New Books In Communications

Media Travels: Toward An Atlas of Global Media (Amherst College Press, 2025) fills a significant gap in global media scholarship by offering short, readable articles covering different types of media from around the world. Through careful and informed analysis, these eleven accessibly written chapters illustrate the particularities of different media practices and situate them within social, historical, and geographical contexts. Examples range from South African video games to Korean TV series popular in Latin America to Indigenous film and media from the US and Canada. Media studies courses, particularly introductory courses, are often narrowly focused on US and Western European canons. Instructors for introductory media studies courses wishing to expand the offerings in their curricula will find in these essays new ways of approaching foundational concepts and issues in the field, including globalization, social difference, and diverse media cultures. Scholars wishing to expand their research into specifi

Is it possible to do independent journalism in today’s Russia? “The short answer is no,” James Rodgers tells me in our conversation about his insightful and scrupulously researched book Assignment Moscow: Reporting on Russia from Lenin to Putin (Bloomsbury Academic, 2023). Rodgers is a former BBC correspondent in Moscow. We first talk about Western coverage of the Russian Revolution and the early years of the Soviet Union, when many foreign correspondents, famously John Reed, openly identified with the Bolshevik cause and cheered it on. We discuss, too, the dubious example of New York Times reporter Walter Duranty, who infamously denied the reality of famine in Ukraine in the Stalin period. And we close with a discussion of journalism in the Putin era and the challenges that all journalists, including Russians, face. As Rodgers acknowledges, much of the best reporting on what is happening inside of Russia comes from Russian exiles with good internal sources. Such reporting does not get wide attention in the W

Why is political rhetoric broken – and how can it be fixed? Words on Fire: Eloquence and Its Conditions (Cambridge University Press, 2022) returns to the origins of rhetoric to recover the central place of eloquence in political thought. Eloquence, for the orators of classical antiquity, emerged from rhetorical relationships that exposed both speaker and audience to risk. Through close readings of Cicero – and his predecessors, rivals, and successors – political theorist and former speechwriter Rob Goodman tracks the development of this ideal, in which speech is both spontaneous and stylized, and in which the pursuit of eloquence mitigates political inequalities. He goes on to trace the fierce disputes over Ciceronian speech in the modern world through the work of such figures as Burke, Macaulay, Tocqueville, and Schmitt, explaining how rhetorical risk-sharing has broken down. Words on Fire offers a powerful critique of today's political language – and shows how the struggle over the meaning of eloquence has

In the midst of the COVID-19 pandemic, we’re hearing an awful lot about the fraught relationship between science and media. In his book, News from Mars: Mass Media and the Forging of a New Astronomy, 1860-1910 (University of Pittsburgh Press, 2019), historian of science Joshua Nall shows us that a blurry boundary between science and journalism was a key feature—not a bug—of the emergence of modern astronomy. Focusing on objects and media, such as newspapers, encyclopedias, cigarette cards, and globes, Nall offers a history of how astronomers’ cultivation of a mass public shaped their discipline as it managed controversies over the possibility of canals on Mars, and even interplanetary communication. This book is strongly recommended for historians of science and communication, as well as those with an eye for material culture. Joshua Nall is curator of modern sciences at the Whipple Museum of the History of Science in the Department of the History and Philosophy of Science at the University of Cambridge. Mike

It’s The Pop Culture Professors, and today we react to the first two episodes of Alien: Earth. We break down the themes and ideas in the series, focusing on its central questions of transhumanism, the Peter Pan mythology, and the dream / nightmare imagery. We consider how this series is consistent with and differs from the Alien (1979) and Aliens (1986) movies, particularly on the central political and ideological problematics invoked. We further consider the nature and motivations of Wendy and the Lost Boys, Boy Kavalier, and Yutani. Finally, we ask how the Xenomorph, and the other alien specimens, fit into a show that seems largely focused on its AI characters. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

David de Boer returns to the podcast to talk to Jana Byars about his first book, The Early Modern Dutch Press in the Age of Religious Persecution (Oxford UP, 2023). This book is available open source here. For victims of persecution around the world, attracting international media attention for their plight is often a matter of life and death. This study takes us back to the news revolution of seventeenth-century Europe, when people first discovered in the press a powerful new weapon to combat religiously inspired maltreatments, executions, and massacres. To affect and mobilize foreign audiences, confessional minorities and their advocates faced an acute dilemma, one that we still grapple with today: how to make people care about distant suffering? David de Boer argues that by answering this question, they laid the foundations of a humanitarian culture in Europe. As consuming news became an everyday practice for many Europeans, the Dutch Republic emerged as an international hub of printed protest against reli

Why are people inclined to believe misinformation? Misguided: Where Misinformation Starts, How It Spreads, and What to Do about It (Columbia UP, 2025) is a wide-ranging and comprehensive book that shines a light on how false beliefs take root and spread, exploring the cognitive, emotional, and social factors that make us all susceptible to misinformation. Challenging approaches that focus solely on education and media literacy, Matthew Facciani emphasizes the important role identities and social ties have in the complex interplay of forces that lead people to believe things that are not true. Susceptibility to misinformation is largely shaped by social dynamics. The pressure to affirm one's personal and group identities can leave individuals vulnerable to false beliefs.  Facciani examines both offline and online connections, highlighting how social media, news media, and personal networks can promote and amplify false claims. To bring social-scientific findings to life, he shares the stories of people who fe

