New Books In Critical Theory

Drawing on detailed archival research on the parallel histories of human rights and neoliberalism, in Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso), Jessica Whyte uncovers the place of human rights in neoliberal attempts to develop a moral framework for a market society. In the wake of the Second World War, neoliberals saw demands for new rights to social welfare and self-determination as threats to “civilisation”. Yet, rather than rejecting rights, they developed a distinctive account of human rights as tools to depoliticise civil society, protect private investments and shape liberal subjects. Jessica Whyte is Scientia Associate Professor of Philosophy at the University of New South Wales. She has published widely on human rights, humanitarianism, sovereignty and war. She is author of Catastrophe and Redemption: The Political Thought of Giorgio Agamben, (SUNY 2013) and The Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso, 2019) and an editor of Humanity: An

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain

An incisive new look at the black diaspora, examining the true roots of antiblackness and its destructive effects on all of society. Thanks to movements like Black Lives Matter, Western society's chronic discrimination against black individuals has become front-page news. Yet, there is little awareness of the systemic factors that make such a distinct form of dehumanization possible. In both the United States and Brazil--two leading nations of the black diaspora--a very necessary acknowledgment of black suffering is nonetheless undercut by denial of the pervasive antiblackness that still exists throughout these societies. In The Denial of Antiblackness. Multiracial Redemption and Black Suffering (University of Minnesota Press), João H. Costa Vargas examines how antiblackness affects society as a whole through analyses of recent protests against police killings of black individuals in both the United States and Brazil, as well as the everyday dynamics of incarceration, residential segregation, and poverty. Wit

Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged. By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives. In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab s

In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been prod

Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In Inventing Latinos: A New Story of American Racism (The New Press, 2020), Laura Gómez, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today. Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos mig

The sexual landscape has changed dramatically in the past few decades, with the meaning of gender and sexuality now being parsed within the realms of gender fluidity, nonheteronormative sexuality, BDSM, and polyamory. The sea change in sexual attitudes has also made room for the mainstreaming of internet pornography and the use of virtual reality for sexual pleasure – and the tech gurus have not even scratched the surface when it comes to mining the possibilities of alternative realities. In The New Sexual Landscape and Contemporary Psychoanalysis (Confer Books, 2020), Danielle Knafo and Rocco Lo Bosco survey modern sex culture and suggests ways psychoanalysis can update its theories and practice to meet the novel needs of today’s generations; at the same time, paying special attention to technology, which is augmenting and expanding sexual and gender possibilities. The authors consider how sexuality and bonding in this brave new world are best suited to meet our psychoanalytic needs. Learn more about your ad

In What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (Duke University Press, 2018), Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thou

In this current moment it has become increasingly clear that US society is deeply entangled in racist policies and logics of white supremacy. While this affects numerous communities, anti-Muslim racism has continued to grow over the years. In With Stones in Our Hands: Reflections on Racism, Muslims and US Empire (University of Minnesota Press, 2018), Sohail Daulatzai, Associate Professor at the University of California, Irvine, and Junaid Rana, Associate Professor at the University of Illinois, Urbana-Champaign, turn their attention to the intersection of racecraft around Muslims and imperial projects of domination by gathering committed scholars and activists to reflect on how we’ve gotten here and how we can move forward. The collection of over 20 essays contend with political dissent and the promise of activism, migration and assimilation, suspicion and surveillance, and the intellectual and cultural archives that provide imaginative strategies for possible futures. In our conversation we discuss the patte

How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers. The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life? In search for an answer, in this episode I speak with Mack Hagood, Blayney Associate Professor of Comparative Media Studies at Miami University, writer, and podcaster about his book, Hush: Media and Sonic Self-Control (Duke University Press, 2011). In Hush, Hagood examines a variety of twentieth- and twenty-first-century technologies of sonic self-control that includes nature recordings, clinical audiometric tools, and “sound conditioners” through to top-selling white noise apps and the noise-canceling headphones offered under the commercially succesfull Bose and Beats brands. What this assortment of tools and technologies have in common, Hagood argues, is that they are all “orphic media”: kinds of media that carry or generate content that is designed to efface itself as such. Orphic media can be understood as tactics and technologies that offer us respite from po

In Disordered Violence: How Gender, Race and Heteronormativity Structure Terrorism (Edinburgh University Press, 2020), Caron Gentry looks at how gender, race, and heteronormative expectations of public life shape Western understandings of terrorism as irrational, immoral and illegitimate. Gentry examines the profiles of 8 well-known terrorist actors. Gentry identifies the gendered, racial, and sexualized assumptions in how their stories are told. Additionally, she interrogates how the current counterterrorism focus upon radicalization is another way of constructing terrorists outside of the Western ideal. Finally, the book argues that mainstream Terrorism Studies must contend with the growing misogynist and racialized violence against women. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate t

