New Books In Communications

In his short book, Theory of the Hashtag (Polity, 2019), Andreas Bernard traces the origins and career of the hashtag. Following the history of the # sign through its origins in the Middle Ages and how it became a common symbol through its placement on American typewriters and touch tone phones. He examines the hashtag’s role in changing how we define and discuss keywords. Focusing on the use of the # on Twitter and Instagram, Bernard looks at how the sign is used in activism and marketing, addressing these different fields and how they apply the hashtag to meet their own needs. In this short volume, Bernard gives insight into the symbol that has changed how we bundle discourse and organize public discussion and debate. Although other texts have talked about the hashtag as a form of social media activism, with his analysis of the history of the symbol and it’s use by marketing and advertising corporation, Bernard forces readers to think about the hashtag’s complexities and the ways in which the use of the sym

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017

The dominance of the London press in the British national media has long overshadowed the presence of local newspapers in Great Britain and the roles they played in their communities. As Andrew Hobbs demonstrates in his book A Fleet Street In Every Town: The Provincial Press in England, 1855-1900 (Open Book Publishers, 2018), this presence was extremely vibrant during the second half of the 19th century, when expanding literacy and the end of the “takes on knowledge in the 1850s and 1860s. Focusing on the local newspapers in the Lancashire town of Preston during this period, he explains how the reading of newspapers often was a different experience at that time, with public reading rooms giving people from the working classes access to the news. The local newspapers they read also were different, and embodied their communities in ways that were of great importance to their audience. Hobbs explains that most of these readers preferred these local newspapers, as they provided information that more accurately re

Today we are joined by Noah Cohan, Lecturer in American Culture Studies at Washington University in St. Louis, and the author of We Average Unbeautiful Watchers: Fan Narratives and the Reading of American Sport (University of Nebraska Press, 2019). In our conversation, we discussed the nature of sports narrative, the way that fictional and non-fictional accounts can illuminate the lived experiences of fans, and the role sports blogs have played in reshaping sports narratives beyond the capitalist and competitive frameworks promoted by major leagues such as the NBA and the MLB. In We Average Unbeautiful Watchers, Cohan investigates “the behavior of American sports fans to understand (its) cultural relevance beyond mere consumerism.” He argues that sports contain all the elements of traditional stories: beginnings, middles, ends, plots, characters, rising action, declension, and a causal trajectory. These narrative pieces allow fans to enact “consumptive, receptive, and appropriative” activities that are “funda

Let’s talk about books! How, when, and what do you like to read? Have you ever thought about the history of books and reading? How about shape, size, or texture of your book? Where do books go after they’ve been digitized? Harvard University professor Leah Price asks these questions and more in her new book, What We Talk About When We Talk About Books: The History and Future of Reading(Basic Books, 2019). Price begins her book by debunking the assumption that ebooks are more popular than print books, pointing out that in 2018 “sales revenue from hardbacks and paperbacks outstripped revenue from ebooks by more than $300 million.” She goes on to explore the history of books and reading from the changing social perceptions of reading, to reading on the move, to reading as method of political activism. Filled with cleverness and humor, Price surprises readers with interesting facts and anecdotes about books. As for the future of books and reading only time will tell, but Price believes that “the experience of imm

Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. Dr. Ebony Elizabeth Thomas's book The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Dia

How have memes changed politics? In Internet Memes and Society: Social, Cultural, and Political Contexts(Routledge, 2019), Anastasia Denisova, a lecturer in journalism at the University of Westminster, gives both a history of internet memes as well as an analysis of key case studies of their impact on politics and society. Offering a rich and detailed engagement with Russian and American politics, as well as a nuanced and even-handed assessment of specific and well-known memes. In the current complex political moment the book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand how the internet may shape forthcoming elections. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. By 1932 the Atlanta World had become a daily paper and the basis of Scott's vision for a massive Southern newspaper chain - the Southern Newspaper Syndicate, later renamed as the Scott Newspaper Syndicate. At its peak, more than 240 papers were associated with the Syndicate, making it one of the largest black press institutions in the country. However, the extent of the Syndicate's reach and its centrality to Black southern life has remained largely overlooked. In The Grapevine of the Black South: The Scott Newspaper Syndicate in the Generation before the Civil Rights Movement (University of Georgia Press, 2018), Thomas Aiello offers the first critical history of this influential newspaper syndicate, tracing its roots in the early 1930s through to its eventual dissolution in the 1950s. During this critically important period preceding the the "civil rights era" ushered in by the 1954 Supreme C

