman was the voice of New York sports. His distinctive style of broadcasting, on television and especially on the radio, garnered for him legions of fans who would not miss his play-by-play accounts. From the 1940s through the 1990s, he was as iconic a sports figure in town as the Yankees’ Mickey Mantle, the Knicks’ Walt Frazier, or the Jets’ Joe Namath. His vocabulary and method of broadcasting left an indelible mark on the industry, and many of today’s most famous sportscasters were Glickman disciples. To this very day, many fans who grew up listening to his coverage of Knicks basketball and Giants football games, among the myriad of events that Glickman covered, recall fondly, and can still recite, his descriptions of actions in arenas and stadiums. In Marty Glickman: The Life of an American Jewish Sports Legend (NYU Press, 2023), Jeffrey S. Gurock showcases the life of this important contributor to American popular culture. In addition to the stori

Dr. Amy Matthewson's Cartooning China: Punch, Power, & Politics in the Victorian Era (Routledge, 2022) explores the series of cartoons of China and the Chinese that were published in the popular British satirical magazine Punch over a sixty-year period from 1841 to 1901. Filled with political metaphors and racial stereotypes, these illustrations served as a powerful tool in both reflecting and shaping notions and attitudes towards China at a tumultuous time in Sino-British history. A close reading of both the visual and textual satires in Punch reveals how a section of British society visualised and negotiated with China as well as Britain’s position in the global community. By contextualising Punch’s cartoons within the broader frameworks of British socio-cultural and political discourse, the Dr. Matthewson engages in a critical enquiry of popular culture and its engagements with race, geopolitical propaganda, and public consciousness. This book will interest scholars and researchers of cultural studies, pol

In How the News Feels: The Empathic Power of Literary Journalists (University of Massachusetts Press, 2023), Jonathan D. Fitzgerald examines a mode of journalistic storytelling dating back nearly two centuries. Literary journalism arose in the decades before the U.S. Civil War alongside the era's sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions. How the News Feels re-centers the work of a range of writers who were active from the 1830s until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects' thoughts, motivations, a