Jiří Anger is a scholar, archivist, and videographic critic devoted, as he says in this interview, to "making weird shapes shine." In this episode of New Books in Film, Anger sits down with Alix Beeston to discuss his award-winning book Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up.  Anger's book is an experiment in theorizing film "from below," from the perspective of moving-image objects themselves. Its revelatory readings of single frames from the digitized first Czech films by Jan Kríženecký challenge what we think we know about film materials, histories, and spectatorship. These early film objects are defined and deformed by scratches, stains, tears, and shakes that Anger takes seriously as part of an "accidental aesthetics" which reveals the creative potential of material traces and processes — beyond their shaping through human intention. How does doing film theory from below complicate our understandings of creativity and agency? What forms of scholarly or artis

If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Grant Us Eyes is a book-length close reading of Bloodborne by literary critic Nathan Wainstein (LA Review of Books, Cartridge Lit, American Book Review). Grant Us Eyes situates the game’s oft-discussed difficulty in relation to a much longer tradition of difficult art – surrealist painting, the modernist novel, etc. Wainstein probes the difficulty of Bloodborne’s fragmented narrative, the difficulty of its graphical and aural glitches, the difficulty of the philosophical problems it poses, and the difficulty of performing close analysis itself within a medium that still doesn’t have established, agreed-upon methods of interpretation in the way literature and film do. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design a

In this episode of the Language on the Move Podcast, Tazin Abdullah speaks with Dr. Esther Monzó-Nebot, Associate Professor in Translation and Interpreting Studies at Universitat Jaume I in Catalunya. They talk about Dr. Monzó-Nebot's new book The Social Impact of Automating Translation: An Ethics of Care Perspective on Machine Translation. The conversation delves into ideological issues involved in the widespread use of machine translation and the real-life impact for those who may rely on machine translations in various situations. Esther’s research and the wide variety of contributions to the book highlight the need to open a discussion about instilling an ‘ethics of care’ perspective into the use of technology to make AI-generated translations more inclusive and relevant for the communities using them. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.suppor

Violence and Propaganda in European Civil Wars explores the complex interplay between violence and propaganda during the continent's major civil conflicts in the first half of the 20th century. The book, edited by Yiannis Kokosalakis and Francisco J. Leira Castiñeira, uses a multidisciplinary approach to analyze how propaganda both reflected and fueled violence in conflicts like those in Russia, Finland, Ireland, Spain, Italy, and Greece. In essence, the book argues that violence during European civil wars was not solely a result of ideological clashes but was also deeply intertwined with and shaped by propaganda, which manipulated perceptions and fueled brutality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addre

Suruchi Mazumdar’s book addresses the complex relationship between India’s evolving, emerging media landscape, the political and economic interests of diverse media actors, and movements opposing contentious issues such as market-based economic reforms and religious nationalism. In the mid-2000s, Singur and Nandigram, nondescript semi-urban and rural areas in the east Indian state of West Bengal, suddenly became the center of national and international media attention and debates on state-led neoliberal agenda. The point of controversy were local agitations provoked by the then state government’s plans to acquire agricultural land for large scale corporate industrial projects. The movements by farmers to protect their agricultural land were described variously as challenges to neoliberal initiatives and widespread social tension that put a temporary brake to state-led market reforms. In traditional liberal narratives, the triumph of economic reforms was expected to replace value-based ideology with global eco

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly.

At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of The Liberator newspaper. His Los Angeles-based newspaper championed for women's rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press. Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed

The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair’s highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners. Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries

In this book, Paul A. Thomas—a seasoned Wikipedia contributor who has accrued about 60,000 edits since he started editing in 2007—breaks down the history of the free encyclopedia and explains the process of becoming an editor. Now a newly minted Ph.D. and a library specialist at the University of Kansas in Lawrence, he outlines the many roles a Wikipedia editor can fill. Some editors fix typographical errors, add facts and citations, or clean up the prose on existing articles; others create new articles on topics they find interesting. In Inside Wikipedia: How It Works and How You Can Be an Editor (Rowman & Littlefield, 2022), Thomas goes behind the familiar Wikipedia article page and looks at the unique brand of collaboration that is constantly at work to expand and improve this global resource. James Kates is a professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications

Years before the advent of music streaming, Sirius and XM established satellite radio services that attracted paying subscribers through their ever-expanding lineup of niche music channels and exclusive celebrity-hosted programming. Brian Fauteux's Music in Orbit: Satellite Radio in the Streaming Space Age (University of California Press, 2025) is the first book to explore how satellite radio bridges legacy broadcast music radio and streaming platforms, serving as both precursor and integral player in today's streaming media environment. Arguing for the ongoing significance of radio in the digital age and the pernicious effects of monopoly power on the vibrancy of contemporary music industries, Music in Orbit offers essential context for the serious problems now facing working musicians, music consumers, and music communities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The World is Born From Zero is an investigation into the relationship between video games and science fiction through the philosophy of speculation. Cameron Kunzelman (Mercer University, Macon, Georgia, USA) argues that the video game medium is centered on the evaluation and production of possible futures by following video game studies, media philosophy, and science fiction studies to their furthest reaches. Claiming that the best way to understand games is through rigorous formal analysis of their aesthetic strategies and the cultural context those strategies emerge from, Kunzelman investigates a diverse array of games like The Last of Us, VA-11 Hall-A, and Civilization VI in order to explore what science fiction video games can tell us about their genres, their ways of speculating, and how the medium of the video game does (or does not) direct us down experiential pathways that are both oppressive and liberatory. Taking a multidisciplinary look at these games, The World is Born From Zero offers a unique th