Tammy Vigil’s new book, Moms in Chief: The Rhetoric of Republican Motherhood and the Spouses of Presidential Nominees, 1992-2016 (University Press of Kansas, 2019), examines the contemporary “first spouses” on the campaign trail, at the nominating conventions, and pays particular attention to how these women (and one man, the 2016 case of former President Bill Clinton) position themselves and are positioned within a fairly narrow role in relation to their candidate-husbands. Vigil’s analysis is particularly interesting and informative in how we think about the role of public women in our country, especially in relation to the White House and their unelected roles within the political sphere. Vigil frames her examination of these dyads (the winning and losing first spouses) in context of our thinking about how women should inhabit, or not inhabit, political space. This draws on classical understandings of republican motherhood, and she traces how gendered framing and traditional expectations continue to domina

Crying the News: A History of America’s Newsboys (Oxford University Press, 2019) looks at the legion of children and teenagers who sold newspapers on city streets, moving trains, and even Civil War battlefields in the 19th and early 20th centuries. Author Vincent DiGirolamo, a history professor at Baruch College, is featured in this New Books Network/Gotham Center for New York City History podcast interview with Beth Harpaz, editor of the City University of New York website SUM. A major theme of the book is the way in which the newspaper industry successfully fought efforts to ban newsboys as child labor. Instead, newspapers promoted newsboys as grand examples of the American dream, overcoming poverty through hard work on the road to success. Indeed, many famous Americans got their start as newsboys, from Thomas Edison to Walt Disney. But that may have been more an indication of the job’s ubiquity rather than its efficacy: "It was one of the most common, if not the most common, childhood occupation," DiGirola

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures an

"What I feel most moved to write, that is banned―it will not pay. Yet, altogether, write the otherway I cannot." Herman Melville wrote these words as he struggled to survive as a failing novelist. Between 1853 and 1856, he did write "the other way," working exclusively for magazines. He earned more money from his stories than from the combined sales of his most well known novels, Moby-Dick, Pierre, and The Confidence-Man. In Herman Melville: Among the Magazines (University of Massachusetts Press 2018), Graham Thompson examines the author's magazine work in its original publication context, including stories that became classics, such as "Bartelby, the Scrivener" and "Benito Cereno," alongside lesser-known work. Using a concept he calls "embedded authorship," Thompson explores what it meant to be a magazine writer in the 1850s and discovers a new Melville enmeshed with forgotten materials, editors, writers, and literary traditions. He reveals how Melville responded to the practical demands of magazine writing

During the American Revolution, printed material, including newspapers, pamphlets, almanacs, and broadsides, played a crucial role as a forum for public debate. In Revolutionary Networks: The Business and Politics of Printing the News, 1763-1789 (Johns Hopkins University Press, 2019), Joseph M. Adelman, Associate Professor of History at Framingham State University, argues that printers—artisans who mingled with the elite but labored in a manual trade—used their commercial and political connections to directly shape Revolutionary political ideology and mass mobilization. Going into the printing offices of colonial America to explore how these documents were produced, Adelman shows how printers balanced their own political beliefs and interests alongside the commercial interests of their businesses, the customs of the printing trade, and the prevailing mood of their communities. Adelman describes how these laborers repackaged oral and manuscript compositions into printed works through which political news and o

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at the State University of New York at Geneseo--interviews Dr. Belinda Stillion Southard (she/hers)--Assoc. Prof. of Communication at the University of Georgia--on the illuminating new book, How to Belong: Women’s Agency in a Transnational World from Penn State University Press (2018). In How to Belong, Dr. Stillion Southard examines the discourse of international women leaders seeking agency for women, the traditional subjects of violence across the global south. From the Liberian Women’s Initiative (LWI) to Ellen Johnson Sirleaf to Michelle Bachelet, Stillion Southard argues that the rhetorical choices of these actors embodied their particular transnational context, pushing back against the violent entails of nationalism and citizenship, traditionally conceived. As part of a broader conversation centered on exposing the violence of national citizenship and proposing ways of rejecting that violence, this book se