What do medieval knights, suicide bombers and "victimhood culture" have in common? Betraying Dignity: The Toxic Seduction of Social Media, Shaming, and Radicalization (Fairleigh Dickinson University Press) argues that in the second decade of the twenty-first century, individuals, political parties and nations around the world are abandoning the dignity-based culture we established in the aftermath of two world wars, less than a century ago. Disappointed or intimidated, many turn their backs on the humanitarian, universalistic culture that presumes our inherent human dignity and celebrates it as the basis of every individual's equal human rights. Instead, people and nations are returning to a much older, honor-based cultural structure. Because its ancient logic and mentality take new forms (such as social network shaming and certain aspects of "victimhood culture") -- we fail to recognize them, and overlook the pitfalls of the old honor-based structure. Narrating the history of honor-based societies, this book

How are algorithms shaping our experience of the internet? In Making it Personal: Algorithmic Personalization, Identity, and Everyday Life (Oxford University Press), Tanya Kant, a lecturer in Media And Cultural Studies at the University of Sussex interrogates the rise of algorithmic personalization, in the context of an internet dominated by platform providers and corporate interests. Using detailed empirical case studies, along with a rich and deep theoretical framework, the book shows the negative impact of algorithmic personalization, the nuances and ambivalences in user behaviours, and their modes of resistance. As we increasingly live our lives online, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how algorithms regulate our lives. Learn more about your ad choices. Visit megaphone.fm/adchoices

A few short years ago, Michael Rectenwald was a Marxist professor at NYU, pursuing his career and contemplating becoming a Trotskyist, when the political climate on campus - victimology, cancel-culture, no-platforming, and political correctness run-amok - began to bother him. He responded by creating a Twitter handle, @AntiPCNYUProf (now @TheAntiPCProf), and began bashing campus excesses with humor and biting satire. Predictably, he was soon discovered and pushed out of his job. Rectenwald struck back by publishing Springtime for Snowflakes, a memoir of his experiences in academia, which included criticism and analyses of the leftism now dominating campus culture. He followed that book with Google Archipelago, which delves into the seeming enigma of why big business embraces far-left politics - hint: self-interest is involved - and the rapid growth of consumer/citizen surveillance. The foundation for a robust leftist totalitarianism is being carefully laid. With this new volume, Rectenwald returns with his ch

Delighting in Khurram Hussain’s consistently sparkling prose is reason enough to read his new book Islam as Critique: Sayyid Ahmad Khan and the Challenge of Modernity (Bloomsbury Academic, 2019). But there is much more to this splendid book, framed around the profoundly consequential conceptual and political question of can Muslims serve not as friends or foes but as critics of Western modernity. Hussain addresses this question through a close and energetic reading of key selections from the scholarly oeuvre of the hugely influential yet often misunderstood modern South Asian Muslim scholar Sayyid Ahmad Khan (d. 1898). By putting Khan in contrapuntal conversation with a range of Western philosophers including Reinhold Niebuhr (d.1971), Hannah Arendt (d.1975), and Alasdair MacIntyre (1929-), Hussain explores ways in which Sayyid Ahmad Khan’s thought on profound questions of moral obligations, knowledge, Jihad, and time disrupts a politics of “either/or” whereby Muslim actors are invariably pulverized by the sl

How can we understand the legacy of colonialism within contemporary society? In Bordering Britain Law, Race and Empire (Manchester University Press, 2020), Nadine El-Enany, a senior lecturer in law at Birkbeck School of Law and Co-Director of the Centre for Research on Race and Law, historicises immigration law and ideas of citizenship in Britain, connecting the project of building a nation after the end of empire to whiteness, colonial violence, and racism. The book analyses legislation and case law, along with the social and historical context of immigration in Britain, to demonstrate the continued, systemic, violence at the heart of the British state. The book is essential reading across law, history, and the social sciences, as well as for anyone interested in understanding contemporary society. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christian theology has a long and at times contradictory history, riddled with tensions that make it difficult (if not impossible) to develop a single systematic account of what Christianity is. However, rather than see this as a shortcoming, one can instead try and see this as a productive philosophical and spiritual starting point. This is the animating idea of ​A Theology of Failure: Žižek Against Christian Innocence (Fordham University Press, 2019), which argues that failure should be welcomed as a core element of Christian identity. To make sense of this, her book works its way through the Neo-Platonic philosophy of the mystical theologian Dionysius the Areopagite, the Radical Orthodoxy movement, postmodern theology, and finally finds its way to the philosophy of Slavoj Žižek, who has put failure at the center of his own theoretical work. The result is a book that takes a number of twists and turns, wrestling with the shortcomings of various thinkers while still maintaining fidelity in spite of, and perh