In this episode of New Books in Buddhist Studies, I am joined by Daniel Veidlinger to discuss his exciting new book From Indra’s Net to Internet: Communication, Technology, and the Evolution of Buddhist Ideas (University of Hawaii Press, 2018), which offers a theoretically compelling exploration of the types communicative “ecosystems” in which Buddhist ideas have flourished throughout history. Drawing inspiration from evolutionary biology and media theory, Veidlinger’s book begins by isolating some particular traits that were unique to (or at least most well-developed in) early Buddhism, and then tracing how these traits were particular well-suited for transmission in two specific historical, cultural, and communicative contexts: namely, communities in early India and along the Silk Road in the first centuries of the Common Era. His book concludes with a lengthy exploration of the ways that the Internet Age represents a third such epoch, and propounds the provocative theory that the technological, discursive

How does thinking about gender and work help to rethink cultural hierarchies? In Cultural Production and the Politics of Women’s Work in American Film and Literature(Routledge, 2019), Polina Kroik, who teaches at Fordham University and Baruch College, CUNY, explores the relationship between work and gender in American culture. The book offers a wide-ranging discussion, from early twentieth century literature to the Hollywood studio system of the 1920s and 1930s, as well as mid-century literary publishing and contemporary television. The book analyses a wealth of well-known authors and examples, including Sylvia Plath and Mad Men, as well as figures, such as Nella Larsen, who have seen less public attention. The book is essential reading across humanities and social sciences, as well as for anyone interested in gender, race, and culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do women experience gender inequality in film and television production industries? In Women, Inequality and Media Work (Routledge, 2019), Dr Anne O’Brien, lecturer in the Department of Media Studies at Maynooth University, answers this question with a case study of the Irish media industry. Blending a critical engagement with feminist and media theory with a wealth of empirical material, the book looks at the barriers to women in media occupations. The book highlights the subjectivities within media industries that resist and are responsible for these inequalities, ultimately demanding change in both Irish and Global modes of media production. The book is an important and essential read across a range of academic readers, and for anyone interested in why we have the media we have, and how we can change it. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Resnick combines two of his passions, movies and education, in his book, Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues (Palgrave Macmillan, 2018). Films are powerful messengers which both project and reflect particular values, ideas and social behavior. Using many examples of Hollywood movies, Resnick analyzes the way movies perform in a variety of formal and informal educational settings, including sports, arts and religion. In this lively and engaging interview David Resnick shares insights he gained through decades of experience in education and research. Renee Garfinkel is a Jerusalem-based psychologist, writer, and television & radio commentator.  Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom Learn more about your ad choices. Visit megaphone.fm/adchoices

The American press is older than the United States itself. Ever since its catalytic role in the American Revolution, journalism has evolved to meet changing political, economic, and technological demands. Gregory Borchard traces this history in A Narrative History of the American Press (Routledge, 2018). He calls for a better understanding of journalism's past, at a time of acute concern about its future. Borchard is a professor at the Hank Greenspun School of Journalism and Media Studies at the University of Nevada, Las Vegas. He is the editor of Journalism History, a quarterly scholarly journal. Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the social role of data? In The Data Gaze: Capitalism, Power and Perception (Sage, 2019), David Beer, a professor of sociology at the University of York, considers this question by introducing the concept of the data gaze. The book is the third in Beer’s loose trilogy of work on data. It draws on Foucault’s work in The Birth of the Clinic to think through various theoretical and empirical examples of how the data gaze functions. The book considers theories of temporality and acceleration, along with the practices of analysts, engineers, and organisations in data capitalism, with the aim of questioning the objectivity assumed to be inherent in ‘data’. It will be essential reading to anyone seeking to understand contemporary, data, society. Learn more about your ad choices. Visit megaphone.fm/adchoices